Sentences with phrase «most viewers feel»

Exhibit curator David Freund, a photography professor at Ramapo College, says, «Verene's photographs dodge the bullet of looking like art: surely, their surface resemblance to snapshots will make most viewers feel he is talking to them, that they can trust the seemingly artless view before them to be the truth, not a world adjusted to accommodate an artist's agenda.»

Not exact matches

Like most Pixar movies, it's irresistibly fun, funny and touching — but it's also one of the most insightful movies of the year, challenging viewers not to vilify any of their feelings, but rather emphasizing the importance of allowing room for the full range of emotions.

They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social interaction and rela - tionships; (33) the promotion of fear as the appropriate attitude to life: (34) television's cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.

In the most recent episode of his CBN show, The 700 Club, Pat Robertson gave this advice to a viewer who wrote in that he felt conflicted about continuing his engagement to a Muslim woman.

Most documentaries can feel boring or drawn out, too dry and objective to entice viewers without a deliberate interest in what's being documented.

Then, as it turns out, most viewers will guess the Big Twist, and be annoyed at how ludicrously it plays out in an endless scene that again feels more out of «Hedda Gabler» by high schoolers on speed than anything, as Penn and the assassin shriek at each other as the assassin pushes a gun against the dictator's head.

It's actually a pretty slow moving drama for most of the runtime and then within the last 10 minutes, the plot goes crazy and leaves the viewer with a weird feeling.

For me and, I think, most viewers, other horror movie villains like psychotic killers and deadly animals are simply no match for the faceless unknown that feels like a more plausible and insurmountable threat.

A 2003 production that made a limited theatrical debut in Canada just two months ago, Spymate comes to most viewers for the first time on DVD, a path that feels more appropriate.

Although Meirelles film detaches the viewer from actually feeling the gravity and emotion of each situation, this also makes for a more realistic, less manipulative feel, which some viewers may mistake for being indifferent, which this most certainly is not.

The second half of the film focuses its attention on the whodunit story, but since most of the characters lack anything interesting about them for the viewer to connect with, the stakes never feel particularly high.

But a fantastic cast doing fine work can't make this feel - good hokum believable, and most viewers who walk away satisfied are those who'd happily watch any new Plummer vehicle, just to celebrate the actor's enduring vitality and charm.

Doctor Strange's first cinematic debut, however, gives viewers a quickly paced origin story that feels as familiar as most contemporary superhero stories, where the viewer tags along to see how a man adapts to become something extraordinary, but in every other aspect the film provides relentless spectacle and levity.

While I'm reluctant to dismiss this far from shallow effort as a complete waste of time, I honestly feel that will be most viewers» guilty reaction to having carved out 95 minutes for this.

On the one hand, most people seem to agree that he did an admirable job of translating Suzanne Collins» popular dystopian sci - fi thriller into cinematic form; on the other hand, some of Ross» stylistic choices with Hunger Games (specifically, the disorienting shaky cam / editing approach) left many viewers feeling disgruntled.

Sadly, the only thing most viewers will yearn for is a hasty conclusion, which thankfully comes at under two hours (I suspect, based on how «gutted» the film feels, it was intended to be quite a bit longer).

As with most Sony DVDs, the surround sound and subwoofer effects are quite nice and the race scenes make the viewer feels as if they are standing on the track as the cars zip by.

Of course, there are a few inaccuracies and some embellishments, but none of them will detract most viewers from properly viewing, understanding and gaining a great feeling for what happened on that day.

Elaborating their story feels somehow redundant: On Chesil Beach is surely one of those films which most viewers approach knowing at least the outline of the story.

Carrey is still a marvel, and Oedekerk often quite inventive, but in the end, the film feels much more like a series of 5 - minute «Ace Ventura in Africa» skits than as a unified project, leaving the momentum hit and miss throughout for most viewers.

As we've already touched upon here on Bloody Disgusting, this past Sunday night's Season 7 premiere of the hit AMC series was one of the most disturbing, harrowing, and grueling hours of television we've ever endured, and though we understood that it was exactly as upsetting and brutal as it needed to be, many viewers didn't quite feel the same way.

It also creates a perfect space for the viewer to settle in on my interests, which are sure but can be meaningless, often formless, striving for the inexplicable; which can be most felt in the negative spaces, the cracks, the holes and barely perceptible lines that are always there connecting all seemingly disparate things.»

It feels removed from the materialism of most residential homes, yet prompts viewers to question their own ethical and moral codes of what is fundamentally important.

He frequently shoots the most simple scenes, yet each image tells a deeper story and moves the viewer to feel something.

Her videos especially, express this feeling of aesthetic and spatial displacement (and re-placement) most clearly in her use of 3D filming, where one moment the viewer is immersed in a street scene in New York, and out of nowhere in floats some form of digital detritus, a doughnut with sprinkles, for instance.

Most of the viewers felt that its layout was way too crowded for so many sculptures.

This is most keenly felt in works such as Estate nell» Orto (Summer in the Vegetable Garden) 1955, where the colour and movement of the painting engage the viewer's senses and evoke the feeling of a past experience imbued with nostalgia.

The exhibition will also feature the artist's most recent body of work, Breaking News 2015, where hundreds of red and white drawings pick out various slogans and familiar sayings that give the viewer a feeling similar to reminiscing or glancing through newspaper headlines.

I felt strongly that there still needed to be a map of the area that would look familiar to most viewers and orient them to the important geographic facts of the struggle.

Most existing «VR comics» feel like either animated shorts or flat panels ported to a headset, but these are genuine sequential illustrations created for three - dimensional space, proceeding at the viewer's own pace — which, despite being a minor form of interactivity, changes the whole experience.

Regardless of age, most women feel current beauty advertisements hurt viewers» self image and increase anxiety.