Sentences with phrase «most viewers like»

Not exact matches

In April, the software was applied to the Masters golf tournament, letting online viewers quickly see the most exciting highlights, which it selected automatically based on factors like crowd noise and player reactions.

Having its most popular networks in the least expensive cable bundle on Spectrum means more audience and revenue for Viacom, which like its peers, is struggling to keep viewers as people increasingly watch shows on smartphones and tablets.

Most of those viewers, like most of the players, fall into the daily fantasy sports sweet spot demographic of 21 - to 34 - year - old maMost of those viewers, like most of the players, fall into the daily fantasy sports sweet spot demographic of 21 - to 34 - year - old mamost of the players, fall into the daily fantasy sports sweet spot demographic of 21 - to 34 - year - old males.

Responding to an e-mail message from a Canadian viewer, Robert Novak of «Crossfire» delivered a little speech: «Marg, like most Canadians, you're ill informed and wrong.

Whether it was Mr. Aoude prepping his pregnant wife for that hectic hospital trip, or newlyweds Jeff and Shadia worrying about how their families will get along, it has shown viewers the single most important truth that will change the perceptions of Muslims: We are just like everyone else.

Like most Pixar movies, it's irresistibly fun, funny and touching — but it's also one of the most insightful movies of the year, challenging viewers not to vilify any of their feelings, but rather emphasizing the importance of allowing room for the full range of emotions.

Parts Unknown lives up to its name as Bourdain takes viewers to places like the remote mountains of Columbia, the back alleys of Tokyo and the shores of the Mississippi Delta to sample local cuisine, and immerse himself in the real culture of some of the world's most unique cities.

«It will give viewers an exclusive insight into the life of Africa's most notable and loved celebrities, giving them a taste of what it's like to live life in the limelight,» he said.

He is in some ways similar to the Robert Redford politician in «The Candidate» Like most viewers, I would vote for him against Royce in the primary (though we don't see much of the third candidate) but he is a pretty awful Mayor, focused only on becoming Governor.

As each year passes, we like to take a look back and share what our online viewers liked the most from our weekly program.

Like most television shows, the goal of Dr. Phil's producers were to create as much controversy as possible to attract viewers.

A Most Wanted Man, like such other le Carré adaptations as The Tailor of Panama and Tinker Tailor Soldier Spy, has been hard - wired with an impenetrable narrative that holds the viewer at arms length from start to finish, with the convoluted, confusing atmosphere compounded by a total absence of interesting or sympathetic characters.

While viewers searching for something more modern and exciting might find the more esoteric parts of the film to be plodding, most will leave Lincoln satisfied by the film, and inspired by its lessons: that one man's determination can change the course of history, that politics is not just a space for the power hungry, and that this country may have its problems, but it is men like Lincoln that established America as a home for freedom and change.

True, this movie was ridiculous, and stupid, but still, it obtains many laughs, especially from the teenage group it's obviously directed at... and considering I despised most of the movies it made parodies of like many other viewers, I found it amusing..

As much as I'd like to blame the trailers for misleading viewers, this is not an easy film to market, and as such, most ticket buyers walked into their screening ready for a simple, familiar formula: Seth Rogen + raunchy R - rated comedy.

Like Brent in The Loved Ones and Joshua in Animal Kingdom, he's a depressed and sullen teenager who speaks only in monosyllables — hardly a characterisation to easily win over viewers — yet Pittaway is perhaps the most successful of the three.

In the end, Get Over It may have some «punch» for the most undiscriminating of teen viewers, but most others will find the strange flavor not to their liking.

This focus may, like myself, leave some viewers disappointed that the marvellous work of Waking Life gets very little discussion yet it's probably his most thought provoking film and shadows the fact that, to begin with, Linklater was a philosopher that just happened to choose celluloid as the medium in which to express himself.

The anti-electronics message would also meet with skepticism by today's audiences, as most of the groups of younger viewers that flock to a film like Pulse are already completely enrapt in this world of digital communications, probably texting messages to their friends before, after, and during the film itself.

Where most of the memorable artifacts of pre-code cinema liked to flaunt its defiance of social decorum, The Last Flight makes an effort to shake up and unsettle the viewer, and it succeesds.

For me and, I think, most viewers, other horror movie villains like psychotic killers and deadly animals are simply no match for the faceless unknown that feels like a more plausible and insurmountable threat.

You're Next might be one of the most audience - gratifying horror films I've seen in quite a long time, rewarding the viewers as much as it likes to screw with them.

The team, nickname: Comebacks, is rounded out by the odd cinematic allusion: iPod (Jermaine Williams), a leg - humping mentally - challenged assistant, blatantly spoofs Cuba Gooding, Jr.'s Radio persona, while an Indian girl kicker (Noureen DeWulf) pays homage to Bend It Like Beckham, a film that most viewers probably haven't seen.

It's a movie that is film school bad on a technical level; it's a poor showcase for stars like Chris Hemsworth (Thor, The Avengers) and Viola Davis (How to Get Away With Murder); worst of all, it never even comes close to making its tech - heavy subject matter interesting or even comprehensible to most viewers.

Heaven is definitely not a film for everyone, in fact, I would venture most viewers will have a hard time coming away liking the film because of the lack of sympathy for the characters or when the film tries to tie in religious undertones in a mystifying final stretch.

Like most of Joel and Ethan Coen's movies, A Serious Man will no doubt draw mixed reactions from viewers, with its industry recognition confusing certain members of the general public whose heightened expectations aren't met.

Michael Haneke has showed a very sadistic worldview throughout most of his films, ranging from the brutal disturbance of Benny's Video to the provocateur whimsy of Funny Games, all of which have divided viewers between those who accept the art in his work and those who do not like his heavy - handed, Godardian ethos in feeble pursuance of making his statements.

Like most David Lynch films, Wild at Heart will polarize viewers, though I imagine it taxes the patience of even the most dedicated fans.

The Johnny Depp Quiz A cool, little page that asks the viewer a series of questions and then determines what Depp character they're most like.

It's the film's most meaningful relationship, consummated through a monotonous routine that's an inadvertent metaphor for watching the movie: Like this emotionless cipher, all viewers can do is stare joylessly at the degradation on display.

The constant focus on minutiae over bigger issues keeps the talk from being the most satisfying, but it's the type of thing that will give you plenty of tidbits with which to wow a first - time viewer, like the fact that uncredited Jerry Zucker (Airplane!

Like the candy land it spends much of the film inside, Wreck - It Ralph is incredibly sweet and only the most cynical viewers won't enjoy it.

Director Garry Marshall has made his share of genre splashes for female viewers, most notably in hits like Pretty Woman, Raising Helen, The Princess Diaries, and Beaches.

The final hour ramps up the tension with a ticking - clock element that should have most viewers right on the edge of their seats, and nobody dials the action sequences up to the epic levels quite like Nolan, and his scenes of destruction surpass anything in the series so far.

Carrey is still a marvel, and Oedekerk often quite inventive, but in the end, the film feels much more like a series of 5 - minute «Ace Ventura in Africa» skits than as a unified project, leaving the momentum hit and miss throughout for most viewers.

Automotive displays and Aircraft displays are the most challenging displays because the positions of the viewer (driver or pilot) and the display are both fixed and are not adjustable like on all other displays, they must be readable inspite of being unadjustable in high ambient light including direct sunlight, and operate with large viewing angles that affect brightness, contrast, and color.

In addition to regular best - sellers like FULLMETAL ALCHEMIST and RUROUNI KENSHIN, the high placement of so many volumes from the NARUTO series, which is also watched by millions of viewers on Cartoon Network's Adult Swim, is quickly making the property one of the most popular titles in North America.

Major television networks have lost most viewers to other alternatives, like small cable channels, Netflix, video games, and the internet.

If you like to watch movies with one or two other viewers, most mid-range tablets have IPS (in - plane switching) which offers nice resolution at wide angles.

The dead bolt function of door lock was not working so turning the knob achieve nothing and no security chain at door and no fish eye viewer on door is a big minus - I would have like to see a room safe for locking personal items provided in each room - these are not expensive and should be a standrd amenity - many or most hotels have it

Hey, I'm not sure how much interest there still is around something like this, but here's a hitbox viewer for the Steam ports of AC+R and #Reload: https://github.com/odabugs/kof-combo-hitboxes/releases There are a few issues remaining such as the lack of grab hitboxes, incorrect hitbox scale on a few moves like Millia 236H or May 236236S, and several projectile moves not showing any hitboxes in #Reload (doesn't seem to be an issue in + R), but overall most of the moves I've tested are correct.

It's hard to imagine a professional art curator, with scholastic or historical intentions, ever being able to acquire the in - depth and intimate understanding of specific materials, visual sources or local scenes needed to produce shows like these, which is why artist - curated shows serve a vital purpose to even the most casual art viewer.

In his newest and most evocative work — exhibited first at the Deutsche Guggenheim Berlin and in this accompanying catalogue — an ordered sequence of allegorical fresco - like images immerse the viewer in a total aesthetic, sensory and philosophical experience.

Like most of Marshall's subjects, she looks directly back at the viewer and, in doing so, is transformed from the object of our gaze into a fellow spectator.

Marden's early paintings box the viewer into the moment of encounter, offering at most a sliver of spattered canvas along a picture's bottom edge — like a faint crack of light beneath a door — as a whispered invitation to ponder the work's material history and creative context.

Like Francis Bacon, though, it pleased Hodgkin to refer to himself as a figurative painter; and, as with Bacon's suggestion that his own smeared agonies were realist, Hodgkin's use of the term figurative seemed to most viewers of these sumptuously coloured abstractions nothing more than a tease.

Like both of these works, Mad Tracey from Margate, Everyone's Been There positions the viewer as voyeur and confidante of Emin's most intimate thoughts and confessions.

The show is most compelling when it asks the viewer to see earlier works — often outliers in the field of individual careers — in light of new trajectories, or when it pushes blackness beyond the associational and into deeper psychic channels, as in William Pope L's unsettling Blind (2015), a dark window cut from the gallery wall, like a literal aperture or escape hatch.

Most interestingly, the weather depicted in Wilson's paintings provides an immersive experience for the viewer, steeped in human vulnerability and anomie, an inspired tradition which extends back to epochal paintings like J.M. Turner's «Sunrise with Sea Monsters» (1845) and Gustave Caillebotte's «Rainy Day» (1877).

The work she has contributed to group shows over the past couple of years have offered a tantalizing glimpse into what she has been up to, but have left me, like most viewers, hungry for more.