Not exact matches
Leadership books used to be
about the development of Godly character (J. Oswald Sanders), and now they
mostly emphasize
vision.
And the mayor's call for the construction of tens of thousands of units of vitally needed new housing is the best example of his
vision: His proposal calls for new construction and zoning changes
mostly in areas that can support new housing — along key subway routes and with parks and other services thought
about from the start.
Since everyone else is speculating
about our diet from the dim past, I'll offer my speculation too: men were too slow and too weak to hunt down animals, birds or other game and so they
mostly confined themselves to the colorful fruits that they could easily see with their color
vision, and were attracted to, along with other plants which were easy to identify and harvest.
If Andrew Haigh, the director of Weekend, the earnest, prosaic, and
mostly unsurprising British drama that won an Emerging
Visions Audience Award at South by Southwest last night, is considered a fresh new voice in cinema, then what
about Matt D'Elia, who shows more breathtaking audacity in his debut feature, American Animal, than Haigh shows in his Richard Linklater - ish romantic talkfest?
Though students in small schools are
mostly positive
about their experiences, the vast majority of students and families aren't ready to let go of their
vision of the all - American high school — regardless of how dysfunctional it may actually be.
But to be fair these are essentially interior monologues, which is to say they are inferior monologues, isolating and lonely, unrequited expressions of fantasy that
mostly percolate in your own head before limply fizzling, only to be recycled at a later date by your restless imagination or perhaps to be replaced by another delusional
vision of a possible automotive future you think you might theoretically enjoy but which again no one else cares
about and which will probably never happen anyway.
One, Degas: A New
Vision at the Museum of Fine Arts, Houston, is sprawling and comprehensive; the other, Picasso The Line at the Menil Collection, spans every period of the Spanish artist's long career but focuses on «Linear Picasso» as played out in
about 100 works on paper —
mostly drawings.
Rick Hyndman was
mostly in agreement with my carbon policy
vision, which did not come as a surprise as we have spoken at length
about my ideas and his (which are very similar) in the past.