And yet, Ms. Freilicher, who is 73, still remains largely unknown outside the art world, appreciated
mostly by other artists and by writers with whom she became friends as a young woman in New York during the 1950's, when Frank O'Hara wrote a whole cycle of poems about her, and Larry Rivers slit his wrists after she left him.
Not exact matches
From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider
artists such as Bill Traylor and Bessie Harvey (whose audience has been
mostly in the rural south and
mostly black); the more recent wave of African - American conceptualism represented
by Adrian Piper, Lorna Simpson, and
others (whose work
Binder contains
mostly slides and some snapshots printed in 1999, followed
by some slides of older works
by the
artist as well
other artists including Robert Smithson, Dennis Oppenheim, etc..
The exhibition (above, an installation view) covers
other, more intimate responses, including a series of small self - portraits that
mostly feature a goofy, slightly Jules Feifferish face applied to images of
other artworks or
artists; a few sculptures, among them «Socialist Pizza,» which involves a Ray's Pizza box, two of Picasso's hefty 1930s beach maenads and a hammer and sickle; and a work using a photograph
by Hans Haacke.
This list is chosen
by suggesting
other artists,
mostly working at the same point in time and whose work might evoke similar questions in the viewer.
«Art & Vinyl:
Artists & the Record Album From Picasso to the Present»: A Josef Albers record jacket that looks like the percussion on the LP inside must sound: That's just one of the terrific,
mostly rare objects in this lighthearted review of designs
by Jean - Michel Basquiat, Sophie Calle, Jean Dubuffet, Marlene Dumas, Yves Klein, Barbara Kruger, Sol LeWitt, Chris Ofili, Ed Ruscha, Cindy Sherman, Andy Warhol and many
others.
Featuring works from Chicago's Museum of Contemporary Art collection created
mostly in the 1980s and»90s
by artists including Chris Burden, Alfredo Jaar, Louise Lawler, Inigo Manglano - Ovalle, and Adrian Piper, this exhibition reveals the continuing resonance and complexity of topics such as freedom of expression, militarism, the dynamics of race, human and economic consequences of globalization, and
other defining elements of society today.
The exhibition combines visual displays
by professional futurists with works (
mostly new works premiered here)
by contemporary
artists, to see what these two contexts might have in common and how they might question each
other.
«Art and Vinyl:
Artists & the Record Album From Picasso to the Present»: A Josef Albers record jacket that looks like the percussion on the LP inside must sound: That's just one of the terrific,
mostly rare objects in this lighthearted review of designs
by Jean - Michel Basquiat, Sophie Calle, Jean Dubuffet, Marlene Dumas, Yves Klein, Barbara Kruger, Sol LeWitt, Chris Ofili, Ed Ruscha, Cindy Sherman, Andy Warhol and many
others.
Her paintings galvanized me: violent cartoonish, explicit, voracious... A chosen few,
mostly other artists, were impressed, yet the work seemed to slip
by oddly unnoticed.
Up now, for example, alongside galleries devoted to»70s Minimalism, is a room devoted to more exuberant paintings from the same period
by Sam Gilliam, Elizabeth Murray, Jack Whitten, Joan Snyder, and Al Loving, among
other mostly female and African American
artists.