Sentences with phrase «mostly out of the scene»

Not exact matches

It was also just a general feeling, and entirely — well, mostly - unrelated to my unrequited love for the Tonemeister that we'd suddenly all been transported into a scene out of the Sopranos and there were people who were family and had a huge amount of power, and there were people who weren't.

im a 27 year old mature young man, i like to work out and go to the gym, i play sports and i also do music.i am a social drinker, i like to party but mostly with people i know and its usually the house scene, i take good care of myself and my body, anything else you would like to know do nt be afraid...

Those dance scenes have an expressive power, an emotional charge and a kinetic energy that's mostly absent elsewhere in Jose Padilha's superfluous retread of the daring 1976 raid by Israeli counterterrorist forces to rescue 102 hostages from a hijacked Air France flight out of Tel Aviv.

The opening scenes of the game make for an introductory trial of sorts, with players taking out a few low - level enemies and getting used to different attacks, effective ranges, and other battle attributes that are mostly self - explanatory.

It does, however, capture the spirit of the games, which also played out as long mini-movies, except with mostly linear gameplay in between the lengthy cut scenes.

Soderbergh does succeed in evoking giggles out of silly moments (mostly involving Craig, who steals every scene he appears in), but the movie never rises above the routine.

He has become a component of that bigger universe of super-powered characters, where heroes pop in and out of other heroes» movies (mostly during post-credit scenes) for little reason other than to set up an unstoppable team of superheroes.

But mostly the film is about big, loud and increasingly incomprehensible action scenes of massive mechanical creations pummeling the living grit out of one another and destroying the ancient ruins of Egypt while in the grip of an ancient blood feud (or would that be a transmission fluid and engine grease feud?).

We do meet a group of mutants in the film, but with the exception of the pivotal role of Mystique (Jennifer Lawrence), the rest of the mutants (good and bad) are mostly just there to fill out the action scenes — or in the case of Emma Frost (January Jones), fill out some ridiculous outfits (which the film does manage to justify... sort of).

Maxing out a relationship can provide a brief scene between the two characters in question, but mostly all that comes from this leveling are repeated, generic lines of dialogue and some loot.

The movie scenes are mostly shown out of context, so their jokes don't work very well either.

After a mostly tangential opening scene featuring Josh Hartnett (Wicker Park), we are introduced to Detective John Hartigan (Bruce Willis, Hostage), a soon - to - be-retired cop out to crack the last case of his career, nailing the child - raping son of a senator, Junior (Stahl, Terminator 3).

If the film mostly consisted of scenes of her out of character smoking and looking blase while the other actors follow the screenplay, I'd be a happy man.

The deleted scenes are totally bizarre — mostly fragments of 20 seconds or so that make little sense out of context and appear identical to scenes that are actually in the film.

Trautmann: We originally envisioned sending Frost out to publishers for standard 22 - page issues; we realized pretty quickly that we wanted to work with Monkeybrain, and for a variety of reasons (mostly involving not crushing our illustrator under the weight of deadlines every month) that a minimum of 16 pages of story (plus a varying amount of backmatter, essays, illustrations, behind - the - scenes material and so on) would allow us a lean, stripped - down «footprint» for our story and still provide a lot of bang for the buck for the consumer.

Most of the writers I have met seem to write mostly by the seat of the pants, meaning letting the muse take them through a scene rather than plotting it all out first.

Outside of some scenes and perspective dialogue, you're mostly seeing the same story play out, just from a different perspective.

MACUF - Museo de Arte Contemporáneo Gas Natural Fenosa, La Coruña Under the title «Almost Anything», the exhibition of the american artist Alex Katz at the Contemporary Art Museum Gas Natural Fenosa, MACUF, presents a selection of 22 paintings of landscapes, scenes and portraits, mostly of them large size, with the plain style of this author of flat compositions, silhouettes and «cutouts», as well as portraits on cut out wood he has been made since the sixties.

With artists priced out of other neighborhoods, and the flood of art school graduates, Bushwick's (mostly artist - run) gallery scene has come to increasingly define this sprawling, rundown, predominantly Latin part of Brooklyn.

Most of the paintings evolve through the process of discovery and when all the figures and scenes feel right, then I begin working in details from some pictures or preparatory sketches, but mostly it's out of my own head.

Outdoors and in brightly lit scenes, the difference between the S9 and S8 isn't noticeable, and the f / 2.4 aperture mostly just helps with better (or less blown - out, to be precise) exposure of a scene.