Sentences with phrase «mother of the dead child»

Just when the film seems to be a portrait in redemption threatened by this revelation, the film shifts focus to Agnes, the mother of the dead child (Trine Dyrholm).

Not exact matches

It was thus that on Shabbat Parashat Re'eh, in the room adjacent to the bedroom where my mother breathed her last, we sat down to discuss Nahmanides» (Ramban's) commentary on Deuteronomy 14:1 - 2: «You are children of God; do not cut yourselves (lo titgodedu) or make any baldness between your eyes for the dead.

Indeed, it is You who is Knower of the unseen» (109)[The Day] when Allah will say, «O Jesus, Son of Mary, remember My favor upon you and upon your mother when I supported you with the Pure Spirit and you spoke to the people in the cradle and in maturity; and [remember] when I taught you writing and wisdom and the Torah and the Gospel; and when you designed from clay [what was] like the form of a bird with My permission, then you breathed into it, and it became a bird with My permission; and you healed the blind and the leper with My permission; and when you brought forth the dead with My permission; and when I restrained the Children of Israel from [killing] you when you came to them with clear proofs and those who disbelieved among them said, «This is not but obvious magic.»

Remember My favour unto thee and unto thy mother; how I strengthened thee with the holy Spirit, so that thou spakest unto mankind in the cradle as in maturity; and how I taught thee the Scripture and Wisdom and the Torah and the Gospel; and how thou didst shape of clay as it were the likeness of a bird by My permission, and didst blow upon it and it was a bird by My permission, and thou didst heal him who was born blind and the leper by My permission; and how thou didst raise the dead by My permission; and how I restrained the Children of Israel from (harming) thee when thou camest unto them with clear proofs, and those of them who disbelieved exclaimed: This is naught else than evident magic; (110) And when I inspired the disciples, (saying): Believe in Me and in My messenger, they said: We believe.

When Emily Webb, in Thornton Wilder's play Our Town, comes back from the dead to the town of her childhood and finds her mother and father and all her long - dead acquaintances still «alive» and the town and its environs the same as when she was a child, she begs to go back to the grave.

Yet time and time again I have read and written about homebirth loss mothers praising deadly midwives, praising the «experience» of a vaginal birth of a dead child, refusing to cooperate in disciplining the midwife responsible, advocating for more «freedom» for homebirth midwives, and, most grotesque of all, choosing to risk their next child's life by having a homebirth.

How is posting the mothers name, a photo of her child and then referring to it as «the dead baby» anything but hurting a grieving mother?

We all have to answer for what we do on this earth so you may want to consider the mother's who have accidentally smothered their child in a bed, like my friend who did not fit into any of your risk factor groups... because her daughter is dead and will always be dead and she will never be whole or truly happy again.

But back in 2009, awake in the dead of night with her inconsolable, colicky first child, Jack, she felt as helpless and alone as every other mother in that -LSB-...]

Not only is she drop dead gorgeous on the outside, but she is a mother of six children which is incredible in itself, and at the same time she is a really great philanthropist.

And then we realise she's already dead, and that she has been the entire time that grown up Ted has been telling his children, and us, the story of How I Met Your Mother.

What kind of charisma would it take to convince a mother to murder her children rather than let them live in a world where the Nazi party was dead?

Instead, the ghostly colour of the actors reinforces the idea that the dead children Agatha's brother Benjie (Bird) starts seeing, and Clarice (Gadon), the returning spirit of Havana's mother, are just as real as the troubled actors they're visiting upon.

Perez's most spellbinding moment takes place in the middle of a crowded shopping mall, when her character, Carla, spots a mother holding a baby about the same age as her dead son and hovers over the child like a ghost, apparently unseen despite being inches away; the look on Perez's face communicates both intense longing and boundless wonder, as if she's simultaneously working through the reality of death and suddenly comprehending the miracle of life.

Over the course of her meteoric rise in Hollywood, Kerry has proved to be a versatile thespian by virtue of an impressive list of credits that includes memorable performances in Mother and Child, Night Catches Us, For Colored Girls, The Last King of Scotland, The Dead Girl and Lakeview Terrace.

Ken Loach — «The Wind That Shakes the Barley,» «Kes» Julia Loktev — «The Loneliest Planet,» «Day Night Day Night» Ami Canaan Mann — «Jackie & Ryan,» «Texas Killing Fields» Lucrecia Martel — «The Headless Woman,» «The Holy Girl» Adam McKay * — «The Big Short,» «Anchorman: The Legend of Ron Burgundy» Deepa Mehta — «Midnight's Children,» «Water» Ursula Meier — «Sister,» «Home» Rebecca Miller * — «The Private Lives of Pippa Lee,» «Personal Velocity» Karen Moncrieff — «The Dead Girl,» «Blue Car» Cristian Mungiu * — «Graduation,» «4 Months, 3 Weeks and 2 Days» Anna Muylaert — «The Second Mother» László Nemes * — «Son of Saul» María Novaro — «The Good Herbs,» «Lola» Victor Nunez — «Spoken Word,» «Ulee's Gold» Euzhan Palcy — «Siméon,» «A Dry White Season» Park Chan - wook * — «Stoker,» «Oldboy» Lucía Puenzo — «The German Doctor,» «El Niño Pez» Lynne Ramsay — «We Need to Talk about Kevin,» «Morvern Callar» Dee Rees — «Pariah» Nicolas Winding Refn — «Only God Forgives,» «Drive» Patricia Riggen — «The 33,» «Girl in Progress» Gillian Robespierre — «Obvious Child» Patricia Rozema — «Kit Kittredge: An American Girl,» «Mansfield Park» Marjane Satrapi — «The Voices,» «Persepolis» Sam Taylor - Johnson — «Fifty Shades of Grey,» «Nowhere Boy» George Tillman, Jr. — «Notorious,» «Soul Food» Luis Valdez — «La Bamba,» «Zoot Suit» Melvin Van Peebles — «Identity Crisis,» «Sweet Sweetback's Baadasssss Song» Margarethe von Trotta — «Rosenstrasse,» «Marianne and Juliane» Lana Wachowski — «Cloud Atlas,» «The Matrix Trilogy» Lilly Wachowski — «Cloud Atlas,» «The Matrix Trilogy» Taika Waititi — «Hunt for the Wilderpeople,» «What We Do in the Shadows» James Wan — «The Conjuring,» «Saw» Keenan Ivory Wayans * — «Scary Movie,» «A Low Down Dirty Shame» Apichatpong Weerasethakul — «Uncle Boonmee Who Can Recall His Past Lives,» «Tropical Malady»

American heiress Edith Cushing (Mia Wasikowska), the heroine of «Crimson Peak,» saw the ghost of her dead mother when she was a child, the shadow of its long fingers creeping along the wall (a steal from «Nosferatu»).

As she listens to his words of thanks, her conversations with her elderly mother Nora (Doreen Mantle, Scoop) and children Giulia (Kate Ashfield, Shaun of the Dead), James (Aidan McArdle, Me and Orson Welles) and Benjamin (Luke Treadaway, Attack the Block) reiterate her concerns for their increasing age, a discussion that forms the basis of the feature.

Washington's film credits include «Mr. & Mrs. Smith,» «Fantastic Four,» «Little Man,» «The Dead Girl,» «I Think I Love My Wife,» «She Hate Me,» «Fantastic 4: Rise of the Silver Surfer,» «Miracle at St. Anna,» «Life is Hot in Cracktown,» Lakeview Terrace,» «The Details,» «A Thousand Words» and «Mother and Child.»

The Great Mother aborts children, and is the dead fetus; breeds pestilence, and is the plague; she makes of the skull something gruesomely compelling, and is all skulls herself.

And then a local girl disappears, catapulting the family headlong into a dead man's curve... On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; a mother realizes she no longer knows how to protect her children.

The poor mother dog's efforts were of no use because the next morning some neighborhood children found the ten dead puppies frozen in the shallow frozen hole.

There are, in fact, a few early studies here — two «Sketches for Executions» (1949), in pencil and gouache, and the off - handedly indecisive «Sketches for Mother with Dead Child» (1949)-- but there's a larger sense in which Wróblewski's late works make up a catalogue of options, and thus make studies of each other.

At 21 he began a number of extraordinary works that used enigmatic, deep - blue oils to depict the wartime dead — Blue Chauffeur (1948), Mother with Dead Child (1949), the «Execution» series (1949)-- but socialist realism crept over Poland and within two years he had stopdead — Blue Chauffeur (1948), Mother with Dead Child (1949), the «Execution» series (1949)-- but socialist realism crept over Poland and within two years he had stopDead Child (1949), the «Execution» series (1949)-- but socialist realism crept over Poland and within two years he had stopped.

In a departure from this format, Mother with Dead Child (1949)-- an additional painting from this series and among his best - known works — addresses the subject of execution in more intimate terms.

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A 20 - year - old mother was being held Tuesday on a $ 2 million bond on suspicion of first - degree murder after her two children were found dead in car seats inside a car, officials said.

In the mother's sick mind, the child was better off dead than shared, a mentality fostered by the adversarial nature of The Family Court System.