Sentences with phrase «motifs in his later work»

These «blind» illustrations resulted in distorted forms and curves that became distinct stylistic motifs in his later work.

Not exact matches

Although the identification of God as Urizen or Satan is a consistent and dominant theme of Blake's work, his later writings record a dark, if powerful, vision of a contrary motif, a vision of a kenotic movement in the Godhead leading to the redemption of a cosmic humanity.

In a tribute to Robert Penn Warren, the author traces some of the recurring motifs in the work of the late poet, novelist, critic and teacheIn a tribute to Robert Penn Warren, the author traces some of the recurring motifs in the work of the late poet, novelist, critic and teachein the work of the late poet, novelist, critic and teacher.

Nevertheless Kinley, whether in the impastoed de Stael - influenced early manner, or the thinly scribbled Matisse - inspired later colour field work, retained simplified, minimal and icon - like central motifs.

So this exhibition of around a hundred of his works, with a focus on Davis's mature period (1921 — 64), is something of a homecoming for the artist, who had a habit of going back to where he came from: The show emphasizes how motifs from earlier works tended to resurface in later pictures.

The focus of his work shifted decisively to painting in the 1990s, using the same range of boldly outlined motifs and vivid colour schemes in unexpected combinations, applied on canvas and later to aluminium panels, while also working on increasingly complex installations of wall paintings.

These nine prints in themselves offer a mini-retrospective of the main motifs used throughout her career, from the early orthogonal patterns of her Bauhaus period, through her lyrical knots and threads and fibres of her Black Mountain pictorial weavings, to her more geometric and graphic works with their repetitions of triangular and rhomboidal forms of her later years.

Working primarily with the elegant nasta «liq script, a Persian adaptation of Arabic originating in the late 14th century, Jinchi renders single letters against ethereal fields of shimmering color, variously inscribed texture and abstract motifs of free - floating invention.

Later in his career, a more contemplative theme emerges within Zhang Huan's work as indicated by the recurring motif of the Buddha beginning in 2004.

[13] In works such as Carl Andre in Delft (1968) or, later, Protective Custody (1978) Polke used a canvas made of furnishing fabric, thus elevating it to the status of a visual motiIn works such as Carl Andre in Delft (1968) or, later, Protective Custody (1978) Polke used a canvas made of furnishing fabric, thus elevating it to the status of a visual motiin Delft (1968) or, later, Protective Custody (1978) Polke used a canvas made of furnishing fabric, thus elevating it to the status of a visual motif.

As Thomas Kellein wrote in the exhibition catalogue for Donald Judd: Early Works 1955 - 1968, «Over a period of more than two years until 1958, the bridge motifs gave way to garden pictures with which he later installed at the Cobb House in Marfa, Texas.»

Reflecting on her life as a designer, she chose motifs for the prints based on her work from particular years: two from the 1920s, when Albers was at the Bauhaus and met her life - long partner and later husband Josef; two from the 1940s, when the couple taught at the experimental Black Mountain College in North Carolina after having fled Nazi Germany; three from the late 1950s to the early «70s, after they resettled in Orange, Connecticut and Josef served as Yale University's Chair of the Department of Design; and two from the early 1980s, after Josef's death.

The mountainscape in the show, No. 389, was painted two years later and yet is more coherently realistic than many of the earlier works, which I found intriguing as so often the motif veers toward abstraction instead of the other way around.

«Noland began this series in the late 1960s and revisited the stripe motif in 2003 — works from 2003 will also be on view at the stand.»

«Stuart Davis: In Full Swing» focuses on later works by Davis and highlights his practice of reusing motifs in his earlier works as springboards for new paintingIn Full Swing» focuses on later works by Davis and highlights his practice of reusing motifs in his earlier works as springboards for new paintingin his earlier works as springboards for new paintings.

Wall texts lay out his basic themes and motifs, from strange meditations on Donald Duck and the «tent paintings» in the 1960s to later works that took up symbols from Germany's Nazi past, and repurposed them as surreal «dithyrambs,» a term borrowed from Greek poetry but reinvented by Lüpertz as a catchall for his not - quite - abstract forays into abstraction and not - quite - figurative exercises in drawing real things in the world.

The drawing contains a bird (identified in Basquiat's distinctive handwriting as GEESE) perched above some hieroglyphic - like symbols — a motif the artist later xeroxed and incorporated into another series of works focusing on iconography from ancient Egypt.

Of particular note are two paintings from the early 1960s, «Lily of the Valley,» (c. 1960) and «Untitled» (1961), which introduce several familiar motifs found in De Forest's later work.

This sense of infinity is sharpest in later works (not on view here), in which Feeley would paint the same motif four or five times on a single canvas, arranging the iterations in a grid.

Continuing her interest in how economic and cultural globalization conditions our response to images, Husain has embedded a broad spectrum of motifs within her latest work.

In each diptych, Baselitz pairs reconsidered motifs from his own work with iterations, in ink with blue, yellow or green watercolor washes, of an intimate late work by Hokusai, a wry self - portrait sketched at the end of a letter to his print publisher in 184In each diptych, Baselitz pairs reconsidered motifs from his own work with iterations, in ink with blue, yellow or green watercolor washes, of an intimate late work by Hokusai, a wry self - portrait sketched at the end of a letter to his print publisher in 184in ink with blue, yellow or green watercolor washes, of an intimate late work by Hokusai, a wry self - portrait sketched at the end of a letter to his print publisher in 184in 1842.

Later works include a singular drawing of a club trefoil from 1980 (clubs and spades were recurring motifs in the early»80s), two monotype prints dating from 1988, as well as two monochrome works created between 1988 - 1992 in Healdsburg, California, a country town in Sonoma County where the artist lived out his final days.

At the end of 20th century, Grotjahn started to focus more on the investigation of the radiant motif in his work, which can be seen in his later Butterfly paintings.

In the late 1950s and early 1960s, Noland began using two central motifs that would have enduring significance in his work: the circle and the chevroIn the late 1950s and early 1960s, Noland began using two central motifs that would have enduring significance in his work: the circle and the chevroin his work: the circle and the chevron.

The paintings reveal the extraordinary range of Gottlieb's themes and motifs, showcasing a diversity that he first explored in the 50s and continued to modify and deepen through his late work.

His fascination with architecture, particularly the Chrysler Building in New York, would also be evidenced later when art deco motifs began to appear in his works.

In Hancock's latest body of work (first exhibited at Hales in 2015), the storyline has shifted once more with the merging of the creative energies of Loid and Painter and the introduction of a series of new symbolic motifs, plotlines and characterIn Hancock's latest body of work (first exhibited at Hales in 2015), the storyline has shifted once more with the merging of the creative energies of Loid and Painter and the introduction of a series of new symbolic motifs, plotlines and characterin 2015), the storyline has shifted once more with the merging of the creative energies of Loid and Painter and the introduction of a series of new symbolic motifs, plotlines and characters.

Motivated by an interest in opulence and exotic materials, the monochrome gold motif is a hallmark of Byars» late works, a nod to his self - mythologizing project.

[13] She later worked with Jonathan Horowitz on a series of monotypes which develop upon the concepts of plants and flowers as motifs of love and death, resulting in a series of paintings, prints, drawings, sculptures and photographs, as well as a collaborative artists book.

Later examples of his work stress color in decorative curved motifs.

The progenitors of key elements in Bengston's later work are evident in his student ceramics: he placed blunt, forceful emblems in the center of his compositions, and created sharply - angled mug handles shaped like chevrons, a motif he would regularly employ in later works.

[15] Art historian David Campany calls Picture for Women an important early work for Wall as it establishes central themes and motifs found in much of his later work.

In «Untitled (Surrealist Composition)» (1935 - 36), a work done on blue paper, Krasner introduces the motif of disembodied eyes, which she returns to years later, in major works such as «The Eye Is the First Circle» (1960In «Untitled (Surrealist Composition)» (1935 - 36), a work done on blue paper, Krasner introduces the motif of disembodied eyes, which she returns to years later, in major works such as «The Eye Is the First Circle» (1960in major works such as «The Eye Is the First Circle» (1960).

Among the works by Johns are a recent suite of paintings entitled Five Postcards (2011), and Nines (2006), an assemblage featuring the late 1960's flagstone motif painted in red, yellow and blue, as well as Voice II (1982), a three - part, ink - on - plastic drawing.

Harrison went on to become a celebrated feminist artist, but she didn't return to the superhero motif for almost 30 years, until the late»90s, when she produced new superhero - inspired works expanding on her interest in disrupting popular symbols of masculinity and femininity.

In the late 1980s, when Chris Martin began showing his paintings, he adapted signature motifs from Paul Feeley and Philip Guston, among others, which was a way of paying homage to them as he worked his way through their iconic images.

An important factor is the way Munch's late self - portrait Between the Clock and the Bed (1940 — 1942) is linked to Johns» series of abstract cross-hatch works that became something of a signature motif for him in the 1970s.

Inspired by his first encounter with the work of photographer Eadweard Muybridge in the late 1950s, LeWitt began experimenting with a loosely structured grid in several large oil paintings of 1960, based on the Muybridge motif of a running man.