Not exact matches
There's a cluster
of art about Charlie Manson, and then you'll be confronted by a
large corner dominated by beautiful paintings
of giant waves, trains, Gumby, Batman, and other
motifs Ray has
worked with during his decades - long career (he's 59 and has been drawing as long as he can remember).
Over the last 15 years, Margot Bergman has explored collaborative paintings with unknown partners, over-painting thrift - store finds, but in this new series
of large scale
works she has gone it alone: inventing intensely vibrant floral paintings, often featuring a repeated diamond
motif, imbued with a lurking sense
of menace and comic perversity.
Arranged thematically, the more than eighty small drawings,
large - scale
works, and sketchbooks on view will foreground Brown's iterative reworking
of motifs from her wide - reaching arsenal
of source material, which includes prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover
of Jimi Hendrix's 1968 album Electric Ladyland.
Each story is bound up with objects and visual forms that Fernández develops as
motifs in the
larger body
of work which she is presenting at 18th Street Arts Center.
Among the very
large works are BK - 002 (2006), image above, BL - 060 (2005), a twelve - foot wide blue ballpoint pen
work on canvas that suggests the solid mass
of a hill suspended above or dissolving into nothingness, and BL - 071 (2005), a similarly massive
work that offers up another
motif common to Lee's
works on canvas and paper — a field
of seemingly vibrating forms appears out
of an expanse
of markings.
The imagery or
motif of the smaller
works came from Chamberlain's use
of a template
of nine small squares spaced evenly apart that made a
larger square area.
Part
of the collages» appeal comes in recognizing
motifs that have found their way into Kelly's
larger works.
Some
of these are playful: West's 2012
work with Marina Faust, Talk Without Words (Christopher Wool) for example, a
large mohair ball hung on a cord over a table, with visitors invited to knock the ball to each other with their foreheads; or the artist's venture with Rudolf Polansky, Siesta (2003), a couch covered with a throw printed with the repeated
motif of an ape's sphincter.
Incorporated into the artist's collaged landscape, a number
of these creatures arrive on, or encounter,
large sailing vessels, a recurring
motif in Rios Ferreira's
work.
Installed throughout the Museum's Upper Galleries — and including examples
of Ai's signature wallpaper combining timely subjects and traditional
motifs — the exhibition features the following
large - scale
works, among others:
With diverse
motifs like nature, sunsets, swimming pools or busy truck stops, the abstract remains visible between defined areas
of representation, and the dreamlike associations present a link between
large - scale canvases and smaller
works.
This
large work on paper features vivid primary colors and a repeating oval
motif, building on an aesthetic language
of expression.
Grünes Kleid mit Rot («Green Dress with Red,» 1979) inflates a vaguely - familiar excerpt from Jan van Eyck's Arnolfini Portrait to a full image
motif; the
large - scale
work Stoff 1 («Fabric 1,» 1981) quotes the folds
of a dress in a saint portrait by Francisco de Zurbarán while Landschaft mit Architektur («Landscape with Architecture,» 1981) cites an arbitrary painting snippet from a neoclassical allegory by Nicolas Poussin.
This suite
of new
works provides an intimate counterpart to FAILE's recent
large - scale explorations
of religious
motifs while drawing out less obvious threads in their practice, from subtle gradations
of color and pattern to a conscious removal
of clear identities in order to explore archetypical structures beneath.
The show plans to feature approximately 35
large - scale paintings and
works on paper surveying the variety
of Bacon's painterly compositions united by Bacon's common
motif of surrounding subjects with a faint, framing, cubic or elliptic cage.
At the forefront
of this new paradigm was HALE WOODRUFF, whose integration
of African - design
motifs into his colorful,
large - scale canvases stood alongside an enigmatic and symbol - laden painterly abstraction in
works by other painters.
The central
motif will be the clock, featured in 12
large - scale paintings made last month based on drawings produced over the past year — compressing a year's worth
of work into just 31 days.
After
working intensively in sculpture, Graves returned to painting, and over the next two decades developed a sustained body
of innovative,
large - scale
works that relied less overtly on outside references and increasingly reinterpreted and transmuted forms and
motifs sourced from her own earlier
work.
Mathieu's own early
work featured a number
of large canvases with coloured scrolls, whorls and other
motifs painted on a black background.
Arranged thematically, the more than eighty small drawings,
large - scale
works, and sketchbooks on view will foreground Brown's iterative reworking
of motifs from her wide - reaching arsenal
of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some
of the images that Brown has rendered again and again in her own hand.
This newly created
large painting — it's six feet high — evidences intriguing new directions in her
work, from the incorporation
of what appear to be classical Indian
motifs to surreal shapes that lend an otherworldly dimension to the erotic encounter depicted.
Time is the Diamond comprises twenty - two small
works in less than twelve linear feet — miniatures, actually — using many
of the same
motifs and interventions found in Weathersby's
larger paintings; the smallest measures approximately 2.5 x 1.5 inches, the
largest just over 8 x 5 inches.
Marcus integrated a
large number
of the central developments
of abstract painting into his
work over the years, including
large - scale calligraphic gestures and the employment
of chance - elements, particularly drip -
motifs.
Judy Pfaff: Paperworks, Year
of the Dog, Pig, Rat, Etc. contains a recent series
of small, delicate drawings juxtaposed with
large - scale
works on paper
of varied
motifs and prints based on the Chinese New Year that the artist produced at Tandem Press earlier this year.
In
larger abstract
works, he charts lineages in series
of descending lines that double tier by tier, forming
motifs that also resemble trees putting down roots.
Rojas has taken a painterly shift into abstract expressionistic
motifs that feature bold colors and lines in
large scale
works of up to eight feet in height.
Chia incorporated Italian Mannerism, Cubism, Futurism and Fauvism in his narrative religious
works; Paladino composed
large mythological pictures with both geometric and figurative
motifs; Cucchi produced romantic scenes
of giants and mountains, inspired by Surrealism, and incorporated the use
of extra items, made from metal or clay, in his painted
works; Clemente was noted for his self - portraiture and intimate figurative
works.
It joins more than seventy small drawings,
large - scale
works, and sketchbooks featured in the exhibition which the press release describes as an assemblage
of Brown's «iterative reworking
of motifs from her wide - reaching arsenal
of source material.»
Arranged thematically, the more than eighty small drawings,
large - scale
works, and sketchbooks on view will foreground Brown's iterative reworking
of motifs from her wide - reaching arsenal
of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal clip - art books, and the cover
of Jimi Hendrix's 1968 album Electric Ladyland are just some
of the images that Brown has rendered again and again in her own hand.
Inspired by his first encounter with the
work of photographer Eadweard Muybridge in the late 1950s, LeWitt began experimenting with a loosely structured grid in several
large oil paintings
of 1960, based on the Muybridge
motif of a running man.