The prize for best vocal /
motion capture performance went to Andy Serkis for «War for the Planet of the Apes.»
Not exact matches
Although it could use tighter editing — like most everything in this regrettably paced film — the third act reappearance of Gollum is terrific, and amplified by a
go - for - broke
motion -
capture performance by Andy Serkis.
After these notable
performances, Mihok continued to create memorable and diverse roles in such films as THE DAY AFTER TOMORROW, DARK BLUE, BASIC, CONNIE AND CARLA, director Shane Black's KISS KISS BANG BANG, 10TH & WOLF, HOLLYWOODLAND, SEX AND DEATH 101, THE LONGSHOTS, Marvel's PUNISHER: WAR ZONE, and the unsettling
motion -
capture performance of the Alpha Male creature that
went toe - to - toe with Will Smith in I AM LEGEND.
It's not just kind of latex and a costume; it would be a
motion -
capture performance of the monster — I can give away maybe not too much by saying there's more than one in our version — and then I would
go to Europe, shoot the movie, do scenes with the real actors and I would be able to see the
motion -
captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»
This was a great scene and, like the stuff with Sully early on, would have
gone a long way toward a
performance argument for the film amid all of the
motion -
capture debate last year.
Rebooted franchise
goes out with a bang — and a career - high
performance from
motion -
capture maestro Andy Serkis