But while Creevy struggles with the basics of suspense — often indulging in the same hacky, buzz - killing slow
motion shots as he did in Welcome To The Punch — his direction of the film's modestly conceived action sequences is serviceable: a relentless foot chase through the winding streets and picturesque houses of a medieval town; an escape from a Hagen - owned warehouse that's directed in part as a Children Of Men - style long take; and the centerpiece, a head - spinning,
car -
wrecking pursuit down the Autobahn.