The best known one is a forty minute
motion painting film titled Kill The Ego.
Not exact matches
For me it's more like a
painting with
motion than a
film and if it can be seen as such then it's easier to enjoy I think.
The
film doesn't precisely boast a wealthy colour palette (like San Andreas, it's most commonly
painted in flat sun shades of brown and gray), however its
motion and set items are photographed in a blank style that makes them simple to observe.
The clouds and mist fill every bit of the screen in a way that makes the
film look more like a graphic
painting than a
motion picture.
Hailed by the New York Times on its Paris release as «one of the great
films in
motion picture history,» Raymond Bernard's Wooden Crosses, France's answer to All Quiet on the Western Front, still stuns with its depiction of the travails of one French regiment during World War I. Using a masterful arsenal of
film techniques, from haunting matte
paintings to jarring documentary - like camerawork in the
film's battle sequences, Bernard created a pacifist work of enormous empathy and chilling despair.
I know the
film industry takes flak for being romantically inclined to
paint everyday life in nearly every subject they choose to characterize in
motion picture,... but personally, one of the reasons I appreciate
films so very much, is the brief escape of the woes that might greet you in life to parlay for a few moments into someone else's shoes and to learn about someone else's life if only for that brief period of time.
An influential artist in the fields of kinetic sculpture and experimental filmmaking during the mid-to-late twentieth century, Breer made stop -
motion films that grew out of a desire to imbue his
paintings with movement.
Painting, woodcuts, traditional Chinese ink and charcoal drawings are often combined to create the foundation of expressionistic, stop -
motion animated
films.
An unframed, multi-paneled frieze hangs below the ceiling line like an unspooled
film revealing an inventory of circular geometries;
painted in hues from pastel to vibrant, their forms chart a rhythm across planes of black squares, themselves in
motion.
In 1945, Kline, who was an avid
film buff, was struggling between the stillness of the
painted picture and the perpetual
motion of modern life exemplified by the locomotive train.
With awards, several solo shows, and
paintings featured in a major
motion picture and minor
films, many of her
paintings have caught the eye of prominent collectors.
Kasten herself speaks of her work as «
Painting in
motion», as it incorporates sculpture, photography and
film, all of which contribute equally to the formation of her pieces.
Choosing images generally experienced through second hand sources of information, Kahrs infuses his
paintings and drawings with the drama of
film, creating a sense of constant
motion and closeness within a still and fragmented plane.
The images are actually stop -
motion animated
films of Ms. Sacerdote's own
paintings.
This multi platform project consists of
painting, installation, and animated
motion picture
film.
This encompasses
painting, movable sculptures, stop -
motion animation
films and drawings produced over the last sixty years.
Ms. Rahmanifar specializes in
painting, mixed media, installation, animated
motion picture
film, and Persian miniature.
This encompasses
painting, movable sculptures, stop -
motion animation
films and drawings produced over the last sixty -LSB-...]
The foundation of her recent animation
film is to integrate the
paintings of her female characters into
motion and tell stories.
Sun Xun has made his name by combining traditional craft techniques — such as ink
painting and woodcuts — with energetic stop -
motion animated
films.
In his first
film Form Phases (1952) he set the designs of these
paintings into
motion by morphing the forms and shifting the color.
A quiet noise emanates from the closet, where a minimalist
film dimly lights the shoes and books on a shelf there, the music
painting the scene all around, and aptly so: «your
motion says you are in the mood» is the inaugural exhibition of Christopher Fullemann's new sculpture at n / a, inspired by Arthur Russell; The closet installation is an accompaniment piece by the gallery director and curator Nicholas Andre Sung features music and imagery of Arthur Russell.
These included the fantastically daubed, taxidermied Untitled (Crocodile)(1984), a tinned food advertisement on which was
painted a blue leopard (Libby's Corned Beef, 1983), a number of photographs and the
film ITSOFOMO (In the Shadow of Forward
Motion)(1991), made in collaboration with Ben Neill, in which a voice - over speaks of the death from AIDS of Wojnarowicz» friend the artist Peter Hujar, and crescendoes with powerful anger.
Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip - Reading Puppets at the Museum of Modern Art is the first full retrospective of their stop -
motion animations, live - action
films,
paintings, sculpture, graphics, set designs and television advertisements.
Determined to introduce
motion into
painting, Mr. Breer had already begun making stop - action
films, titled «Form Phases,» based on motifs from his
paintings.
Filmed from a single vantage point, like a
painting set in
motion, Richardson has digitally enhanced the nearly monochromatic setting with strange yellow tendrils of light, undulating and twisting beneath the water, hinting at an undiscovered or mutated bioluminant life - form, or perhaps the aftermath of something altogether more disturbing.
The massive showcase will premiere 36 new
paintings including watercolor
paintings, 40 framed original sketches, dozens of illustrations, puppets, a stop -
motion animated
film and a new mural on the gallery's wall based on her long - awaited illustrated book «The Cabinet of Dr. Deekay,» a dystopian horror fairytale that will be published this summer in conjunction with the exhibit.
Sugarless Tea features watercolors
paintings filmed using a stop
motion technique that evokes travelogues and bedtime stories, and highlights the process of
painting itself.