What the piece perhaps aims to prove is that so much of what one would assume is CGI was shot practically (such as
the motorboat sequence and the fire stunts), though it's also a love letter to a close - knit production whose sometimes drippily sentimental narration gives it the feeling of a video meant for private screening at the wrap party.
It leads to threats at gunpoint; the slowest outboard
motorboat in cinematic history; breaking and entering; the most peculiar chase
sequence I've seen in a very long time, and a couple of key
sequences in and above a strip club.