Sentences with phrase «mount an exhibition like»

Not exact matches

His 1945 exhibition Artists Look Like This at the Philadelphia Museum of Art, mounted while still in his twenties, paved the way for his lifetime entrée to the great minds of his day.

It consists of four kinds of objects: your paper weavings, which you display on horizontal pedestals; inkjet print of textile patterns; enamel paintings, and — smack in the middle of the exhibition — an installation of your Oyster # 9 (2014)-- a giant, round painting mounted on what look like several dustbin lids welded together.

W.A.G.E. recognizes that the TAOE of large collecting museums like MoMA, The Guggenheim or The Whitney are higher because they include expenses associated with acquisitions, collection maintenance, and the management of retail outlets, and that these expenses seem unrelated to the cost of mounting exhibitions by living artists.

The core of the exhibition, however, consists of wall - mounted vitrines that array basic minimalistic and monochromatic porcelain objects — erratically shaped vase - like cylinders and less frequently plates, often a serene blue - green, sometimes lighter or darker — in various combinations.

Like the AAA, the group organized lectures, published articles, and mounted exhibitions.

He mounted an inaugural exhibition in September, bypassing art magnets, like New York City and Los Angeles, for a market with a strong collector base that the gallery tested through participation in the Dallas Art Fair, where both sales were made and contacts established.

A FEAST OF ASTONISHMENTS: CHARLOTTE MOORMAN AND THE AVANT - GARDE, 1960s - 1980s Best known for her collaborations with artists like Nam June Paik, this exhibition looks closer at the artist who mounted «Avant Garde festivals» in public sites like Shea Stadium and Central Park.

The new model is more like a commercial gallery crossed with Gertrude Stein's Paris salon of the 1920s, with artist organizers mounting curated exhibitions, neighborhood events, salon evenings, installations, and performances.

It is common practice for art museums to borrow works of art from other institutions and private collections when mounting major exhibitions like Heat Waves in the Swamp.

Today, however, Net - savvy artists are responding to renewed encouragement generated by new - media and digital - art festivals, such as ZERO1, which will mount its second biennial in San Jose in June; contemporary museums actively building collections, including the Walker Art Center in Minneapolis and New York's New Museum of Contemporary Art; and even long - established institutions like the Museum of Modern Art, which brought together work by a half - dozen first - generation Web artists in last year's «Automatic Update» exhibition.

This second solo exhibition at the gallery features large - scale, wall - mounted artworks constructed from a grid - like arrangement of panels encrusted with electronic parts.

The result is less like a traditional «let's show everything we got» fair and more like an extension of the galleries» own spaces as they mount temporary exhibitions, business as usual.

At the Institute for the Arts at Rice University she mounted extraordinary exhibitions like the dramatic 1976 overview of Rene Magritte's career, culled from her collection.

ST: There are many great curators who have mounted exhibitions for the US Pavilion, including giants of the field like Sam Hunter, Rosalind Krauss, Robert Hobbs, Nancy Spector, Linda Norden.

Art & Antiques March 2015 When the Museum of Modern Art in New York mounted the exhibition «The Responsible Eye» in 1965, curator William Seitz could not have imagined that it's impact would persist, like an afterimage on the retina, 50 years later.

Equally at home in museum settings — like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one - person exhibitions and projects — and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer - assisted abandon.

I liked everything in the exhibition, from the Shaker's wooden dipper held together with wooden pegs, an elegantly geometric wooden chip fork and the woven straw bonnet (all borrowed from the Shaker Museum in Mount Lebanon, New York State) to Don Voisine's and Michelle Grabner's paintings or Chie Fueki's hand - quilted paper.

While mounting significant one - person shows of artists such as Cady Noland and Jessica Diamond (both largely represented in the exhibition), he would simultaneously engage in counterintuitive behavior, at least for the art market, like showing up at an international art fair only to display the unpacked crates of his gallery's artists.

Over the last five years, it has mounted 15 exhibitions by the likes of Lawrence Weiner, Philippe Starck, Giuseppe Penone, Vanessa Beecroft and Beom Kim, which this volume documents.

Almyda and his cohort worked hard to support the few local institutions that promoted contemporary art: among them, the Arts Festival of Atlanta, an outdoor event in Piedmont Park; the late Judith Alexander's art gallery, which mounted exhibitions by the likes of Franz Kline; and the Signature Shop, which still serves the cause of contemporary crafts.

There were three kinds of works in Beatrice Caracciolo's recent exhibition: exquisitely animated abstract expressionist drawings; others that look more like landscapes (and which introduce art - historically familiar material in the form of allusions to Chinese landscape and Japanese calligraphy), and unexpectedly bold suspended or freestanding sculptures comprised of zinc sheets mounted on wooden substructures.

Aaron Flint Jamison's recent exhibition couldn't but bring to mind Duchamp's urinal, since, upon entering, viewers confronted a luxury Jacuzzi, mounted on the wall like a three - dimensional painting.