Sentences with phrase «mount photography exhibitions»
In 1990 the National Gallery of Art launched an initiative to acquire the finest examples of the art of photography and to mount photography exhibitions of the highest quality, accompanied by scholarly publications and programs.
https://www.nga.gov/
In October, the museum will mount a photography exhibition drawn from the 511 works that the museum has acquired through Mr. Menschel's support.
Not exact matches
His foundation continues to document his practice, mounting exhibitions of his photography and publishing volumes of his work.
Quogue Gallery co-owner Chester Murray explained that the motivation behind mounting this exhibition was «to review the 14 shows we've had since opening the gallery — principally contemporary and abstract photography, paintings and prints — in order to put them in a more global context.»
Since its beginning the gallery has mounted numerous photographic exhibitions significant to the world of fine art photography and continually works with museum, corporate, and private collections worldwide.
In addition to being the producing sponsor of the dance production, the Berkeley Art Museum and Pacific Film Archive, under the direction of Assistant Curator Dena Beard, has mounted an exhibition of visual materials relating to Parades and Changes, including photography, newspaper clippings, video (the Swedish television production) obtained from the Halprin Archive at the Performaing Arts Library and Museum in San Francisco.
In 2015 Katseff was also included in a major survey exhibition of photography, architecture and contemporary art dedicated to the Sierra Nevada region, mounted by the Nevada Museum of Art.
In 2003 it launched the ICP triennial, a showcase for international art, and in 2004 it mounted «Between Past and Future: New Photography and Video from China,» an exhibition co-curated by Phillips and Wu Hung.
Every autumn, the Art Gallery of Ontario mounts an exhibition of works by the four artists shortlisted for the Aimia AGO Photography Prize.
Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.
He intended to use his gallery as a forum for promoting photography as a fine art — a hotly debated topic in those years — and mounted his first exhibition, «American Photography Retrospective Exhibition,» November 2 — 20, 1931, featuring photographs by Alfred Stieglitz, Mathew B. Brady, and Gertrude Käsebier, amphotography as a fine art — a hotly debated topic in those years — and mounted his first exhibition, «American Photography Retrospective Exhibition,» November 2 — 20, 1931, featuring photographs by Alfred Stieglitz, Mathew B. Brady, and Gertrude Käsebier, amoexhibition, «American Photography Retrospective Exhibition,» November 2 — 20, 1931, featuring photographs by Alfred Stieglitz, Mathew B. Brady, and Gertrude Käsebier, amPhotography Retrospective Exhibition,» November 2 — 20, 1931, featuring photographs by Alfred Stieglitz, Mathew B. Brady, and Gertrude Käsebier, amoExhibition,» November 2 — 20, 1931, featuring photographs by Alfred Stieglitz, Mathew B. Brady, and Gertrude Käsebier, among others.
1992 «Spirit of the West,» curated by Tommy Griffin, Dennis O'Leary, Vicki Halper and John Weber «Between Home and Heaven: Contemporary American Landscape Photography,» touring exhibition organized by the National Museum of American Art, Smithsonian Institution, Washington D. C. «Recent Work,» Governor's office, Oregon State Capitol, Salem, OR «Recent Work,» Gallery of the art department of Mount Hood Community College, Gresham, OR
This spring, Tse mounted her first solo exhibition at the Silver Eye Center for Photography in Pittsburgh, PA..
The Royal Academy's 242nd Summer Exhibition features, as ever, a wide range of work in all media including painting, printmaking, photography and sculpture by established international and amateur artists, as well as displays dedicated to architecture.One of the founding principles of the Royal Academy of Arts was to «mount an annual exhibition open to allExhibition features, as ever, a wide range of work in all media including painting, printmaking, photography and sculpture by established international and amateur artists, as well as displays dedicated to architecture.One of the founding principles of the Royal Academy of Arts was to «mount an annual exhibition open to allexhibition open to all -LSB-...]
In 2001, Grinblatt mounted the solo exhibition Uses of Photography at the Museo de Arte Moderno de Buenos Aires (MAMBA) in Buenos Aires, Argentina.
The Royal Academy's 242nd Summer Exhibition features, as ever, a wide range of work in all media including painting, printmaking, photography and sculpture by established international and amateur artists, as well as displays dedicated to architecture.One of the founding principles of the Royal Academy of Arts was to «mount an annual exhibition open to all artists of distinguished merit» to finance the training of young artists in the RExhibition features, as ever, a wide range of work in all media including painting, printmaking, photography and sculpture by established international and amateur artists, as well as displays dedicated to architecture.One of the founding principles of the Royal Academy of Arts was to «mount an annual exhibition open to all artists of distinguished merit» to finance the training of young artists in the Rexhibition open to all artists of distinguished merit» to finance the training of young artists in the RA Schools.
The Nevada Museum of Art is mounting a major survey exhibition of photography, architecture and contemporary art dedicated to the Sierra Nevada region in 2015, which will include one of Katseff's «Dark Landscape» images.
The MFAH also made a landmark acquisition of 300 photographs by Ishimoto Yasuhiro, a key figure in both Japanese and American post-World War II photography, and mounted the first of three planned exhibitions exploring the newly acquired works.
He mounted numerous influential exhibitions of photography, taught photography, and became the director of the Staatilche Werkkunstschule where he worked from 1952 until his death in 1978.
Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.
Current and future exhibition projects explore Frank Gohlke and Emmet Gowin's photographs of the aftermath of the Mount St. Helens eruption; the photographs and videos of Hank Willis Thomas; and the museum's holdings of American Pictorialist photography.
The New Topographics take their name from an exhibition titled «New Topographics: Photographs of a Man - Altered Landscape,» mounted in 1975 by William Jenkins, then curator at the International Museum of Photography at George Eastman House in Rochester, New York.