Although, through the years, many institutions and galleries have
mounted exhibitions on computers and the arts, none came close to the original.
Not exact matches
The British Museum opens an
exhibition on the two Roman cities buried by the eruption of
Mount Vesuvius in A.D. 79.
Student work
on picnic table tops under plexiglass,
mounted on or hanging from the ceilings of pedestrian walkways, as pennants
on flagpoles, or mosaics
on the vertical parts of exterior stairs — these are just a few options that educators can consider as outdoor
exhibition spaces.
I asked the museum what prompted the
mounting simultaneously of four
exhibitions all focusing
on African American art and artists.
Spread along 70 meters the visitors to the
exhibition encounters Tobias Rehberger's paper flowers, his «vase portraits», lamps made of Velcro tape, objects made of Perspex, «videolibraries», chairs reminiscent of designer classics, limbs
mounted on plinths.
Top image: Philip Guston, Untitled 1971, oil
on paper,
mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil
on linen, 36 x 48 inches Presence of Form
Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]
On the occasion of these events, the Rubell Family Collection has
mounted its most ambitious
exhibition program to date and published a 700 - page collection overview catalog titled Highlights and Artists» Writings, Volume 1.
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EXHIBITION Paying homage to Ebony and Jet magazines — cultural barometers, vital news resources and bibles of aspirational imagery in the African American community for more than half a century — the Studio Museum in Harlem
mounts «Speaking of People: Ebony, Jet and Contemporary Art»
on Nov. 13.
Three works
on paper from the 2008 series, Suite for
Mount Washington, will also be included in the
exhibition.
Based in New York and New Haven, Conn., Kaphar's The Jerome Project is currently
on view at the Studio Museum in Harlem and he will
mount a solo
exhibition at Jack Shainman
on Jan. 15, 2015.
As is typical for the summer months, a lot of galleries have
mounted ambitious group
exhibitions, many of which focus
on painting.
Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an
exhibition for LA MoCA to build an artist's house
on a hillside in
Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).
Recent
exhibitions include UNTITLED: Art
on the Conditions of Our Time, New Art Exchange, Nottingham, UK (2017); In This Soup We Swim, Kingsgate Project Space, London, UK (2016); Changing City: Shifting Places, CCA Lagos, Lagos, Nigeria (2016); Arena, Center of Contemporary Art, Torun, Poland (2014) and a number of screenings including at Akademie der Künst, Cologne, Germany (2016);
Mount Florida Studios, Glasgow, UK (2016); Kunstmuseum Bonn, Bonn, Germany (2015); Atomic Pictures, Paris, France (2015).
«This solo
exhibition is comprised of «paintings» (
on canvas), «billboard paintings» (patched cotton
mounted on wood panel) and «drawings» (
on paper).
Published
on the occasion of the largest
exhibition of contemporary art from China ever
mounted in North America, organized by the Solomon R. Guggenheim Museum, Art and >> more Guggenheim Museum Publications ISBN 9780892075287 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 11.5 in.
After mining the museum's collection, Kouoh will
mount an
exhibition within an
exhibition designed to «reflect
on the institution, its history, and colonialism.»
But I have seen my colleagues start galleries in remote locations, such as Galleria Continua in San Gimignano, Italy, and create a global following and a reputation
on the strength of the artists and the
exhibitions they have
mounted.
The main gallery
exhibition is complemented by a selection of photographs from one of Gohlke's most ambitious projects, a decade long survey of
Mount St. Helens in Washington state, also the subject of a 43 print
exhibition this summer at the Museum of Modern Art,
on view between June 29 and September 26.
Mounted in partnership with the Vinyl Factory, the autumn
exhibition will be held in an iconic Brutalist building at The Store, 180 The Strand,
on the opposite bank of the Thames to its long - term home in the Southbank complex.
It consists of four kinds of objects: your paper weavings, which you display
on horizontal pedestals; inkjet print of textile patterns; enamel paintings, and — smack in the middle of the
exhibition — an installation of your Oyster # 9 (2014)-- a giant, round painting
mounted on what look like several dustbin lids welded together.
In 2015, London's Royal Academy presented a broad survey of his career, while in 2017, the San Francisco Museum of Modern Art
mounted a major
exhibition, Matisse / Diebenkorn, which explored the French artist's influence
on the American painter.
Using archival pigment print and processing techniques that isolate the aircraft in the image, Milstein focuses
on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum
mounted in a solo
exhibition entitled AirCraft: The Jet as Art in 2011.
McDowell has held curatorial appointments at the CCA Wattis Institute for Contemporary Arts, San Francisco, the San Francisco Museum of Modern Art, and the Massachusetts Museum of Contemporary Art, where she
mounted many solo and group
exhibitions, including projects
on Minimalism, Fluxus, assemblage, and avant - garde cinema.
Even
on the eve of art world spring break (aka Miami art fair week), dozens of commercial spaces around the country are
mounting first - rate solo and group
exhibitions.
LACE and Pitzer College Art Galleries will
mount a two - part
exhibition on the early performance - based works of Juan Downey (1940 - 1993).
At ADAA's The Art Show fair (Feb. 28 - March 4), the gallery
mounted a solo
exhibition of Thompson's paintings and works
on paper.
The
exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper
mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.
That same year, Michael Rosenfeld Gallery
mounted a solo
exhibition focused
on a selection of Falkenstein's work from the years 1955 to 1975 and she was also included in the group
exhibition Impact: The Legacy of the Women's Caucus for Art at the American University Museum of the Katzen Arts Center at American University in Washington, DC.
In 2012, at the age of 26, Ludwig
mounted the first U.S. museum
exhibition of then -
on - the - rise sculptor Francis Upritchard's work — at the Contemporary Arts Center in Cincinnati (CAC).
Cassel Oliver has also
mounted numerous solo
exhibitions including a major retrospective
on Benjamin Patterson, Born in the State of Flux / us, as well as the surveys Donald Moffett: The Extravagant Vein (2011); Jennie C. Jones: Compilation (2015); Angel Otero: Everything and Nothing (2016) and most recently, Annabeth Rosen: Fired, Broken, Gathered, Heaped (2017).
There are two temporary
exhibition spaces within the Museum; the curatorial department
mounts three to five
exhibitions centered
on the collection, and one special masterpiece loan, per year.
Ron Agam, Endless Universe, 2010 Ink and resin
on canvas
mounted on panel 36 x 36 inches May 5 — June 6, 2011 Bertrand Delacroix Gallery is proud to present an
exhibition of paintings by Ron Agam.
MASS MOCA, the small - town super-museum, has been slouching toward completion for years now, but it needn't have waited for the opening of its buildings (
on May 30) to
mount «Billboard,» an
exhibition of signs scattered throughout Berkshire County.
In early 2010, the Gallery opened a second location in an old - world townhouse
on the Upper East Side of Manhattan dedicated to
mounting a series of curated
exhibitions that provide deeper historic context for the Gallery's artists.
In 2014, the Queens Museum of Art in New York City
mounted the first retrospective gallery
exhibition on the work of the LAPD, which traveled to the Armory Center for the Arts in Pasadena in 2016.
Focusing its energies
on the
mounting of
exhibitions onsite and off - space, and
on the publishing of artist books, La Salle de Bains is working towards new
exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height,
on vividly patterned wallpaper.
The Guggenheim says the
exhibition, «Art and China after 1989: Theater of the World,» with art spanning 1989 to 2008, is the largest show
on the subject ever
mounted in North America.
In 1951, Saidie May died, and Jensen settled in New York City, where the following year, the John Heller Gallery
mounted the first
exhibition of his work — a collection of twelve paintings based
on Goethe's theories and executed in prismatic colors.
In 1961, he signed
on with the Fountain Gallery of Art, and in 1963, the Portland Art Museum
mounted a solo
exhibition of his work.
On view August 20 — September 17, «The Beat Goes
On» is the first
exhibition mounted in the gallery's newly renovated space.
In 2010, a solo survey of his work
on the occasion of his centennial was shown at the Morris Graves Museum of Art (Humboldt Arts Council), Eureka, CA and Michael Rosenfeld Gallery
mounted a concurrent
exhibition, Morris Graves: Falcon of the Inner Eye: A Centennial Celebration.
In fact, the show consists of the exact images from that
exhibition: photographs
mounted on board that were found among his belongings after his death in 2010.
This
exhibition is
mounted on the 50th anniversary of the Party's founding.
Featured in the «Women's Work» section of the
exhibition, Mierle Laderman Ukeles's Dressing to Go Out, Dressing to Go In is a series of black - and - white photographs hung
on the wall next to a dust rag
mounted to a chain.
We're sitting side by side
on a sofa
on the lower level of the Casey Kaplan gallery, where this fall Casteel
mounted a much buzzed - about
exhibition of paintings, «Nights in Harlem.»
However, I'd be remiss if I didn't point out that our current
exhibition by the Albuquerque - based collective, Basement Films, entitled «Happiness is a Warm Projector» (
on view through May 31), is mounted in conjunction with the «On the Map» initiative in Albuquerque, and I believe we're the only Santa Fe arts organization involved in that effor
on view through May 31), is
mounted in conjunction with the «
On the Map» initiative in Albuquerque, and I believe we're the only Santa Fe arts organization involved in that effor
On the Map» initiative in Albuquerque, and I believe we're the only Santa Fe arts organization involved in that effort.
The range of the German artist's practice goes
on view in this
exhibition of new and recent pieces, which includes a selection of concrete sculptures, wall -
mounted paintings and assemblages, and examples of her ongoing «Schauspieler (Actors)» series.
From 1890
on, the tempo of painting and
exhibitions mounted for de La Villéon.
The more than 150 prints in this
exhibition,
mounted on the occasion of the National Gallery's 75th anniversary, are drawn entirely from the Gallery's collection, including promised gifts.
Meanwhile, the gallery's Geneva outpost is preparing to
mount a Penone
exhibition as well, and both the show as well as the installation are
on view until March.