Not exact matches
Belott has
mounted several major solo and two - person
exhibitions including The Journal, New York; LOYAL, Malmö, Sweden (with Jesse Greenberg); CANADA, New York; Galerie Zurcher, Paris; Zurcher Studio, New York; Kenny Schacter Contemporary, New York.
His work was the focus of
several exhibitions and retrospectives during the early 2000s, including the 2006
exhibition «Ettore Sottsass» organized by the Los Angeles County Museum of Art, which was the first
major retrospective on Sottsass» work presented in the United States, and the 2007 «Ettore Sottsass — Work in Progress»
exhibition mounted at the Design Museum.
Following the retrospective, No. 17 was acquired by an important private Italian collection, where it remained unseen for
several decades — re-emerging in 2001, as a central work in a
major exhibition mounted by the Fondaton Beyeler.
In 1988, the Herbert F. Johnson Museum of Art at Cornell University
mounted a
major retrospective
exhibition of her work that traveled to
several venues, including the Corcoran Gallery of Art, the San Francisco Museum of Art, and the Albright - Knox Art Gallery.