Sentences with phrase «move dead bodies»

Sadly it is quite difficult to take a stealthy approach to playing as there is no way to move dead bodies and so the AI will generally stumble upon someone you have killed and realise you are there.

Being able to move dead bodies is also a nice addition that helps stealth, and you can even learn to ride an elephant.

The family moves the dead body out of the room to place it on the death bed and then passes the sad news around.

At 4:03 pm, Yaser al - Doumani returned to action with a new video (PIyGJugmGaI) length 3:48 minutes, (showing the street scene after the White Helmets had moved the dead bodies onto the street outside the apartment.

Not exact matches

We must understand this whole movement as an atoning process, a forward - moving process wherein a vacuous and nameless power of evil becomes increasingly manifest as the dead body of God or Satan; but it is precisely this epiphany of God as Satan which numbs the power of evil, and unveils every alien and oppressive other as a backward - moving regression into the now lifeless and hence ultimately powerless emptiness of the primordial sacrality of God.

I assert that Jews breaking the Sabbath is much more probable than that an invisible middle - eastern deity reanimated the dead body of a Jewish prophet and sent angels to move back the stone.

A murderess who took a selfie with the dead body of her father - in - law after she stabbed him to death has explained the sickening move, saying: «It was just something that made me really happy».

It's now easier than ever to be declared dead — even when you're still moving, sweating, and there's blood pumping around your body

At the heart of this challenging move is the ability to control your body and develop raw strength from a dead stop.

It's what gives the dress a little volume so the skirt doesn't just hang there like a dead thing in your body, it will move and bounce.

Here we have a tough - but - tender cowgirl working her dead father's ranch with only a lovable grizzled old coot for a ranchhand; a somber villain moving through his dark house like Dracula in his castle, hatching designs on the heroine's land as well as her body; a land - grabbing industrialist conspiring with the local banker to turn rangeland into oil wells; a tall, quiet wrangler winning the girl's heart and saving her land to boot; singing cowboys, fireside heart - to - hearts, a crisis with hero and heroine trapped by villain in a burning building, a climactic shootout, and boy - gets - girl.

Now, Zoink Games returns with Flipping Death, a game about a recently deceased girl who can move through the worlds of the living and the dead, possessing humans to use their bodies to solve puzzles for you.

THE BLU - RAY DISC by Walter Chaw Where zombies in American cinema seem to have risen with televangelism and its slow - moving white people promising salvation in the life of a sheep (in that sense, they're really just another iteration of the Body Snatcher archetype), in Italy they transmogrified, following the success of Romero's Dawn of the Dead there, into analogies for romance - gone - sour.

Cornering performance is dead sure, as if the Coupe is a big electron moving through printed circuits, and body roll is not a factor.

I wonder if those dead bodies move out of the way when you swim close to them, otherwise this game isn't very next - gen.

Murders have you looking at every possibly related clue and finding items that were moved, before touching the dead body and invoking Prospero's innate psychic abilities to attempt to reconstruct events that lead up to the killing in the right order and demonstrate to the spirit that you understand what has happened here.

The relocation system is a nice way of getting you to move around more rather than sit in a single position and gun down foes, but much of the tension is removed from the game when you realise that all you have to do is get far enough away for the enemy for them to forget about your existence and all of the dead bodies littering the ground.

Dead bodies can also be picked up and moved in order to ensure a patrol doesn't stumble across them, although considering the enemy's reaction to a corpse is a lackluster, quick search of a small area it really doesn't matter.

Taking down an enemy in stealth is easy — in principle — get behind them and hit X. However, considering how the game wants you to play stealthily, you can't hide or even move bodies — this means if you take someone down, the enemies will flock in to stare at the dead body for about 30 seconds then just get on with their routine as if nothing happened.

The developers missed out an opportunity here — let us move the bodies or make the guards actively search for people if they see a dead body lying there.

Not being able to move around dead bodies is another huge missed opportunity.

Dead bodies even move from side - to - side like a scene from the exorcist.

Now, Zoink Games returns with Flipping Death, a game about a recently deceased girl who can move through the worlds of the living and the dead, possessing humans to use their bodies to solve puzzles for you.

What the Dead or Alive series has always done better than most is focus on the fighting, as opposed to gimmicky trick moves like throwing fireballs or stretching parts of the body across the entire screen to hit someone.

As the performers moved about the space in a random pattern of loose choreography, they sang the lines: «Who say you have to be a dead dog... One is the loneliest number that you'll ever do... And it comes down, it comes down, well it comes down, and it comes down, it comes it comes... Scores of blood and fire and freeways, I am going to get my share... One is the loneliest number that you'll ever do... Who say you have to be a dead dog...» Handling each other's bodies with as much regard as the set's props, the performers alternate between a cappella and in - the - round chorus, fugue and eventually total discordance, rising as high as Math Bass as she climbs to the top of the ladder supported by her full cast in order to smash the plant and end the performance.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

By immersing the paper in the water used to wash a body, the artist has created abstract and extremely moving anonymous portraits of the dead.