Sentences with phrase «move out of his studio»

The arrival of the film noir coincided with a new penchant, inspired by Italian neorealism, for moving out of the studio on occasion and onto the great rich set of the American city and its suburbs, a readily available set which became, sometimes with only minimal adjustment of light and shadow, fully as «Germanic» as anything constructed at Ufa in the Twenties.

Smithson and Heizer had moved out of the studio into the landscape to create massive works of earth and stone.

In contrast to many of his contemporaries who were moving out of the studio and away from painting, Quaytman remained committed to working on canvas and to pushing the modernist idiom in a new direction with monumental shaped canvases that demonstrated his unique vision and style.

I think walking out barefoot and moving the paintings, being able to move them out of my studio, for transportation, things like that have had more....

He plans to move out of his studio apartment in Brighton by the end of November.

Not exact matches

Despite your best judgment, you're going to have to move the armoire away from the front door and move your business out of your studio apartment as you start to grow, bring on new employees, and begin to build a workplace culture — preferably one that watches Shaun of the Dead on a loop each day.

Someday I'll be able to move out of this tiny studio in Paris and have a proper kitchen!

The action then moved to the Chelsea TV studio where the pair picked out Cesar Azpilicueta and John Terry as the most competitive members of the squad.

Will indoor cycling workouts move fully out of the studio and into the home?

In this video, Sarah Wingo from Pure Barre demonstrates five powerful moves that can be done in or out of the studio — no ballet barre required!

My work with Gather Yoga will allow me to reconnect with past students, those who have obstacles keeping them out of the studio, those who have moved away, and to reach new students across the globe.

More and more Americans are opting out of mega gyms and moving their sweat sessions to boutique studios.

My studio is perfection and I can not imagine having to move out of this dream apartment anytime soon.

Some masterful work needs to go into sorting things out but the studio can take solace in the fact that that the narrative barely moves forward (and in fact, it moves backwards) so its can stand a chance of rectifying the mess.

Since I reviewed Lightwood Games» first title Word Search by POWGI on Nintendo's home console, the Wii U, this was my first chance to try out the studios unique blend of paper games moved to digital.

IMO, Media Molecule is one of the best, most creative studios out there and this is a great move by Sony.

However, IG employees not part of the move out will be receiving financial support as well as access to the game studio for a while «to say their goodbyes and put together their portfolios,» he says.

He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel medium.

I am looking forward to pursuing more collaborative projects inside and outside of the studio now that I've moved out of the house that hosted Bruce Martin Gallery.

For a short period they lived in Much Hadham in Hertfordshire while Caro worked in Henry Moore's studio; they subsequently moved into a converted stable in Hampstead where they made a workroom out of the garage.

Lately, after years of painting abstractly in NYC, I was moved to scratch out ideas on paper again... motivated by way too much coffee, and being up way too early (5:00) to hit the studio at a civilized time.

In the Sunday Times (#), Waldemar Januszczak gets a first look at Tracey Emin's vast new studio in Margate and talks to the artist about family, middle age, and why she is moving out of London.

An article in the RA Magazine this summer, «Six ways to tackle the London studio crisis», examined many of these issues, which included the helpful suggestions to «have faith in politicians», or to just «move out of London».

More recent clearances have been government projects where there have generally been lengthy periods of notice for people to move out, including the demolition in April of Hei Qiao (Black Bridge), a village in which many prominent artists such as Zhao Gang, Sun Xun, and Liang Yuanwei had their studios.

In the last year I have applied to and interviewed for various teaching jobs, packed up my apartment and studio and moved out of state, and become acquainted with a new institution, all while making new work for two solo shows that happened in August (at the Indianapolis Museum of Contemporary Art) and January (here at the Cultural Center).

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

By then de Kooning had moved to another studio, and would soon move out of New York.

Then, last summer, I found out I had to move out of my longtime studio.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

The layers of ideas this artist explored in his early performance art, were made out of existential explorations and social commentaries, and have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

In 2015, Bordett moved to New Orleans, Louisiana, where he currently lives and works out of his home studio in the Saint Roch neighborhood.

In 1963, he moved out of New York City to a permanent new home and studio at the Springs, in the Hamptons, not far from the studios of his friends Jackson Pollock and Lee Krasner.

She moved to Colorado from Massachusetts in November of 2012 to work as a studio assistant for Colorado - based ceramic artist Kim Dickey and now works out of her own studio in Lakewood, CO..

I can't help but feel that her use of architectural interiority in these new works, her drawing on a suite of very personal rooms from her own recent life, then opening them up to an audience, also signals a moving out from the isolated space of the studio and into one of exhibition.

The lecture, titled «Form & Idea,» presented an overview of his work, focusing on the process moving in and out of the studio, while building form and idea.

He moved out of Manhattan in 1970, set up a studio in Chatham, and a home in nearby Spencertown, New York.

Completed in 2015 after three years of work, Moody characterizes her home also as kind of a studio turned inside out — she moves it wherever she needs to, creating artworks with found objects at each site.

We've been busy at work handing out hand made color charts to our regular customers, and letting everyone know that all of their favorite paints / paint related items will remain available during store hours until the end of February, when they will be moved to the home studio / online store.

If I could just figure out a way to move to one of the studios where they shoot these lovely scenes... it would be perfect.

She has since passed and I can not wait to move out of my tiny studio and into a home where the piano can find a permanent home.