In his pursuit of a new language, the artist helped to
move sculptural practice from the «modern'to the «contemporary.»
Not exact matches
As the
practice of painting
moves ever further from the confines of the canvas, it continues to pour over into
sculptural forms, installation, and new media.
Like these better - known contemporaries, Gentile's
sculptural practice is in this case a disembodied one, manifested only in the context of photos — a
move calculated to probe the indexical gaps between things and their depictions.
The late Colombian conceptual artist Miguel Ángel Cárdenas
moved to Holland in 1962, became Michel Cardena, and immediately started to shed his deep - seated image of the body as shameful and indecent in favour of a
sculptural practice that incorporated the use of genetilia, tubes, zippers, spongy materials and bold colours.
Its walls are plastered with an array of works, mostly on paper (although some extend into
sculptural forms or
moving image) that demonstrate the variety and idiosyncrasy of drawing
practice amongst these artists, as well as the links and themes that arise when these works are collected together.