Sentences with phrase «move the characters much»

By pressing a direction on the touch screen, players can move the characters much as with a D - pad, with distance from the center of the screen determining walking speed.

Not exact matches

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibimuch better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibiMuch more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

This was part of his early character, with one of Angle's signature moves even labeled the «Olympic Slam» for much longer than you would have expected given how protective that organization tends to be with their name.

If you are following me for a while you must have realized how much I appreciate clothes that have a character of their own, move along with me.

Understandably, these conversations are needed to develop the characters and progress the narrative because the graphical presentation is with 2D animated characters that more - or-less don't move very much.

A much more restrained Xavier Dolan after his pretentious previous film, and he displays an assured direction and firm control of this suspenseful thriller, even though the narrative seems to move too fast as the characters start to act in ways that are not always convincing.

Critics Consensus: The Walking Dead's eighth season energizes its characters with some much - needed angst and action, though it's still occasionally choppy and lacking forward - moving plot progression.

Ya there's a good amount of moves and characters to play as but the reason its not good is because it throws in a lot of USELESS characters along with a lot of moves which are much of the same.

They definitely could have done a much better job on developing the romance of the main characters, mainly because it was rushed as if they were simply checking it off their list and then moving on to the next part of the movie.

Also, the script relies so much on portraying fundamental outlines of the characters in order to keep the plot moving, that it almost feels like we're watching alternate versions of these characters.

And just as Haneke respects these characters (and us) too much to trivialize them through overemphatic contrivance or too - easy intimations of emotion, so too does he exclude all non-diegetic music from the soundtrack, so that when we do hear the music played and appreciated by these inveterate music lovers — as when the characters do, finally and unavoidably, betray their unwanted, overpowering grief — it's something rare, precious, truly sublime, and profoundly moving.

Even though it tells a simple tale, has only two main characters and features several scenes that are mostly silent, it is more moving, more memorable, and just so much BETTER in every way possible than 95 % of the films I see each year.

Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.

While I love the way Gerwig and Baumbach's rapid - fire dialogue moves and breathes, it's difficult to not notice characters don't really talk to each other as much as they talk at each other, divulging random personal facts with little to no follow up.

Barry, a much acclaimed character actor for his work in Dead Man Walking and Born on the Fourth of July, moves between menacing and feeble.

Paddington Director: Paul King Running time: 95 minutes Much - loved children's character Paddington Bear moves from Peru to London, where he must avoid an evil taxidermist, played by Nicole Kidman.

But he has too much compassion to think like a pure documentarian; at a certain point, he hits the limits of realism — and The Florida Project, in a deeply moving parting gesture, finds a way to stay true to its vision while also protecting his characters (and us) from an unbearable inevitability.

And outside of a few characters that serve little purpose than to move the plot forward, the rest are treated with just as much care as Kendall.

Seimetz has made a disquieting debut, a tense picture where not much of consequence happens, but the audience remains riveted to their seats, as if one wrong move while watching the picture could yield a nasty punishment for the characters in front of you.

You won't do much more than move a character from one square to another and press attack for most of your moves because you simply don't need to do anything else.

And there's not much calculation to how «The Bronze» moves from scenes of character - defining drama to brazen comedy.

Eastwood's Noelle character is portrayed as villainous just as much as she is portrayed as virtuous, and indeed as the movie moves along she is seen more and more as the villain in her own story.

The secret to not make it too confusing for new players lays in the fact that all characters have the same combos, but their moves and finishers are very much different.

Once you realize, and it's quite early on when you will, that Snyder isn't going to do much more with these characters except give you more porn fetish outfits for them to try on and move them into a variety of increasingly over-populated action - war scenarios, you will find yourself doing what Baby Doll does in the film, zoning completely out and into the comfort of your own daydreams as the bullets fly and explosions erupt on the screen.

Much of the of the film features characters in peril and facing foes that either shoot various futuristic weapons or default to the usual kicking, punching and throwing moves that are core to the defensive tactics of Kirk's crew in the classic TV series.

Wright keeps things moving with whiz - bang in - camera tricks, action choreographed by Jackie Chan's longtime stunt coordinator, and pop music from [the main characters»] salad days... I think you can deduce from the foregoing that I pretty much unreservedly loved «The World's End,» whose compact dramatic structure and steady flow of good jokes puts most mainstream American comedies... to shame.»

It focuses on how abandoned his character has become, which although a good move, means that we aren't going to see as much Pepper Potts, Jarvis and his fun, little robot buddies as we would have liked.

In fact, dialogue is kept to a minumun throughout the film's 94 - minute run time, which moves along at break - neck speed that however, doesn't grants us much time to engage with any character.

Leo Tolstoy's tale of ball gowns, steam engines and lives ruined by affairs has been injected with a burst of visual flair by the Atonement auteur, staging much of the action within a 19th Century Russian theatre, where characters move from scene to scene as if in an epic, shifting play.

That's a lot of moving parts and a ton of characters to juggle, and yet «Captain America: Civil War» moves lithely from incident to incident, never feeling burdened by too much stuff.

If you've ever found yourself playing an RPG and thinking to yourself how much you enjoy moving a character around simple maps, winning battles by pushing the fight button, and skipping through a banal trope - laden story, but wishing that it didn't take so darned much time and thinking to beat, has Kemco got the game for you.

I've been a New Yorker for over a decade and have no interest in moving to California, yet even to me, Martin's disdain for every character in Los Angeles not played by Gillian Jacobs feels like a bit much.

As characters move throughout the rooms of Dylan's lavish house, Baumbach stages it to perfection, much like a high school play directed by a coked - up Woody Allen.

However I found that a pro controller was needed while playing online as it gave you much more accuracy on controlling your characters and more importantly, performing those special moves.

The occasion was a 1960 showing of William Wellman's 1931 The Public Enemy, which Macdonald defined as «James Cagney's picture,» adding, «Wellman uses Cagney with subtlety, keeping him in the background much of the time while secondary characters occupy the foreground... So it is all the more powerful when Cagney moves into the foreground at the big moments; our taste for this extraordinary actor has not been blunted by seeing too much of him.»

Potter is so sure she's got it all figured out that her characters have no room to move and no place to go except the earthly paradise of Castro's Cuba, which is so much nicer than nasty old London.

of course they had to rebuild them... When you move up to HD you can see the edges of polygons much easier, so they would need higher polycounts to keep the characters from looking bad....

One thing that initially threw me off was when characters speak their mouths don't move, much like in the Phoenix Wright games but this is a minor quibble and one that doesn't hinder your enjoyment of the game.

The life of a society consists of more than moving resources around, and what happens in that vital space between the individual and the government is at least as much a matter of character formation as of material provision and wealth creation.

That it feels slightly less focused and not as sharp as the A 45 will come as no surprise — it's 40 mm higher and 30 kg heavier than the hot hatch — but its tendency to move about if you lift off the power mid corner gives it some much needed character.

According to a statement from Amazon on the new features, this update will allow users of the Kindle app to access the read aloud over 1.8 million titles available in the Kindle Store using Apple's VoiceOver technology, navigate within their libraries or books using consistent title, menu and button names or navigate directly to a specific page within a book, read character - by - character, word - by - word, line - by - line, or continuously, as well as move forward or backward in the text, add or delete notes, bookmarks, and highlights, look up words in the dictionary and Wikipedia, and much more.

You also have to condense a tremendous amount of information into 120 script pages, leaving you little time to do much more than the basics of introducing characters, moving the plot along, and resolving the conflict.

The author spent much time and exhaustive effort to put together a true story that at times moves along like fiction, and presented characters that had me totally engaged.

With multiple characters to choose from and the ability to move and jump, Arms has more depth than it might initially sound, though how much longevity it has remains to be seen.

Nilin, then, is very much a defensive character, rarely given the opportunity to go on the attack, with the only exception coming in the form of S - Pressens, special moves with cooldowns that can quickly change the tide of battle.

- Dragon Ball Fusions gets a third update on December 7 - a special quest that will be added - players go investigate a distortion in the space - time continuum, and quickly find out it's caused by Goku Black - trying to get control of all dimensions in order to annihilate mankind - quest includes a series of online challenges - offers special rewards to get - get something simply by participating (such as new characters) Challenge # 1 (December 7th to December 13th)- Challenge: battle against Goku Black (deal as much damage as possible)- Participation reward: Super Saiyan Trunks (Super)- Rank reward: Light Sword (a new special move for Super Saiyan Trunks (Super)-RRB-- Clear reward: new title (Mother's Spirit) Challenge # 2 (December 14th to December 20th)- Challenge: battle against Super Saiyan God Super Saiyan Vegeta (defeat him as many times as possible)- Participation reward: Super Saiyan God Super Saiyan Vegeta - Rank reward: Final Kamehameha (a new special move for Super Saiyan God Super Saiyan Vegeta)- Clear reward: new title (Savior) Challenge 3 (December 21st to December 27th)- Challenge: battle against Fusion Zamasu (defeat him as fast as possible)- Participation reward: Fusion Zamasu - Rank reward: Holy Wrath (unlock a new special move for Fusion Zamasu)- Clear reward: new title (The One Who Felled God)

Though I do believe he / they spent a much large amount of time making sure a certain or two DLC character had very artsy and heavily applied Special Effects moves to them, up to two months worth of work even (some claim, even more than that).

That was pretty much how the characters and their moves were determined for the first couple of games.

Often in videogames such things feel like they're handled so coarsely and awkwardly, rushed for the sake of a forced romance between characters where none is needed, but here the progression of the Monkey and Trip feels entirely natural as they move from uncomfortable allies to friends to much more.

Animations don't fair that much better: again, there's a couple of decent ones, but for the most part the characters move like they're made of wood, with facial expressions to match.