The conclusion that the possible is the actual will, I hope,
move viewers past dismissal of my world and toward engagement with it.
Not exact matches
Even the screenwriters get blasted in most of the reviews posted online, similarly to TheWrap's film critic Andy Klein «s review, who said «the four credited screenwriters — the returning Creighton Rothenberger & Katrin Benedikt, plus Christian Gudegast («A Man Apart») and Chad St. John — make things
move fast enough to keep you awake, but not fast enough to finesse its plot absurdities
past an alert
viewer's mind.»
Still, Sigmund would be proud if he moseyed over to the movie's current website, which, speaking of revisiting the
past, lets the
viewer enter those parentheses via a
move of the scroll bar, simulating the ultimate return to the ultimate source.
Iranian - born director Babak Najafi («Sebbe») and the four credited screenwriters — the returning Creighton Rothenberger & Katrin Benedikt, plus Christian Gudegast («A Man Apart») and Chad St. John — make things
move fast enough to keep you awake, but not fast enough to finesse its plot absurdities
past an alert
viewer's mind.
Some may turn to the
past while others may express their expectations of the future, and though the
viewer may see something beautiful,
moving, or original in the artist's work, there is a often a hidden weight of what motivated the maker to produce the piece.
Lighted from behind, images seen through the grooved surfaces of these lightboxes change as the
viewer moves past them.
Her self - deprecating attitude helps this
viewer move past the slightly shallow aspect of art world in - jokes, to the idea that the art world construct might be one more cosmic joke of the unconscious.
As both journalism and art
move into the extreme digital age, Radical Transformation affords the
viewer a much deeper understanding of the
past 60 years.
For the
past 35 years, Presman has created conceptually based installations which
move the
viewer to re-examine contemporary notions of history and pre-history, as well as to challenge contemporary speculation of what our future holds.
Her works impede their
viewers» movements: in order to
move about the exhibition space, they often need to wriggle their way through or stoop to get
past her works.
If the
viewer happens to comprehend the original text, the artist pushes him to search through preconceived notions and re-interpret words as well as everyday objects and experiences,
moving past primary identifications to less obvious meanings.
Aside from the fact that agreements with cable companies keep Nick from streaming the entire broadcast live on the web, Nick's goal for all the digital
moves its been doing the
past few weeks has been to steer
viewers to the broadcast.