Not exact matches
Ask the hundreds of millions of TV
viewers who, that same year, witnessed a paraplegic man kicking off the Soccer FIFA World Cup in Brazil,
moving the ball
with help from his mind - controlled robotic exoskeleton.
Street Signs follows the day's biggest
moves to provide
viewers with actionable, real - time insights.
The NBA needs physical charisma, individuals
with moves so graceful
viewers ache to imitate them.
In her 25 - plus years of covering Wall Street, Herera has provided
viewers with a seasoned perspective on the major stories and issues
moving the markets and groundbreaking interviews
with leaders in politics and corporate America.
** The U.S. Justice Department presented evidence on Thursday to show that AT&T, owner of DirecTV, viewed buying Time Warner as a way to make
viewers stick
with their pay TV service instead of
moving to cheaper online providers.
Last week, Pat Robertson told his
viewers that he believes Alzheimer's disease to be a «kind of death,» a basis for the un-afflicted spouse to seek divorce and
move on
with their life — so long as they act mercifully and provide a means for care of that spouse.
The audience of cable programs in the United States is still a relatively unknown factor, and
with an increase in the number of religious syndicators
moving into cable the claim is made that a large number of additional
viewers are attracted by cable religious programs.
Television coverage was also
moved up and is scheduled to begin at 4:30 p.m.. All the groups will be on the course
with the broadcast begins, but
viewers will be able to watch the majority of the leaders» third rounds.
Alternatively the
viewer can pay for the existing system to be rewired
with high - quality leakproof coaxial cable, and for the UHF aerial to be
moved further away.
Fans may not like the CGI zombies, but unlike the video game creatures in I am Legend (2007), these are more filmed actor - CGI tweaked hybrids; their believability is really dependent on how much
viewers will accept the virus as a fast -
moving bug which immediately transforms a host into a rabid sprinter
with super-strength (not unlike 28 Days Later).
With the addition that it's a fairly slow
moving film, I can see many
viewers complaining about this picture and stirring up controversy.
Although it
moves along at an incredibly sluggish pace, Beauvois manages to keep the
viewer engaged through his delectable direction, breathtaking images of the Limousin countryside, and
with the help of several outstanding performances from his cast of leading women.
From changing shape, to mesmerizing its prey, to
moving with seemingly impossible speed and agility,
viewers get to see first hand how one of the smartest undersea creatures earned the title «Kings of Camouflage.»
These dizzying moments assault the
viewer with its unnatural trigger finger to
move from one shot to the next — something that made the rest of the movie feel technically uncertain.
It's actually a pretty slow
moving drama for most of the runtime and then within the last 10 minutes, the plot goes crazy and leaves the
viewer with a weird feeling.
Watching it on DVD,
viewers will notice the ongoing obsession
with objects
moving towards them.
As reported by Coming Soon, the e-commerce giant - turned - TV studio has announced that its Casanova and Sneaky Pete pilots will premiere August 7 on Prime Instant Video,
with viewers once again weighing in on which show (s)
move on to a...
I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we
viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night
Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging
with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.
With a hand - held approach, we are never looking at the subjects of the film, but more looking beside them — the camera moves frantically with young Pio on his Vespa, often irrespective of where the viewer
With a hand - held approach, we are never looking at the subjects of the film, but more looking beside them — the camera
moves frantically
with young Pio on his Vespa, often irrespective of where the viewer
with young Pio on his Vespa, often irrespective of where the
viewer is.
Deliver breathtaking Dolby Atmos ® sound for live events,
with moving audio that puts
viewers right in the action.
Content creators can place and
move sound anywhere in a three - dimensional space
with pinpoint accuracy to immerse
viewers in the virtual world.
You can precisely place and
move these objects around the
viewer, including above and below, to create a complete audio environment
with discrete sounds that perfectly follow the onscreen story and fully immerse the
viewer in a more realistic, more visceral, and more emotive experience.
Presented more as a costume drama than a film
with any modern relevance, Milk «s power to
move is largely dependent on the
viewer's ability to watch Sean Penn make hammy faces at the camera.
Viewers with lots of patience might find something more
moving and inspiring, but it's divisive narrative construction nature will be a turn off for most.
The watchable vibe is heightened by the ongoing inclusion of unexpectedly poignant moments and sequences,
with the final stretch certainly rife
with interludes designed to elicit an emotional response from the
viewer (including an unexpectedly
moving graveside conversation).
From there, however, Isolation morphs into a slow -
moving and decidedly claustrophobic drama that boasts few elements designed to sustain the
viewer's rapidly dwindling interest - as scripter Chris Bullett's refusal to offer up any real backstory for the protagonist prevents the
viewer from wholeheartedly sympathizing
with (or caring about) her increasingly perilous plight.
McTiernan directs a confined story better than anyone I can think of — because he inserts the
viewer in the building
with the characters... But the
viewer isn't tied down to Willis, the
viewer gets to
move....
The source novel is the sixth novel in a series and the film — in a seemingly bold but utterly misguided
move (much of it would be incoherent if I hadn't once read the novel)-- assumes the
viewer is going to be familiar
with all of the previous novels.
Not all
viewers will accept this arguably sociopathic
move, but it's a tidy meet - cute
with an enjoyably farcical payoff as Nancy is forced to maintain her own false identity while feigning knowledge of his.
The Center of the World
moves slowly, never making the
viewer feel as uncomfortable as he / she should
with a movie like this.
Although, plenty of what the
viewer sees feels familiar to Harry Potter fans — photos in newspapers which are constantly
moving — the New York period setting, filled
with dingy alleyways and glamorous Jazz Age speakeasys, is consistently exciting to explore.
Similarly, the Photo Gallery provides 51 images, though, here the
viewer navigates
with the remote control, a format considerably less preferable than the earlier
moving montage.
And they're creating an interdisciplinary curriculum to provide students of all ages
with the skills necessary to
move from being passive consumers of media to critical listeners,
viewers, readers, and producers of all types of media.
This hour - long feature documentary, Consider The Alternative provides
viewers with a balanced understanding of publicly - funded charter schools from those who can speak about it best: charter school supporters, public school teachers and administrators, members of the legislature, the Nebraska State Board of Education and a parent
moving through the education system.
The 90 - second film, created as part of Honda's partnership
with Britain's Channel 4, takes
viewers through each stage of the filmmaking process, including storyboarding, illustration, filming and animation,
moving at a blink - and - you'll - miss - it pace while managing to showcase the Civic, Civic Type R and CR - V cars, as well as the Africa Twin motorcycle.
The good news, is the developers at Collabora are making the
move to Android — beginning
with a beta version of their LibreOffice
Viewer.
If these ideas can be met and done well, no matter whether an author has a budget of $ 200 or $ 2,000, a book trailer can be successful, i.e.
move a
viewer to get excited about the book, share the trailer
with friends, write an on - line review of your book.
It is difficult in this fast
moving world to make a
viewer pause for a moment and imagine themselves in that place or if they have already been in the place look back on the destination
with their own memories or to see it in a different way.
The InternationalStudent.com Travel Video Contest team came up
with a short list of 14 finalists — combined
with the
Viewers» Choice Winner there are 15 finalist who will
move into the next round of the contest.
For those unfamiliar
with hitbox
viewers, they will often show at least three type of box: the active hitbox, which represents the area covered by an attack; the hurtboxes of both characters, which show where they can be hit by opposing
moves; and a pushbox that is used to as a way to prevent characters from
moving through one another in the game.
Painting the Sun and Sculpting Fog: San Francisco's beloved Exploratorium
moves to a new facility filled
with site - specific artworks that help
viewers analyze and understand the world Carolina A. Miranda
It wasn't that these artists weren't admired, but that the urgency to
move forward, to create new visions, to have a different dialogue
with the
viewer and art history, was powerful.»
San Francisco's beloved Exploratorium
moves to a new facility filled
with site - specific artworks that help
viewers analyze and understand the world Read More
But I am most interested in the way the objects may or may not
move the
viewer to think about the subject matter than I am
with labeling them a particular medium.»
This is not the case for all the work, and two pieces, radically different in form and composition,
move beyond the intricacies of internal formal dialogue to effectively engage
with the
viewer, the gallery space, and larger questions about art's transformational power.
Rauschenberg's A Quake in Paradise (Labyrinth) from 1994 invites
viewers to
move through — and become a part of — a maze - like installation of panels printed
with the artist's signature layers of mechanically reproduced imagery.
Particularly within the denser configurations, the parallax produced by
moving through the gallery space created a startlingly visceral effect of animation,
with the individual strands of yarn appearing to dance back and forth, continually shifting their position relative to each other and the
viewer.
Using custom - designed software, Villareal enlivens his light sculptures
with pattern and chance, creating large - scale, immersive environments that are continually changing, and that the
viewer experiences by
moving through them.
With the artist we have a series of works that perpetually shift medium, expressing temporal vibrations encompassing the journey from studio to gallery,
moving kinetically from painting to sculpture, and even employing the finishing touches of the
viewer in the completion of Murillo's installations.
Schwartz's objects encourage physical movement as the
viewer's vision
moves across the object's frontal planes to the sides
with other flat surfaces.