Sentences with phrase «moved into the space behind»

Since Paredes was a tad too late stepping out of defence to prevent Deulofeu's ball to Bertolacci, Deulofeu received the ball back in Roma's penalty area after moving into the space behind Emerson.

A driver who decides to back up a tractor - trailer must take steps to be certain that no person or vehicle has moved into the space behind the vehicle.

Not exact matches

Lastly, Amazon's purchase of Whole Foods and behind the scenes moves in the healthcare space has incited rumors that Amazon is looking to gain entry into the pharmacy area via leveraging the Whole Foods physical foot print of store fronts.

What was great is that due to having Gabriel behind him, he was able to move into the space ahead of him instead of having to simply lay off the ball.

The England international is used to playing further up the pitch behind the striker however, Christian Eriksen has been moved into the centre in order to make space for Moussa Sissoko.

The Brazilian hesitated, and for some reason De Sciglio moved up to confront him, creating a double team when none was needed — as well as a massive amount of space behind him for Isco to run into.

Also, his deployment instead of putting in Delgado into midfield would have allowed TFC to move into an offensive 4 -3-3 with Giovinco leaning back a few metres behind Altidore and Hamilton in order to receive the ball outside the eighteen and have a free role, exploiting half - spaces and trigger crosses.

He's strong on the ball, capable of holding up the ball with his back to goal and brushing off defensive pressure, but frequently lays it off quickly to his teammates — either back to the midfielders behind him or to the sides, before moving into space to receive it back again.

Eriksen especially moved into wide areas and exploited the space left behind by the wing back.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

In a conversation about current and other recent projects at i: project space and Chinese Seismic Investigations, the artist brings us behind the scenes of her current research into foundation that moves between «conceptually related characters,» like the Chinese Dragon, the human vestibular organ and the drone.