Sentences with phrase «movement of that object in space»

The wholly superficial displacements of masses and molecules studied in physics and chemistry would become, in relation to that inner vital movement (which is transformation and not translation) what the position of the moving object is to the movement of that object in space.

Not exact matches

TIME IS A WAY TO DESCRIBE HOW MANY MOVEMENTS AN OBJECT DID IN SPACE (TURNS OF THE EARTH), IN REFERENCE TO ANOTHER OBJECT (AROUND THE SUN).

Einstein predicted that the movement of massive objects changing the curvature of space - time should produce waves in that fabric.

In this virtual space, the researchers hope to track patterns of movement of the astronauts and objects over time, which might allow them to understand patterns of life on the station in the same way that they might when looking at an archaeological site on EartIn this virtual space, the researchers hope to track patterns of movement of the astronauts and objects over time, which might allow them to understand patterns of life on the station in the same way that they might when looking at an archaeological site on Eartin the same way that they might when looking at an archaeological site on Earth.

The phone uses several technologies, including Motion Tracking (to detect the movement of the user), Depth Sensing (to detect the distance of objects in the physical space) and Area Leaning (the device spatial memory for drift correction and also support multiplayer games that take place in space physical space).

Lehmann Maupin 536 W. 22nd St., [phone] Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

Irwin, an innovator in the Light and Space movement, began his career as a painter and turned to installation as a means of disposing with medium and object altogether.

Recent projects include Another Utopia (2015), a year - long project culminating in an installation and film exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.

Serra said this about his works: ``... if I had to give a brief on what I thought sculpture needed to be, it was to do away with the object, to get sculpture off the pedestal and expand the space of the field, to open up the container and to foreground time and bodily movement in relation to the intensity of place and context.»

In her latest works Angela Bulloch studies how the interaction with objects structures and motivates our movement in space, as well as the differences in our perception of digital and real spacIn her latest works Angela Bulloch studies how the interaction with objects structures and motivates our movement in space, as well as the differences in our perception of digital and real spacin space, as well as the differences in our perception of digital and real spacin our perception of digital and real space.

Taxonomic and serial, most of my works are hybrid enterprises that explore materials through sculpture in the pursuit of an experience, using metal, music, stone, space, paper, movement, found objects, light, clay, and photography.

While American Minimalism is often identified with New York — Carl Andre's floor works, Dan Flavin's neon lights, the industrial objects of Donald Judd in his SoHo sanctuary — there is a rich vein of West Coast Minimalism less widely shown in the UK: the «Light and Space» movement, whose works emphasise an attention to the fall of light and changing perceptions of sSpace» movement, whose works emphasise an attention to the fall of light and changing perceptions of spacespace.

This work is not abstracted from reality in the way that some abstract painters start with particular objects or landscapes; rather, Egan refuses to begin with a plan, relying instead on, in his words, «an unconscious recognition of my surroundings, digesting and transferring this complexity into a cascade of recognizable but irrational space» in a process that begins with marks as a record of «natural movements.»

Column No. 2 In Front of Its Own Image (1972 - 3) systematically records the grid or lattice formed by the movement of a three dimensional object in space, itself a solid representation of the intersection of two wavy lineIn Front of Its Own Image (1972 - 3) systematically records the grid or lattice formed by the movement of a three dimensional object in space, itself a solid representation of the intersection of two wavy linein space, itself a solid representation of the intersection of two wavy lines.

Here, around one hundred works of art invite the visitor to find out more about the special focus areas of the Daimler Art Collection: the constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the US.

Documentation of performances through photography and video, which shows the artist experimenting within his own body in a series of simple actions — tossing, falling, hugging, smacking, tripping, and whirling — and his performative objects and installations uncover the darker absurdities of the body, space, and movement.

Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art movement called «Light & Space,» which typically featured ultra-minimal architectural environments instead of more conventional art objects such as paintings and sculptures.

I'm always trying to activate the space between the object that's really about this flat surface on the wall and the space between it and the viewer, so that the viewer is engaged perceptually through the movement of the strokes, the opticality, and in following my body's movement across the picture plane like a kind of mimesis.

It is more about the energy and movement of the viewing space in relation to the viewer than the physicality of the objects themselves.

Unlike his videos, where characters, objects or model airplanes are animated in a space, Sawa has created a still and contemplative environment in which movement is implied as a result of sound.

Gravity «works» on mass not on movement, it's the relationship of mass of objects meeting in gravity which creates movement, two gases of different mass in the same parcel of space will separate out as gravity has a greater pull on the one with more mass.