The lectionary splits the prayer into three parts for the three - year cycle — which is somewhat like hearing one
movement of a symphony.)
The conductor can then do one of two things: he can start the whole
movement of the symphony all over again or he can ignore it completely.
Although not blessed with a cinematic eye, Yates, a sensitive director of actors, structures his movie like the final
movement of a symphony.
This is the third
movement of SYMPHONY, a performance series initiated in September 2010 and continuing through June 2011.
Much like the middle
movements of a symphony, the middle of a well - written introduction gives the judge an overview of the arguments (themes) that the lawyer will develop later in the brief.
A well - written introduction, then, is not unlike the beginning, middle, and final
movements of a symphony, which often work together to convey one or more themes.
Not exact matches
The duality or polarity in God's nature, when fully expounded, will be seen as the neoclassical theme that runs through every
movement of the Hartshornian metaphysical
symphony.
To make a deal with the SSPX and the Lefebvrist
movement on Archbishop Pozzo's premise — that this new personal prelature would be conceded a right to reject certain teachings
of the Second Vatican Council — would be to make the
symphony of Catholic truth discordant rather than melodic.
Moore's
symphony of biology is in four discrete
movements: «Understand nature», «The growth
of evolutionary thought», «Classical genetics» and «The enigma
of development».
«The Fits» — which credits a
movement consultant as well as a pair
of choreographers — is a small
symphony of bodies in motion, and Holmer's way
of capturing it is gratefully not that
of music videos, which are usually designed to induce ogling, or even musicals, which dazzle by making the well - rehearsed look easy.
Frances Ha used its quick cuts like punchlines; Mistress America does plenty
of that (it's quick, coming in under 90 minutes) but also stages a bravura, extended farce sequence in the Connecticut suburbs that turns its snappy dialogue into a
symphony of wit and
movement.
In fact, one
of the earliest manifestations
of this motif can be found in the fourth
movement of Anton Bruckner's olympic eighth
symphony.
The highlight
of this new musical program is a full four -
movement symphony that will guide fans through a musical retelling
of key chapters from The Legend
of Zelda franchise.
This is a different kind
of symphony of a city, conducted with rising and falling rhythms that segue from one
movement to another over the course
of a single day into the night and finally emerging into the dawn.
After initially freaking out most students, they will probably come to appreciate and welcome each
of the
symphonies movements.
In a brief interview the author comments on the book's structure: «There are little bits
of connection between the five sections; but it's really going to be a bit like listening to a
symphony in five
movements or, if you like, an LP, an album, a CD in which the tracks are separate, but the whole thing adds up to more than the sum
of its parts.»
The five -
movement multimedia
symphony concert regales fans with Nintendo composer Koji Kondo's original music, recalling moments
of Link conquering dungeons, running through forests, and struggling to decide what color tunic to wear.
The name
Symphony of the Goddesses refers not only to the concert program but also to the four -
movement symphony, recounting the classic storylines from The Legend
of Zelda: Ocarina
of Time, The Legend
of Zelda: The Wind Waker, The Legend
of Zelda: Twilight Princess and The Legend
of Zelda: A Link to the Past.
The concert's five -
movement symphony regales ears with Nintendo composer Koji Kondo's original music, recalling moments
of Link conquering dungeons, running through forests, and struggling to decide what color tunic to wear.
What's more, The Legend
of Zelda: The
Symphony of the Goddesses is the first video - game themed concert to feature a complete 4
movement symphony.
The highlight
of this new musical program is a full four -
movement symphony that will guide fans through a musical retelling
of key chapters from The Legend
of Zelda franchise.
The name «
Symphony of the Goddesses» is a reference to the new four -
movement symphony recounting the classic storylines from The Legend
of Zelda: Ocarina
of Time ™, The Legend
of Zelda: The Wind Waker ™, The Legend
of Zelda: Twilight Princess ™, and The Legend
of Zelda: A Link to the Past ™.
When it looks for Mozart, Beethoven, and Wagner, it can still find sketches for Don Giovanni, the slow
movement of the seventh
symphony, and the Ring cycle.
Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual
symphonies», thanks to his keen eye for the geometrical treatment
of form, colour, line and space, and inspired by avant - garde
movements such as Suprematism and Italian Futurism.
This exhibition has been conceived as a process lasting six months, a
symphony structured in three
movements and an epilogue, each deriving from the study
of a single key work that defines the whole
movement: Echo VIII, a sculpture by Louise Bourgeois (First
Movement); Fuji, an abstract painting by Gerhard Richter (Second
Movement); and Silent Score, a performance by Pierre Huyghe (Third
Movement).
Conceived as a process that would last six months, the exhibition has been structured as a
symphony in three
movements and an epilogue, each section deriving from the close study
of a single key work.
Using as a starting point key pieces from the collection by Louise Bourgeois, Gerhard Richter and Pierre Huyghe, A House
of Leaves is conceived as a
symphony and structured in three
movements and an epilogue.
Key participants in these
movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father
of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent»
symphony; Sol LeWitt (b. 1928) the High Priest
of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator
of «Happenings» Allan Kaprow (b. 1927).
A
symphony of energy meant to evoke the spontaneous
movement of...
Dance to the End
of Love was made out
of low resolution footage made mainly with mobile phones in Egypt, Yemen, Libya, Saudi - Arabia and Oman, and showing male bodybuilders, men driving cars and riding motorcycles, singing and dancing, but when included within this 4 - channel - video, this unique piece becomes a
symphony in 5
movements about the loneliness
of the oppressed, about hundreds
of thousands crushed and forgotten in their home countries, who choose to use their computer screens as sites to live out their collective, heroic dreams.
The stone circle is the second
movement from Mirza's Solar
Symphonies series
of artworks.
The so called
movement away from
symphonies following the same sheet
of music describing large bureaucratic military organizations may be replaced by the metaphor
of improvisational jazz, but the players will need to work together and practice for long periods in order to understand and follow one another's cues, and replacing parts will be more difficult if there is no script to follow.