Sentences with phrase «movement through»

Crossroads (Choreographies) is a multidisciplinary project that explores the idea of movement through an exhibition supported on different media (installation, sculpture, video, etc.) Curated by Raquel Peula and Fran Ramallo, this is the first solo exhibition of artist Rosana Antolí in the United States.

In this show, Martin's method of painting remains consistent, described by critic Nick Hackworth as «a single balletic mark - making movement, a visible trace of physical movement through space.»

They resemble explosions or points of origin more than whirlwinds of swirling movement through industrial environments.

They suggest movement through deep space rather than through a particular space.

We will also examine the history of the women's movement and the feminist art movement through selected essays by John Stuart Mill and Harriet Taylor Mill, Elizabeth Cady Stanton, Linda Nochlin, Lucy Lippard, Betty Friedan and Michelle Wallace.

The exhibition presents a history of the Cobra movement through paintings, sculpture, prints and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant and Corneille, and reexamines the unique meeting of the group of young painters and poets brought together by an optimistic determination to start over after World War II, a shared interest in expressionism, myth, folk art and the art of children.

Barbara Kasten (b. 1936, Chicago) makes photographs and video projections in her studio that evoke an experience of movement through modernist architecture.

The solid form of the components themselves is of little importance; their main function is to create movement through space and to enclose space.

The work reveals flux and bodily movement through an open structure, reflecting the immediate surroundings.

Schor, in a way, is formalising and making coherent the feminist art movement through this marrying of the term «avant - garde» with the movement.

The author considers the history of the women's movement through the lens of the pivotal year 1977, when the progressive National Women's Conference ran concurrently with a massive conservative rally of the Pro-Family movement in Houston.

This film installation engages the landscape of a particular place (Harlem) and the manifest implications and effects of movement through this space.

The book examines Jacklin's primary focus on the themes of light, people and movement through varying subject matters, and presents etchings from the 1960's alongside newly created monotypes.

In the Cast Corridor itself, the third site of the installation, Coleman has used the Summer Exhibition banner as material to create a translucent curtain at the entrance point to the Schools exhibition, complicating the flow of movement through the space by creating a physical barrier.

His paintings show a steady movement through the various schools of modern painting of the 20th & 21st Century.

Karen Seapker's paintings attempt to capture time and movement through the use of dynamic color and brush strokes.

Houston Center for Contemporary Craft (HCCC) is pleased to present Light Charmer: Neon and Plasma in Action, a group show featuring artists who create a spectacle of light, color, and movement through neon and plasma sculpture and performance.

The artist's knack for conveying energy, angst and movement through the use of colorful, fractured shapes in his paintings has not changed.

Measuring 6 metres by 3 metres, it explores the notion of harnessing movement through the idea of capturing and freezing a volume of wind in a moment in time.

The police accompanied the marchers from Washington Square Park and facilitated their movement through the streets - stopping traffic to allow the marchers to cross intersections.

The unfolded, expanded and draped figures enjoy a regime of liberal movement through the space, as the body is permitted to move within the drapery enshrouding its forms.

Emily Jacir (1972, Palestine) is a Palestinian - American artist and filmmaker whose ongoing practice is concerned with movement through public space, exchange and silenced historical narratives.

Wride called Bick a «pioneer» in contemporary photography, adding, «Her careful examination of movement through performance art and choreography allows Bick to forge a niche in the photographic medium.»

The exhibition rather reveals the arc of a specific art movement through a continuum of works whose shared exuberance connects street - and studio - based practices, and aims to reveal (and challenge) how a «school» may form and evolve.

The exhibition looks at the Black Civil Rights movement through historical photographs, documents and contemporary art and explores how it impacted on Civil Rights in Derry and N. Ireland.

Given that the works within this installation reference topics that range from submerged histories and identities, to landscape, to the liminal positions that result from migration, to metaphysical states of being, to the site of the art museum, their movement through and around these issues suggests that our relationships to locations are always shifting.

This is further punctuated by the faceless apparitions surrounding him, who act as metaphor for the unknown fighters for justice and equality, including the Black women who served as the backbone of the movement through their community work.

While painting using the model, students will develop strong explorations into the unique abilities of watercolor, applying several principles, which include: anatomy, the use of light over form, color sensitivities, movement through space and form over time, construction and deconstruction, abstraction and approaches to composition.

He was a founding member of Spiral (1963), which sought to contribute to the civil rights movement through the visual arts.

With hand - built cameras and vintage photographic paper, McCaw creates unique pieces documenting the sun's movement through illusory land and seascapes.

Here, they are placed on the floor and at obscure heights on the walls, questioning their function (or nonfunction) to create a linear framework for the viewer's movement through the first two rooms of the gallery.

Commissioned by Emily Rauh Pulitzer as a permanent feature of the courtyard, Richard Serra's Joe articulates a space that reframes perceptions of scale and movement through its subtle, shifting contours.

In a particularly nice touch, Untitled (Bernstein 90 - 01)(1990), a «stack» of aluminum and Plexiglas boxes by Donald Judd, is displayed at the top of Mnunchin's stairs, as if in response to an ascending visitor's movement through architectural space.

It also serves to slow down movement through the space — viewers are not as likely to rush through an exhibit if they're wandering in an unfamiliar setting in the dark.

Especially conceived for The Donald B. and Catherine C. Marron Atrium, the installation choreographs visitors» movement through the space.

During the 1970s, Benglis engaged in dialogues relating to the feminist movement through her art by pioneering a radical body of video work made up of fifteen videos.

That can leave a meager history, for all the expected upheavals from the civil rights movement through AIDS.

Simmons often uses language or site - specific drawings of buildings, painted and then smeared in ways that evoke movement through time and space and call up allusions to history or cinema.

Combining color and abstract patterns, the works produce optical illusions of pulsating movement through precise, mathematically - based composition.

She makes photographs and video projections in her studio that evoke an experience of movement through modernist architecture.

Photography plays an active role as the visual archive while the materials used serve to mirror the landscape's natural movement through cycles of erosion and transformation.

In a way, Grover has combined both these interests in her curation of «Radical Seafaring,» which points to a new art movement through its seamless entwining of conceptual art, sculpture, and artist participatory adventures with insights into the creative process that are essential for the fullest appreciation of art.

The show consisted of 40 paintings, all outfitted with GPS trackers on the back so I could trace their movement through the art market.

This technique is born from my need to capture movement through a texturized canvas.

The text itself considers the violence of the everyday and mediates on ones construction of self through the residual accumulation of our body's movement through space.

This engagement with everyday moments results in site - specific drawings, large - scale moveable sculptures, and mixed - media «maps» of the passage of time or movement through space.

Making a parallel between then and now, the show will highlight the role of female artists (or lack thereof) in the movement through the works of Magda Cordell and will examine the ways the relocation of certain artists influenced their art on grounds of cultural shifts.

«You make all these drawings, come across all these scenarios, and try to explain the movement through that space.»

In Studio I, students first learn to consider human occupation of and movement through forms and spaces.

In 1963, he co-founded the Spiral Group (along with Romare Bearden, Norman Lewis, Hale Woodruff, and others), which sought to contribute to the Civil Rights movement through the visual arts in part by increasing gallery and museum representation for black artists.