Asger Jorn was a Danish painter, sculptor and writer, as well as a member of the avant - garde
movements of COBRA and the Situationist International.
Not exact matches
The painterly style also emerges from expressionist painting
movements of the time, including
CoBrA Group and Art Informel, important
movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.
C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center
of Contemporary Art CAFA — China Central Academy
of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections
of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris)
CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde
movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries
of origins make up the group's name CoCA — Centre
of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonnĂ© CTP — Computer to plate, digital printing process
THE AVANT - GARDE WO N'T GIVE UP:
COBRA AND ITS LEGACY Blum & Poe is pleased to present The Avant - Garde Won't Give Up:
Cobra and Its Legacy, a two - part exhibition taking place in New York and Los Angeles which will offer a broad and critical reassessment
of Cobra — an essential postwar European
movement named for the home cities Copenhagen, Brussels, and Amsterdam.
Martinez draws his inspiration from a wide - range
of sources, spanning from the ever - evolving landscape
of the city to major art historical
movements of the 20th century such as Abstract Expressionism,
CoBrA, Neo-Expressionism, and Surrealism.
Martinez draws his inspiration from a wide - range
of sources, from the ever - evolving landscape
of New York City to major art historical
movements of the 20th century such as Abstract Expressionism,
CoBrA, Neo-Expressionism, and Surrealism.
From Kohn Gallery: Martinez draws his inspiration from a wide - range
of sources, spanning from the ever - evolving landscape
of the city to major art historical
movements of the 20th century such as Abstract Expressionism,
CoBrA, Neo-Expressionism, and Surrealism.
During the 1940s and 50s, for instance, important works by Ernst Ludwig Kirchner and Henri Matisse were added to the collection; also during the 50s, the museum acquired a series
of works by the Russian Suprematist Kasimir Malevich, as well as design works by De Stijl, the Bauhaus Design School and related design
movements such as Russian Constructivism, as well as Kinetic art, the
COBRA group, and Pop art.
Opening: «Asger Jorn: The Open Hide» at Petzel Gallery One
of the founding members
of COBRA — a postwar avant - garde
movement consisting
of abstract artists from Copenhagen, Brussels and Amsterdam — Asger Jorn is famous for the spontaneous use
of color and form in his experimental paintings, drawings and sculptures, made from the mid-1930s through the time
of his death in 1973.
The last surviving Dutch member
of CoBrA the European art
movement active in the 1950's, Corneille, has died age
of 88.
Drawing his inspiration from a wide - range
of sources, he involves major art historical
movements of the 20th century, as Abstract Expressionism, Neo Expressionism and
CoBrA.
The international
CoBrA movement of 1948 - 1951, a European avant - garde embodying post-WWII freedom, has been compared to American Action Painting in both its aesthetic and its effect.
Like Tachisme, the
COBRA group was closely related to the gesturalist wing
of the broader European abstract expressionist school known as Art Informel, and derives its style from the early expressionist
movement in Germany.
In Europe, gesturalism was practised in the Art Informel
movement (the European version
of Abstract Expressionism) by artists like Georges Mathieu and Wols, by exponents
of Tachisme, and by Asger Jorn (1914 - 73) and Karel Appel (1921 - 2006)
of the
COBRA group.
The European equivalent
of the gesturalism or «action painting» style
of American Abstract Expressionism,
COBRA was a non-conformist avant - garde
movement founded by painters, sculptors and graphic artists from the Danish group Host, the Dutch group Reflex, and the Belgian Revolutionary Surrealist Group.
COBRA was one
of the more international
of modern art
movements: the name derived from the initials
of the members» home cities: Copenhagen (Co), Brussels (Br), Amsterdam (A).
Existential Art (1940s and 1950s) John Paul Sartre's existentialist philosophy, with its themes
of alienation and angst in the face
of the human condition, can be seen in paintings by the American Abstract Expressionists, the Informel and «
CoBrA»
movements, the French Homme - Temoin (Man as a Witness) group, the British Kitchen Sink art group, and the American Beats - all
of whom from time to time are designated Existential, as are many individual painters and sculptors: like the Swiss sculptor Alberto Giacometti, and the surrealist / expressionist Francis Bacon.
Key works
of Modern Art, from Giorgio Morandi to Frank Stella, and twentieth century art
movements like minimal art, pop art and
CoBrA have been brought together in a so - called «White Cube».
Petzel Gallery will present six paintings by Danish artist and founding member
of the
CoBrA movement, Asger Jorn (b. 1914, d. 1973).
One
of the few modern art
movements to come out
of Northern Europe,
COBRA paintings are best known for their expressive brushstrokes, child - like imagery and strong primary colours.