Sentences with phrase «moves into space then»

The same would be true of Sigurdsson of course, yet there's not the same snappiness to Everton's play when he's on the ball: he has the tendency to take a touch, looking to find that gap to play through, whereas Rooney moves the ball on quickly, moves into space then tries to find that gap once he's received the ball back, having already had the chance to look at what's ahead of him.

Not exact matches

Then, this past February, they moved again, into a 12 - person space (monthly cost: $ 5,400), later adding another three - person meeting room.

Everything floating like broth and soups I freeze first into very flat boxes and then move to plastic bags to save space.

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

The trademark Brandt move takes advantage of his lightning acceleration without needing to get to his relatively unimpressive top speed — moving past one or two defenders, playing the ball quickly to someone in support and then gliding past another one or two defenders into the space.

Then gently lift him up and move him up, down, back, and forth, like a rocket jetting into space.

Last night, after moving through a nourishing bedtime routine that ended in a story, I relaxed and enjoyed reading my own book while my little one cuddled close and then stretched into his own space and fell asleep peacefully.

It would be replaced by another tram containing passengers joining the service who, at their leisure, could then move into spaces in the main body of the train after docking.

Gentle classes are typically slow - moving, connecting each deep, lengthened breath with the next as you move deeper into each stretch or twist, making space and then slowly melting in to it.

Only then can you have permission to leave and truly move into the next space with wholeness.

Again, while this is a fun transition it can be tough to execute all the moves because some areas of the game require you turn into a space ship then mid-air switch back to your original character Mordecai and do a double jump to reach the higher spots on the level and it can be so tough to do this successfully.

Sequence demands, and then commandeers, spaces like the Cantor's courtyard, or the new San Francisco Museum of Modern Art gallery into which the sculpture moved in February 2015 in anticipation of the museum's spring 2016 reopening.

The project then experienced a politically motivated eviction from its original post in the old Galata factory building and moved to its current place in Asmalimescit Taksim, in the process evolving into the full - blown exhibition space of its current function.

While packing up the museum's American collection for a $ 24 million expansion project, he kept 50 things out, then moved them into smaller, much more domestic spaces that transform the viewer's experience.

Soon, our small office space turned into project space, and we started developing a program, and then we moved to a bigger space with more exhibition programmes and a residency program.

In 1998 they moved to Linienstrasse 158, right into the center of what was then Berlin's booming young gallery scene and in 2013 they opened a second project space the Remise at Linienstrasse 107/108.

Berrada imitates, in the spaces he designs, conditions of nature and then moves them from their original context into the exhibition space.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

The Event Sculpture presents nine sculptures that are events, inviting artists including Lara Favaretto (b. 1973, Italy), Urs Fischer (b. 1973, Switzerland), Ceal Floyer (b. 1968, Pakistan), Simone Forti (b. 1935, Italy), Simon Martin (b. 1965, UK), Anthony McCall (b. 1946, UK), Maria Nordman (b. 1943, Germany), Tino Sehgal (b. 1976, UK) and Roman Signer (b. 1938, Switzerland) to present a single work on the exterior of our building which then moves into our gallery spaces.

I can't help but feel that her use of architectural interiority in these new works, her drawing on a suite of very personal rooms from her own recent life, then opening them up to an audience, also signals a moving out from the isolated space of the studio and into one of exhibition.

That things are transcended is a mechanism of art — there is a material, then it's moved into another space or combined with other materials and afterwards it's not what it was.

Then, in late 2011, Fontaine moved his gallery to Wynwood Art District in Miami — the business grew well, and Fontaine managed to move again, into a larger space, where his Robert Fontaine Gallery has resided since.

In this episode, Katrina Leung talks about her «Goldilocks» approach to law practice, which eventually led her to start her own practice, Intuos Law, then move into Clio headquarters for her office space.

The driver has two choices; Either hit the brakes, wait for an opening, then move into the left lane, or simply cut in while there is space, even if that space is small.

This is a challenge for developers as it means they have to first find space to use as a make - shift vendor partition (on devices that do not already have one) and then move all of the HALs out of the system partition into this new vendor partition, and then create the vendor interface themselves in HIDL.

You can then place the object into the real world and move it around within the space.

Specifically, I'd like to review the development of moving from «safe» space dialogues to «brave» space dialogues and then suggest a culturally universal example of integrating a brave space intervention into your current group process.

My sister and brother in law moved into a cute little home last year, and I was more then happy when they asked me to help redesign the layout of the kitchen and main floor living space!

And then when my two boys moved in to a room together, we revamped this into a space that was very special to us yet again, our homeschool room.