Sentences with phrase «moves the film into»

Knightley's character flirts with Manic Pixie Dream Girl preciousness, but imbues the character with a humanity that transcends the type; she's got a lovely monologue at a key moment in their arc (concerning her love of vinyl, of course) that moves the film into the realm of pathos with an almost invisible dexterity.

Some of the turns it takes — and some of the challenges the two friends are given by Colin — moves the film into very unsettling waters.

The action - packed final act moves the film into ridiculousness with nonsensical twists and turns paving the path towards dissatisfaction.

Not exact matches

In addition, as Spielberg's shop moves more into the family space, it could run up against part of the deal that forbids DreamWorks from making animated films for any company other than DWA.

National Association of Theater Owners Vice President Patrick Corcoran declined to comment on Amazon's move but said the time between theatrical and home video release would play into theaters» decision on whether to take a particular film.

In an unusual move, he petitioned the court to release seven juveniles into his custody, so that he could film them during a 10 - day sail on his yacht.

Thanks largely to documentary films on the subject, the assumption of Allied culpability has moved beyond the academic arena into the broader public consciousness.

The movie is the brainchild of retail mogul Mart Green, who heard Steve Saint and Mincaye speak at a conference in 1999 and was so moved by the story that he decided to turn it into a film — two films, actually; the companion documentary, Beyond the Gates of Splendor, released last year.

A 9o minute moving and inspiring film telling the story of Bobby Moore, who has passed into football legend as the captain who in 1966 led England to its only World Cup victory and West Ham captain from Barking.

This moving and urgent film provides an intimate lens into how midwives across the country work within and better the hospital system, redefining how the US looks at the birthing process.

Shapiro recently reached an agreement with the county to move the office of the Syracuse International Film Festival into the film hub.

The film depicts several sperm attempting to fertilize the egg, «zooms in» on one sperm's tail to show how the dynein proteins move in sync to cause the tail to bend and flex, and ends with the sperm's successful journey into the egg and the initiation of cell division that will ultimately create a new organism.

These days, medical X-rays come in multiple formats: plain film used in dental exams and doctors» offices; fluoroscopy, which bounces a continuous X-ray beam off contrast agents you've either injected or ingested, providing a moving real - time image of arteries and intestines; and the computed tomography (CT) scan, which couples a powerful computer with a circular array of extremely sensitive detectors to turn X-rays into detailed cross sections of the body.

Good thing we've moved past film cameras and into the world of digital!

This tutorial was filmed back at my old apartment, when I was getting ready to vacate and move into a bigger one.

She used to film a lot of tutorials, but has moved into more haul, tag, and review videos.

This film asks this question throughout as Sally (Meg Ryan) and Harry (Billy Crystal) navigate their way through moving to New York and doomed relationships with other people, all the while falling deeper into their «friendship».

After a slow decline over the last several films, Part 6 being the most offensive, New Line gets its ass in gear and the series moves into a better place!

The rebellion, in a dark place, moves into a positive and hopeful direction by the end of the film.

The second direct - to - video sequel of the hit teen cheerleading film Bring It On, Bring It On: All or Nothing concerns one Britney Allen, who must make new friends when her rich family moves into less desirable environs.

Fans may not like the CGI zombies, but unlike the video game creatures in I am Legend (2007), these are more filmed actor - CGI tweaked hybrids; their believability is really dependent on how much viewers will accept the virus as a fast - moving bug which immediately transforms a host into a rabid sprinter with super-strength (not unlike 28 Days Later).

Caldwell made a series of guest appearances on small screen programs including The Bernie Mac Show, My Name Is Earl, and Hannah Montana before moving into films and specializing in glossy formulaic Hollywood outings.

House of Sand and Fog is a ponderous, slow moving film which, if you allow yourself to take the time and let yourself fall into the excellent characterizations by Connelly and Kingsley, becomes a ponderous film with a killer ending that, even if you see it coming a mile away, is still a killer ending worth sitting for.

After an apprenticeship with the Republic western and serial units, Webb moved into the big leagues at Warner Bros., where he scripted such adventure films as South of St. Louis (1949), The Big Trees (1952) and The Iron Mistress (1953).

Right when you think the film is about to kick into gear and start moving faster, it flashes back to a moment from the past where two character talk for extensive periods of time.

With a running time of one hour and thirty minutes, the film moves quickly and fits a lot of comedy into a short time period.

This beautifully filmed Western is basically a slow moving two hour chase, down a snowy mountain ridge into the desert plains.

After moving into directing with an episode of television's Law and Order: Special Victim's Unit, Lowe directed his Oscar - winning wife in the short films The Audition (2000) and The Space Between (2002).

This film, ultimately, is about the need mankind has to transcend its limited thinking and move into dimensions that are greater than its narrow aims.

A torpidly slow epic with a script that moves at the speed of light, the film is pockmarked with incidents that never cohere into a clear narrative.

What we end up with is a film of great potential which never really gets into gear, and whose ideas are skimmed over for the sake of moving forward.

Because of their authenticity, and Provost's mostly sure hand at maintaining mood and tone, the film is a moving immersion into the mysteries of time, memory, and mortality.

In it Kubrick discusses his youth and his education, how he became interested in films and how he moved into that field, and his work up through the early stages of 2001.

This film could have been so much more, but Cleveland, as it is portrayed here, is the same as any other American city, there are no comments or reflections about how Danny DeVito succeeds where the dashing Paul Rudd fails, and... well, Jack just moves into the garage, rather spontaneously and without much attention paid to the failure of the film's principal marriage.

Billie moves in with her separated, hipsteresque father to give James some psychological space, whereupon she begins to manipulate two older friends into a voyeuristic, polyamorous relationship and films their fledgling flirtations and eventual fucking.

The premise is surprisingly human; rather than using the ghost - story which accompanies the apartment that the protagonist (Jennifer Connelly) and her daughter (Ariel Gage) move into as its main focus, the film concentrates more on a custody battle between she and her ex-husband (Dougray Scott).

During the»30s he played high - energy, gregarious leads in many «B» - movies and second leads in major films; later he moved into character roles.

When the scene unspools in the film, it's a jolt of pure terror, with the masked man sliding into frame, then slowly moving out of it.

Johnson gradually pars his film of narrative artifices as they become unnecessary, allowing a confident but routine future - shock thriller to evolve into an elegant and moving western.

But I digress, moving on to this film, which falls into the average / below average pile.

The film does temporarily fall into the trap of playing out like a video game considering the task of moving from one Horcrux to another: Items that are nothing more than MacGuffins at their most basic level (see: «Sucker Punch «-RRB-.

However, the characters the film does focus on get storylines that move them into new directions, something that even their solo films don't always accomplish.

Tiny Furniture (Unrated) Coming - of - age comedy about a rudderless, recent college grad (Lena Dunham) with a worthless degree in film appreciation who moves back into her mother's (Laurie Simmons) loft in Soho where she has to settle for an unfulfilling job as a restaurant hostess.

The story flirts with young love (and love potions) at Hogwarts but also moves into a darker and more adult direction and Yates follows suit with a film that is more intimate and somber.

Compare its plot to those of the classic Gothic novels and films in which a young, naïve woman marries a mysterious man, moves into his ancestral home where she is greeted by sinister domestic staff, and goes on to find clues that suggest a horrible family secret.

The film looks fine from a technical standpoint, and things move along without too much muss or fuss, but likeable actors and competency in the lensing fall far short of turning this plot into something worth following for more than a few snickers at its expense.

The film shows her Eilis moving into a boarding home run by Mrs. Kehoe (Julie Walters), landing a job and taking night classes thanks to help from Father Flood (Jim Broadbent), and falling in love with an Italian boy named Tony (Emory Cohen).

Ridley Scott's much anticipated prequel / sequel to his hit film Alien and the polarizing Prometheus will be moved from it's October release into the summer in August while «The Predator» will come out in March 2018 with the director of The Monster Squad and Shane Black returning to pare up for the sequel to the 1987 classic.

You call Ang Lee, the Oscar - winning director of Brokeback Mountain, who turns the book into a magnificent and moving film.

We'll have the Patrick DeWitt book to film adaptation of Jacques Audiard's The Sisters Brothers drop at Cannes in May, and then we wouldn't be surprised if Kelly Reichardt begins lensing on her eight feature film — and not unlike Claire Denis, moves into the direction of comedy — a first for the helmer.