Sentences with phrase «movie about any of those characters»

It's a balance between leaving people wanting more and then giving them too much, but I would watch a movie about any of those characters you just named.

Not exact matches

Much like the success of last year's Warner Bros. film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters of color.

The eighth installment of Tyler Perry's «Madea» movies, this Christmas - themed iteration about the titular character bringing two unlikely families together was poorly received.

Unlike the recent string of TV shows made into movies, like the «21 Jump Street» franchise, Peña said the intention with «CHiPs» is to be more serious in the hopes to make the audience care and be concerned about what the characters are going through.

When you're watching «The Incredibles,» it always feels like there's so much more to discover about the story and the history of the characters, which isn't always the case in Pixar movies.

What it's about: The plot isn't entirely coherent, but the third «Pirates» movie was a visual spectacle that had the characters sail off the edge of the map and find what lies beyond.

McDormand, Rockwell, and Woody Harrelson are so good in Three Billboards that I think a lot of voters have totally forgotten the less successful aspects of the movie: How every white character is immensely colorful but every black one is a cipher, that whole thing about Woody Harrelson's big dick (stop!

At the recent All Things Digital D10 Conference, Ari Emanuel (co-head of William Morris talent agency and the inspiration for the Ari Gold character from HBO's The Entourage) spoke about how crowdfunding could revolutionize the way our favorite TV shows or movies get produced.

But still: It's hard to diss a movie that displays so much of what's undeniably good about Amy Adams and Jennifer Lawrence — two attractive and fascinating characters.

During the movie, Tom Cruise's roguish persona keeps the character basically likable and worth investing in, but by the end, it's clear that Liman has something different to say about the American Dream and how many of us can be just as easily swayed by the perks of moral relativism.

Theoretically, the movie is about her learning to make better choices; the character actually gets to accomplish something by the end, although we no way of understanding how she found the wherewithal to pull that off.

The movie does offer a slight gesture toward the Holy when, in moments of great awe, characters touch their foreheads as if they were about to make the sign of the cross.

I was writing blogs, reading blogs, commenting on blogs, commenting on comments, joining groups, creating groups, posting bulletins, reading bulletins, taking top ten quizzes that told the world what I thought about my favorite CDs, movies and what character I would be if I was living in the world of Buffy the Vampire Slayer!

But here's the magic of movies — and of the Family Movie Journal: You get to talk about all those hopes and dreams and fears as they happen to characters in the stories you're watching.

Recommended for ages 15 and up.Let's face it: Matt Damon may be responsible for bringing the kickass character Jason Bourne to life, but to most of the world, he will forever be pegged as that dude from Boston who starred in a movie about a ja... read more

Characters were shown drinking alcohol in 85 percent of the top movies rated for children, and specific brands appeared in about four out of 10 child - rated movies.

Well, the «movie» is a lot more than that - music, poetry and so on, but we will talk about fashion, as it was also one of the main characters in «Lemonade».

Bride Of Frankenstein Halloween Makeup Tutorial, was inspired by the second movie maybe about this classical horror movie character.

Cool article I read a while back about the waredrobe of this movie... supposedly Woody Allen gave a costume designer a total budget of $ 35k to outfit all the characters in the movie.

The level of information about the characters and the story is incredible and is a great case study for anyone wanting to study this and other movies of this genre in general.

I was rolling my eyes at about every moment of this movie, not just because it wads cliché, not just because it confused the cliché with transcendent and relatable commentary, not just because the characters were aggressively loathsome and inauthentic, and not because it appears to be someone's idea of Graduate Lite (though, yes, these are all contributing factors).

The movie gives the viewer no reason to care about any of the characters.

This 1989 featurette indeed shows some clips of Kane during the movie shoot as he chats about his character.

People over 60 are as sexual and complicated as their grandchildren, and there ought to be more movies about them, but only an audience as constipated as these characters could mistake this lukewarm stream of pablum for a hard nugget of truth.

Macdonald, playing an outsider with wisdom, is by far the most sympathetic character; the movie has plenty to say about the parenting traditions of the wealthy, not much of it favorable.

The movie turns on a series of revelations about the characters, whose hushed, intimate narration — split between Laura, Jamie, Ronsel, Hap, and Florence — reveals rich inner lives.

The best thing that can be said about Bats vs. Supes is that it's rapid collapse at the box office may finally be enough to convince Warner Brothers to remove Snyder from any future DC Comics films and give them to those who've show an ability to deliver movies with coherent character, narrative and emotion in addition to pure spectacle — and preferably all of the above.

I didn't care about any of the characters and to compare this to Tarantino like dialogue maybe the biggest joke in this movie.

We hear about creator Bob Kane's work and that of others who followed him, facets of the character and others involved in the series, Batman in other media like movies, radio and TV, and changes and evolution in all these areas over the years.

The presence of Robert Redford gives the character weight, if not depth, because we bring to the film everything we know about the actor from other movies.

But this also means that when major, life - changing events happen in the world of the Marvel movies — like the ending of Infinity War, in which half of all sentient beings in the universe are erased from existence — they're rarely given the weight they should have, beyond some of the characters expressing, «I am feeling bad about this.»

Her speeches about sisterhood and self - esteem, though, are at odds with the movie's habit of humiliating female characters — a couple of campus mean girls, and particularly the frosty blonde siren (Julie Bowen) who intends to marry Deanna's ex.

That said, my problem with the movie (which is much more superficial than most of these arguments) is that I just DID NOT CARE about any of the characters.

It's kind of hard to know where to begin with what's wrong in Traffik, a movie where every scene takes about twice as long as it feels like it should, and the characters far too often make an escalating series of implausible and / or stupid decisions.

Although Deadpool 2 repeats the first movie's jokes about the character being a scrappy castoff not good enough for Marvel's higher - profile franchises — at one point, Wade opens the wrong door in Charles Xavier's manor and finds the better - known characters staring back at him in confused irritation — this one has the budget and the clout to allow him to associate with a higher class of co-star.

This slice of quirky life story about a classy, unattainable suit in a store window, is one classy movie as well, ennobling its host of eccentric and tragic, yet determined and struggling, vividly realized characters.

This is a movie where a bunch of action I don't care about is held together by characters I really don't like.

It was made before Philadelphia, focuses on characters that are almost entirely gay men, it covers the entirety of the 1980s, offers a very honest portrait of the AIDS crisis, is a better movie, but Philadelphia is heralded as the definitive film about this subject.

It will take about half the movie to pass before this introductory sequence clarifies its significance, along with the corresponding present - day iterations of the characters.

Infinity War contains just about everybody but Ant - Man, as if the sheer volume of Marvel characters would give the movie dramatic force.

In a true - life sports tale like the recent «Invincible,» you buy into all the inspirational clichés because the characters have inner lives and the movie is about something bigger; here, you keep hoping for something bad to happen to somebody just for the sake of balance.

It's a story about a group of relatively unknown character set in a relatively unknown setting and is so brilliant for it's ability for the character to run around and not bother with explanations except for one small part in the middle of the movie but it never loses the fast paced story and action.

The only thing I honestly enjoyed about the entire movie would be some of the character progression.

The movie's heart and story, both bleeding and mending, and its quartet of characters are hard to abandon — and easy to care about.

Casting Off: The Making of Failure to Launch: Here is a short feature with most of the cast & crew, talking about the plot, character relationships... and lots of recap clips from the movie.

One of the things I liked best about this movie is the quality of the women's characters.

A lot of people have criticized the movie for not being able to care about the lead character.

If your kids care about these characters in any way, it will be a tough movie for them to watch, but good luck talking them out of it!

That's enough for about four movies, and so the movie sags under the weight of all of these characters and exposition before picking up for one last big action scene.

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless