Not exact matches
Assange and his WikiGang were extremely vocal
about their hatred of the
movie, which they called a complete work of
fiction, and even released their own documentary as a free download to compete with the Benedict Cumberbatch vehicle.
What it's
about: The highest - grossing
movie of all time — by far — «Avatar» is a science -
fiction epic where a paraplegic marine inhabits another body to live on the moon of another planet and ingratiate himself into another population.
Aaron Sorkin's
movie about her late husband that portrays him in a harsh light, calling it «
fiction.»
Yet again, while Mr. Cuomo said last week that the Legionnaires» outbreak was like a science
fiction movie, Mr. de Blasio has sought to downplay the risks — growing frustrated with questions
about how many towers had tested positive.
When Peter Delfyett (pictured left) was in the first grade, his father took him to see the science
fiction movie Journey to the Beginning of Time, a story
about four boys who traveled back to the age of dinosaurs.
«We knew if you could speed the information up successfully, it would give rise to all kinds of causality problems, as you see in science
fiction movies about people traveling back in time.
In this wide - ranging, humorous talk, Seth Shostak takes a look at Star Wars and other science
fiction films from the point of view of a skeptical scientist, tells stories
about the
movies he has been asked to advise, and muses
about aliens from space and how we might make contact with them.
And iconic Hollywood
movies like: Clueless, Pulp
Fiction, Notting Hill, Titanic, Forrest Gump, 10 Things I Hate
About You and The Shawshank Redemption.
I love write original
fiction, good tv shows
about interestjng things and
movies as well.
About Blog Frock Magazine is your free drag and transgender related bi-monthly, for drag queens, transsexuals, transvestites, crossdressers and transgender people everywhere, full of features and articles about well known members of the transgender community, crossdressing clothes and clothing guides, make - up tutorials, transgender related movie and book reviews, trans - activism, news and fic
About Blog Frock Magazine is your free drag and transgender related bi-monthly, for drag queens, transsexuals, transvestites, crossdressers and transgender people everywhere, full of features and articles
about well known members of the transgender community, crossdressing clothes and clothing guides, make - up tutorials, transgender related movie and book reviews, trans - activism, news and fic
about well known members of the transgender community, crossdressing clothes and clothing guides, make - up tutorials, transgender related
movie and book reviews, trans - activism, news and
fiction.
Best Fantasy Books Reviews, Discussions, and Giveaways
About - BestFantasyBooks.com is your number one source for fantasy and science
fiction recommendations — books, comics, anime,
movies, and games.
I have gravely mixed feelings
about every
movie on Marc Forster's résumé, from «Monster's Ball» to «Stranger Than
Fiction» to «The Kite Runner» to the 2008 Bond film «Quantum of Solace,» but the guy is undeniably a stylistic virtuoso with a Michael Winterbottom - like ability to jump around from one genre to another.
What Mr. Siegel has made is
fiction, a first - rate action
movie that is
about the need and the decision to take action, as well as the action itself.
Real Steel is what happens when people who know nothing
about science
fiction make a science
fiction movie...
While I have no doubt that he believes this
fiction (in spirit if not particulars, perhaps), Brashear's story — even in its big - screen dilution — is so manifestly
about long - term, institutionalized racism, that such a comment appears patently naive, even disingenuous (the
movie even makes the case, somewhat ironically, that the Navy's greatness is proved by the fact that someone so exceptional as Brashear would want to be part of it).
Working
about as far as possible from the commercial mainstream of the
movie business, Costa has again made a singular docu -
fiction hybrid that defies classification as readily as it reimagines the possibilities of cinema for the post-spectacle, post-theatrical era.
There's something
about the spectacle of
movies like «King Kong» and «Godzilla» that's singularly cinematic — it's not something that other forms like theatre, TV, or
fiction can do in quite the same way.
In a bizarre twist, it becomes clear that the Church is also making a film
about Louis Theroux... My Scientology
Movie is stranger than
fiction.»
What is it
about a game that you think can make a more effective horror experience than
movies or
fiction?
Comparing it to poetry seems absurd — after this, this is
about a man who uses science
fiction technology to «relive» the antics of his assassin ancestor 500 years earlier — but this isn't your regular action
movie.
And speaking of great foreign monster
movies... there was really never any doubt
about 2011's best science
fiction / fantasy
movie.
I still love the power of
fiction, and I've written pieces
about movies in the past year that I'm proud of, like this one on David Lynch and this one on the intersection of
movies and video games.
While cult films range from campy science
fiction to highly graphic horror
movies and just
about everything in between, there are a few characteristics that most cult films share:
How many times has someone else been outraged
about a particular film and you said «It's just a
movie... it's a work of
fiction?»
He still writes
about movies and crime
fiction, but just for fun.
Released: October 6 Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks Director: Denis Villeneuve (Arrival) Why it's great: Thirty - five years after Blade Runner hit theaters (and
about 25 years after anyone recognized the
movie as a seminal science -
fiction), one of Hollywood's premiere directors returns to the futuristic world to tell a inverted story —
about a Replicant grappling with his humanity — that's even more poignant.
In Book Club, we are given a brainless, toothless, sexually inhibited and largely unfunny comedy centered around fan
fiction inspired by a series of YA books and
movies about vampires.
It seems like every low - budget science
fiction movie is
about time travel.
(Sarah's suggestion when I whined
about really wanting to like this
movie despite its historical inaccuracies was to pretend it's
fiction so that's what I'm going to do).
As the official synopsis puts it: «Part road
movie, part science -
fiction, part real, it's a film
about seeing our world through alien eyes.»
Just as modernist painting bears the traces of the painter's movements and presence, and modernist literature has moved toward the first - person essay, the autobiography, and the diary, so the strain of modernist filmmaking that was launched with the French New Wave has integrated the filmmaker's methods with the
movie itself, and turned
fictions into documentaries
about their making.
In its swirl of violence and emotion, the new
movie feels like a summation of those two most recent pictures, even as it braids together settings and story elements from Jia's earlier films «Unknown Pleasures» (2002) and «Still Life» (2008), his surreally tinged docu -
fiction about the incalculable impact of the Three Gorges Dam project.
What you more often get from
movies is something that could be called «science
fiction - flavored product» — a work that has a few of the superficial trappings of the genre, such as futuristic production design and somewhat satirical or sociological observations
about humanity, but that eventually abandons its pretense for fear of alienating or boring the audience and gives way to more conventional action or horror trappings, forgetting
about whatever made it seem unusual to begin with.
Real science
fiction is
about ideas, which means that real science
fiction is rarely seen on
movie screens, a commercially minded canvas that's more at ease with sensation and spectacle.
The morning after the
movie's TIFF premiere, RT sat down with Stan to talk
about his Five Favorite Films and love of complex characters, along with the challenges involved in playing Harding's infamous ex-husband and doing this stranger - than -
fiction true story justice.
Dewey Riley (David Arquette), now Sherriff, and Gale Weathers - Riley (Courteney Cox), now attempting to leave behind sensationalistic journalism for a career writing
fiction, are married and trying to keep their personal and professional lives separate («Later, hon,» Dewey intones during a press conference
about the killings after Gale asks if there's any connection to the
movies made out of her books).
This is the kind of thing you'd expect on a women's cable network
movie - of - the - week, and screenwriter Allison Burnett (working from, what I've heard, a more meta - fictional novel by Charles Baxter; this kind of circumstantial plotting might actually work as meta -
fiction) takes a kind of dopey sincerity
about the whole thing.
Although too intense for little children and too juvenile for older teens, The Neverending Story's message of using literature to explore real life issues coupled with a discussion
about the balance between a growing imagination and keeping one's feet an the ground, could make this
movie more than just the ultimate in escape
fiction for «tweens.
However, the best thing
about Pulp
Fiction is Tarantino's refusal to conform to the rules of the generic
movie.
For a
movie based on fact, it feels an awful lot like
fiction, and that may be why it took so long for someone to make a film
about Kuklinski's life.
His other books include «The Dream Team - The Rise and Fall of DreamWorks: Lessons from the New Hollywood» (2006), «I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies» (2008) and «Jar Jar Binks Must Die... and other observations
about science
fiction movies» (2011).
She's also doing some genre
fiction, too, having recently penned a spin - off
movie about Transformers «Bumblebee.
All we know so far is that the
movie is going to be some kind of science
fiction film, but what could it be
about?
As a reward for making what might be the greatest
fiction film
about the lives of Chinese citizenry during the Cultural Revolution, The Blue Kite director Tian Zhuangzhuang would be exiled from his country's
movie business for nearly a decade due to the supposedly subversive nature of his work.
With it, weekend audiences can enjoy quality science
fiction, while my friend can finally add to his long list of fatherly accomplishments that a
movie was «made
about» his dad's journey into deep space.
Doug Liman and Tom Cruise, the director - actor team behind Edge Of Tomorrow (one of our favorite science -
fiction movies of the last three - and - a-half-decades), have reunited for American Made, a years - spanning biopic
about a real - life pilot who got drafted into both the CIA and a South American drug - smuggling operation.
Out of the competition, the international highlights were El Clan (The Clan, Pablo Trapero), an effective if derivative Argentinian political drama / gangster film heavily influenced by Scorsese's Goodfellas; L'avenir (Things to Come, Mia Hansen - Løve), a fine if rather low - key drama helped enormously by Isabelle Huppert's lead performance; and, best of all, Robert Greene's Kate Plays Christine, a truly disturbing mixture of
fiction and documentary concerning the attempt to make a
movie about the tragic suicide of Florida journalist Christine Chubbuck, who shot herself on live television back in 1974.
During Flickering Myth's chat with DeObia Oparei
about Independence Day: Resurgence, the actor's onscreen debut came up: another science
fiction movie, Alien 3.
He made
movies among communities other
movies didn't know existed,
about characters who were funny, resourceful and built from fact as much as
fiction.
That Lee was able to make a $ 100 million dollar
movie about these themes at 20th Century Fox was impressive enough, that he turns it into something of a Rorschach test for the audience (I felt that the film was suggesting that belief in God is a comforting
fiction, religious friends took it as an affirmation of their faith) even more so.