Sentences with phrase «movie about image»
This is more a movie about images — a bombardment of them — King Kong and Godzilla, mazelike highways, swinging wrecking balls, crashes and explosions, all against a black cyberworld screen of perpetual night.
https://www.sfchronicle.com/ Not exact matches
It's a nifty little gadget that lets you project PowerPoint files and even movies just about anywhere on a screen up to 80 inches (though at that dimension the image is awfully dim — we think 24 inches is about as big as you should go).
We're allowed to draw [an] image of him, we're allowed to make movies about him.
In any event, they have made their film, and while they haven't completely abandoned what they know about moviemaking, they have clung tightly to the image of Jesus given them by a Sister Josephine — or in Schrader's case, someone like the harsh father in his movie Hardcore.
Even people with less than a high school education today recognize the priority of the brain over the blood, so much so in fact, that in the movie, Hannibal (about a cannibalistic serial killer), the thought of slicing out tiny parts of a person's brain, cooking them in a pan, and serving the pieces to that person to eat has become in the public's mind a more disturbing image than, say, serving a person a glass of their own blood to drink, which appears relatively tame in comparison.
We're allowed to draw [an] image of Him, we're allowed to make movies about Him... Michelangelo did it.
The funniest thing is that they actually get along really well, the problem was in the image movies and fairytales give about marriage — happily ever after, endless romance etc..
In a perfect world, women (and men) would learn about childbirth from reading books and websites and talking to their care provider (doctor or midwife), to a doula, to their mother, aunts and friends, but unless you live under a rock, women (and men) also learn about childbirth when they are bombarded with images on TV and in movies that depict childbirth as something scary, painful and out of control.
Christmas carols, ads for toys, images of happy families, Christmas movies, all the talk about the stupid Elf... While no grieving parent would want to damper the excitement for others, this -LSB-...]
Cassini's narrow - angle camera captured the images that make up the movie over the course of about 40 minutes on Wednesday.
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Tracy is the dark mirror image of that movie's Max Fischer: She's relentless, focused and insufferably prissy about achieving her ends.
«And with this pencil stroke, my fate was sealed,» the narration tells us, over images of Petit drawing a line between the towers as depicted in a magazine ad that he peruses while waiting to see a doctor — as if we couldn't figure out why that moment is important, in a movie about a guy who tightrope - walked between the Twin Towers of the World Trade Center.
By assembling the scattered images and historical clips suggested by Baldwin's writing, I Am Not Your Negro is a cinematic séance, and one of the best movies about the civil rights era ever made.
After I realized how this movie massages nuanced social commentary (about fetishization of the african american body, caucasian self - image, etc.) into a film «genre» that does not neatly fit into any particular category (it's neither thriller, nor horror, nor comedy, but a taste of all three), I was absolutely impressed.
The summer movie preview edition of Entertainment Weekly is about to be released and the cover focuses on «The Dark Knight Rises» with an image of Batman (Christian Bale) and Catwoman (Anne Hathaway) on the cover.
Click the image below to see behind - the - scenes photos and learn more about the making of this movie.
The Martian: Extended Edition (Blu - ray + Digital HD) Release date: June 7 Details: 2015, Fox Home Entertainment Rated: Unrated & PG - 13, language, brief nudity, injury images The lowdown: Director Ridley Scott adds 10 minutes to this very entertaining movie about an American astronaut stranded on the Red Planet after a storm forces his crew mates to abandon the planet without him.
There are subplots that drag, such as one about the president's eldest son wanting to enlist in the Union army; in the role, the typically charismatic Gordon - Levitt struggles unsuccessfully to hold the frame opposite Day - Lewis (though the scene in which he follows a bleeding wheelbarrow culminates in the movie's most graphic and striking visual, a rare example of an assertion of image over dialogue).
Parents should know that this movie includes extended fantasy / comic peril and violence with characters injured and (temporarily) killed and some disturbing images and jump - out - at - you surprises, some crude humor about body parts and functions, some teen (adult avatar) drinking and drunkenness, kisses, and some schoolyard language (b - word).
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening March 23, 2012 BIG BUDGET FILMS The Hunger Games (PG - 13 for intense violence and disturbing images) Screen adaptation of Suzanne Collins» futuristic sci - fi novel about a 16 year - old girl (Jennifer Lawrence) who volunteers to take her unlucky younger sister's (Willow Shields) place in a nationally - televised fight to the death featuring 24 participants picked by a government lottery.
If you saw the character posters for Marvel's Black Panther, you might notice something very familiar about the new image from the movie.
A + The Hunger Games Rated PG - 13 for intense violent thematic material and disturbing images — all involving teens Available on DVD and Blu - ray With the Hunger Games books being the supposed next best thing since the Twilight series, I was incredibly skeptical about how good the teen - crazed movie could be.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening March 18, 2011 BIG BUDGET FILMS Limitless (PG - 13 for profanity, mature themes, violence, sexuality and disturbing images) Bradley Cooper stars in this action thriller about a frustrated writer whose life is transformed after he is introduced to a top - secret, smart drug which enables him to use 100 % of his brain.
With veteran cinematographer Roger Deakins providing predictably pretty images and impeccable editor Tim Squyres (Ang Lee's regular collaborator) cutting them together and ubiquitous composer Alexandre Desplat applying a swelling score to it all, the movie certainly has an undeniable air of professionalism about it.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening December 7, 2007 BIG BUDGET FILMS Atonement (R for profanity, sexuality and disturbing war images) Decades - spanning romance drama, opening in England in 1935, about the budding relationship between a rich girl (Keira Knightley) and the son (James McAvoy) of her family's maid aborted when he is falsely accused of a crime by her jealous younger sister (Saoirse Ronan).
The film still itself is about as typical an image from a 21st century Malick movie as one can gets: A couple on a beach, maybe frolicking, maybe twirling.
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On the surface, taking Bradbury's book about the suppression of knowledge and setting it firmly in a world that seems to be crafted in the image of Donald Trump makes sense, and there's a potentially brilliant movie to be made from this concept.
The one image in the movie that got the biggest response was the drawing of Gene and Roger as Laurel and Hardy, which tells you something about the universality of those characters.
Whether he is throwing us off guard with a haunting image that zooms out to reveal it is little more than a portrait, acting as a red herring, or simply greeting the audience with a disturbingly visual parade of naked flesh in the opening sequence, you leave this movie thinking about the imagery.
For some corroboration there, let's go to the source of this new image, which comes with quite a bit of talk about the movie.
Composed in crisp visual shorthand, Anderson's movies are about images: strong, stoic - faced women meting out violence; characters executing somersaults through the air; tiny figures venturing into vast, foreboding spaces.
OPENING THIS WEEK Kam's Kapsules Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening February 23, 2018 BIG BUDGET FILMS Annihilation (R for violence, profanity, sexuality and bloody images) Sci - fi thriller based on Jeff VanderMeer's best seller of the same name about a biologist (Natalie Portman) who volunteers to -LSB-...]
The Pixar movies aren't just about pretty images, though.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening January 4, 2008 BIG BUDGET FILMS One Missed Call (PG - 13 for mature themes, frightening images, terror, intense violence and some sexual material) Shannyn Sossamon stars in this remake of Chakushin Ari, a high attrition - rate horror flick from Japan about a traumatized young woman who's afraid to answer her cell phone after several of her ill - fated friends receive messages accurately predicting exactly when and how they are about to die.
Looking at the image above you might think you're about to stumble into yet another zombie movie.
While I don't know anything about the character other than the fact that she is a Russian spy, I am pretty sure these images are going to get a lot of people even more excited about the movie.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening May 29, 2009 BIG BUDGET FILMS Drag Me to Hell (PG - 13 for terror, violence, disturbing images and profanity) Recession era horror flick about an ambitious loan officer (Alison Lohman) looking for a promotion who instead finds herself plagued by a supernatural curse after she forecloses on an old woman (Lorna Raver) begging for another extension on her mortgage payment.
DuVernay wasn't thinking about making a movie about Dr. King, but she did feel an urgent need for better images of black people in film and not just «images of black people in hindsight.»
Perverse backstage thriller about an obsessive Hollywood movie director (Peter Finch) trying to recreate the image of his dead wife, film legend Lylah Clare, in the body of a new blonde bombshell actress (Kim Novak).
When you first hear that legendary director Jonathan Demme's latest film is a hand - held movie about an ex drug - addict one conjures the images of Cloverfield and Blair Witch, but that could not be farther from the case here in this beautiful family story.
I, Tonya, the new movie about Harding's life and career, knows what you think of Harding, and though sympathetic to her side of the story, it isn't entirely here to dispute the less savory nooks of her public image.
Nicolas Winding Refn is all about the surface - level pose and the finely tuned image, so it's fitting that his latest movie, The Neon Demon, sets its sights on the modelling industry and its harshly high standards of beauty.
All that basking makes for pretty images in a movie all about pretty people looking pretty, but Jesse's journey is a bust from a dramatic perspective.
The two have also spoken about their reunion on the highly anticipated movie with Total Film, for which the above image was taken as part of their cover feature.
With over two decades of experience writing about the moving image, he is currently the featured critic at ScreenAnarchy.com, appears on CTV News Channel's weekly Sunday movie segment, is the former script writer / host of OWN Theatre on Oprah Winfrey Network Canada, and is an active contributor to DorkShelf.com, Cineplex.com, Mashable.com, Esquire.com and several other prominent websites.
The result, in the case of The Dark Knight Rises, is a movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on actual film becomes a museum art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.
Releasing to DVD and Blu - ray, The Women invite fans to look at The Legacy (a documentary about the 1936 stage play of The Women that became the classic 1939 movie, and this 2008 remake), and to see The Women Behind the Women (as the cast and crew explore female empowerment, body image and self - esteem for girls).
There are a lot of things we want to know about Nicolas Winding Refn «s «Only God Forgives,» and we'll get to that movie in a moment, but first we need to address the image above.