Sentences with phrase «movie chase sequences»

Not exact matches

Fortunately, these philosophical arguments play out in a pretty solid cop drama, executing well on the high octane car chases, shootouts and action sequences that keep the public coming back to cop movies for decades.

Outside of the fall of Erabor, the big CG battle sequences, impressive though they are to watch in the moment, could be cut down considerably — and some of the chases (especially the Radagast / orcs sequence) could have been dispensed with entirely without hurting the movie.

It's an action movie, first and foremost, using a certain jig of political awareness to provide a fitting backdrop for breathless chase sequences and wrecking ball heroics.

An actual chase sequence involving Jack trying to avoid an assassin trying to clean up loose ends from earlier seems so out of place midway through the movie amidst all the scenic travelogue visuals and minimalist conversations.

The movie stop - starts between fight - chase sequences played out against pop tunes from Quill's beloved mix - tape; there's something a little alienating about the repeated use of dissonance between the cheery songs («Come a Little Bit Closer» by Jay & The Americans) and the slomo violence meted out by the Guardians.

Filed Under: Amie Cranswick, Movies, News, Trailers Tagged With: Audrey Wasilewski, chase williamson, Fabianne Therese, Graham Skipper, Lyle Kanouse, sequence break

Thanks to that foundation, when the gunfire, explosions, and chase sequences begin, they've got a little more value than your standard disaster movie spectacle.

Soderbergh inverts the typical action movie genre score by ratcheting up the score during the non-fight sequences, applying that retro - 1970s jazzy horn and percussion score by David Holmes (Code 46, Analyze That) during the dialogue and chases, while turning the music completely off when the film gets explosive for the highly brutal moments of close - quarter, melee combat.

EXTRAS: The two - disc set doesn't have much for a movie its size, but there are three production featurettes — on location shooting, filming the train chase sequence and cowboy boot camp — as well as a deleted scene and blooper reel.

The movie features big performances (Gyllenhaal oscillates between squeaky Willy Wonka to drunken Steve Irwin, while Swinton, in braces and a blonde bob, is a twisted delight), big action (including a thrilling chase sequence through Seoul set to mariachi music), and some big pigs (that look like inflated Fiona the baby hippopotamuses).

If beating advance ticket sales for previous buzzed - about superhero films are like flipping over cars during a late - night road chase sequence in a movie trailer, then Black Panther is like... Black Panther, leaping ahead of those vehicles while a Run The Jewels track plays behind it.

As the movie ramps up toward its chase - and - explosion climax, some of the sequences are as likely to inspire unintentional laughs as they are thrills.

A Hong Kong chase sequence goofily parodies the recent trend seen in films like Casino Royale and The Bourne Ultimatum of utilizing parkour is action scenes, while a hilarious nod to corporate sponsorship and movie product placement sees the British Intelligence Service rechristened as the Toshiba British Intelligence Service.

And soon enough we're back to the explosions, chases, battle sequences, kickin» - ass montages, and pointless romantic subplots that we've come to expect from these movies, the latter of which comes in the form of Phillips's right - hand woman, Peggy Carter (Hayley Atwell).

• I'm not sure what there is to say about Raising Arizona's iconic chase sequence other than that it epitomizes everything that's great about the movie — in particular the Coens» comic ingenuity, Sonnenfeld's tremendous camerawork, and Burwell's delirious score.

In a fun, yet important chase sequence, we learn everything we need to about our horror movie monster.

Minority Report is a unique action movie because, while the action sequences range from routine (the factory chase) to spectacular (the brawl in the alley), it is the human interaction that takes pace between Anderton's breathless marathons that compels and enthralls.

At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.

There are some entertaining but bumbling chase sequences, the kind where people probably died, but who cares, this movie is about the pets, right?

Stylistically, Puss in Boots embraces some of Tex Avery's manic sensibilities (a character leaving a shadow cut - out of himself when crashing through a barrier, for instance), and is cheekily self - aware without being postmodern; various chase sequences are superlative examples of action animation, meanwhile, goosed up even further by the movie's stereoscopic 3 - D presentation.

The movie's many action sequences are well - choreographed (particularly the initial chase of Red Hood), and the voice casting is impeccable.

To support their case, they roll home - movie footage of the same gatherings glimpsed in the credit sequence, the free - spirited good times now chased with injuries, panicked screams, and at least one explosion.

In sequences like that one, this movie doesn't stint on the ooohs and aaahs, especially when Okoye demonstrates martial artistry with her vibranium spear or when Black Panther grabs hold of a car and tilts it in a high - speed chase or somersaults out of the way of a tumbling vehicle.

The film climaxes with what Bullz - Eye's Jason Zingale calls the «best chase sequence in movie history.»

Bay continues to use extraneous slow - motion shots of robots jogging, leaping, and flipping cars over, and the action sequences are lifted wholesale from the two previous movies, including a highway chase, fleeing a snake - like machine with a buzz - saw mouth, and that protracted final clash in a city (this time Chicago).

Rollerball turns away from the sport and into a chase movie, with one extended sequence filmed in green night vision.

The movie begins, natch, with a dream sequence, where Tina (Amanda Wyss, a.k.a. Beth from «Better Off Dead...») is chased by a mysterious figure wearing gloves with talon - like knives on the end.

The plans are agreeably complicated and the action sequences busy (if not actually exciting), but the film becomes a tease for the concluding mini-Cooper chase, which, if you've seen the original Michael Caine The Italian Job, is in the rarefied air of one of the best car chases in movie history.

Foremost: catching Dziga Vertov's Chelovek s kinoapparatom (Man with a Movie Camera, 1929) with a live score, composed and performed by the Michael Nyman Band, on the Odessa steps during the 6th Odessa International Film Festival, and not least because Nyman and co. rapturously chased it down with a surprise encore scoring of the Odessa steps sequence of Bronenosets Potyomkin (Battleship Potemkin, Sergei Eisenstein, 1925).

A few minutes in Dr. Erskine's contraption and tiny, bullied Steve becomes the muscle - bound warrior soon to be dubbed Captain America and within seconds is chasing down a Nazi spy's getaway car and submarine in the movie's first big action sequence.

But once the chase sequences kick in, there's no going back to what passes for action in Hollywood; this is a movie that raises the stakes to an impossible standard.

Yes, there's a thrilling car chase sequence with this car in the movie.