Sentences with phrase «movie credits roll»

But when the movie credits roll, we will either find ourselves in bed alone or with our less - than - perfect spouse sans the advantages of professional lighting, flattering camera angles or an original star - studded soundtrack playing in the background.

Not exact matches

I think we're rolling the credits on that movie in terms of the Christian subculture.
In real life, unlike the movies, the credits don't start rolling once you have found someone special and begun dating.
And of course there's a tie - in after all the credits have rolled, but this is a long movie, multiplex sodas are huge, and you should go ahead and use the restroom and not think you're missing anything super important.)
Even though the questions raised by the movie frustrated me as I left the theater, I have now accepted that there are no definite answers to them, and this makes War of the Worlds even better, setting it apart from other movies in the genre in which there are no lingering questions when the credits start to roll.
Happily, I can say that this is a movie made with care and the overall impact of the film is felt by the time the credits roll.
The entire movie is one - hundred and seventeen minutes, but for the first time in months, I can honestly say that I haven't look at my watch throughout the entire viewing and once the climax was reached and the credits rolled, I thought to myself — «Wow, I can't wait for the sequel.»
Naturally, Michael Shannon's Strickland is an underdeveloped but terrific villain, especially when the script sets him loose on a warpath; I had the pleasure of meeting him before the movie started coming away with the impression that he is an amazing person in real life, although badly wanted to punch him in the face by the time the credits rolled.
I sat in the theater waiting for the credits to roll, and it was as far from an enjoyable movie experience as can be.
The climax is admittedly mind bending and open for discussion (be my guest), but «The Lobster» is a one of a kind movie that stays with you, long after the credits stop rolling.
It's the kind of movie you have to sit back from and absorb even after the credits have finished rolling.
For a spell, it feels as if the film will transcend the unpromising irony of its title with a female protagonist painted as unflattering and tortured, but by the time the final credits roll after an unforgivable third act, Murder by Numbers washes out as just another imminently forgettable movie starring Sandra Bullock.
When I saw Jurassic World last night I went into the theater with very high expectations and when the credits rolled at the end of the movie I realized that not only did Jurassic World meet my massive expectations, it managed to vastly exceed them.
But the movie's soulful reflections on collective faith and individual freedoms get under your skin, continuing to resonate after the end credits have rolled.
After the movie, as the credits began to roll (to Alexandre Desplat's conventional but nonetheless transporting score), the girl on my left — perhaps 15 or 16 — whispered tearfully to her companion: «So good.
The movie runs in place for nearly two hours before limping to a half - hearted conclusion, and when the credits roll it's hard not to feel more than a little cheated.
And predictable — the movie then consists of little more than scene - after - scene of characters running, stumbling and screaming until it's time for the credits to roll.
While it's great to experience movies that are powerful and groundbreaking and devastating — we all love to weep at the theater or in our homes, wiping away tears as the credits roll on movies like Call Me By Your Name — but some of the best movies can be both well - written and unapologetically fun.
By the time the credits roll, you'll most likely have added many fond memories to add to your favorite movie - watching experiences.
This could have been powerful, but it happens so late in the film — the credits start rolling almost immediately — that there's no time for the movie to examine it further, or for the audience to have a chance to ponder it, which takes away some of its immediate impact.
Want to see a movie that will put you in a good mood, even long after the credits start rolling?
But what stays with you long after the credits roll is the movie's heart and hope.
Highlight: The light - saber battle between Qui - Gon Jinn (Liam Neeson) and Darth Maul (Ray Park)- they're the two most interesting characters the movie has to offer, so naturally both get killed off before the closing credits roll.
This movie is all about fun and adventure, and that is a palpable feeling right up until the credits roll.
Similarly, the only real nod Black Panther has to the rest of the M.C.U. comes in the last minutes of the movie, after the credits roll, as Captain America's close pal Bucky Barnes — a.k.a. the Winter Soldier — shows himself rested and on the road to recovery in Wakanda.
Not many of the movie's jokes linger after the credits roll, but its inclusive warmth does.
Two movies and change (there's a Captain America: The First Avenger flashback in story mode) worth of LEGO - fied game levels, a handful of side missions based on some of the other Marvel movies (Iron Man 3, Thor: The Dark World, The Winter Soldier) and a bunch of free - roaming exploration to do after the credits roll.
When the opening credits begin to roll, page this movie's sense of self - aware sarcasm becomes readily apparent.
Possibly the Marmite movie of Cannes 2017 — comparisons to Nicolas Winding Refn's The Neon Demon from last year could be drawn in terms of its reception here — as many boos were heard as cheers as the credits rolled — but make no mistake, this movie will affect you in some kind of way.
I want them to be entertained while also feeling like the movie gave them something to think about and resonate on long after the credits have rolled.
I won't tell you what happens but the truth of the matter is that the end really doesn't matter because as the credits begin to roll you've already forgotten everything about the movie and that's its biggest strength.
By the time the credits roll, this Ride Along arrives at the conclusion you would expect from a buddy cop movie starring a former musician controversially known for his violent lyrics.
The only think I could think of as the closing credits rolled was that I'd just spent hours of my life watching a crappy movie when I could have watched a crappy movie I actually enjoyed.
Unfortunately, the most powerful images don't hit the screen until the final credits roll to footage of the actual survivors who inspired the characters depicted in the movie.
Boyhood is one of the few three - hour movies that viewers wanted to keep going once the credits rolled.
«It Follows is a movie that will stay with you long after the credits roll and play into your subconscience as you're walking home from the cinema.
The clunky moral at the end of the movie doesn't bother me now as much as it did moments after the credits rolled.
Otherwise, there's a lot to appreciate and the ending alone makes a viewing worthwhile, but the movie won't keep its hold on you after the credits roll.
To play this part, an actress has to hoist the movie on her shoulders in the first frame, run at full speed and not let it down until the final credits roll.
Even the opening credits where they roll over the montage of news clippings highlighting what happened after that fateful day when the girls kidnapped the infant scream B movie.
It also has one of the most powerful endings I've seen in a long, long time, which had me thinking about the movie long after the final credits rolled.
By the time the movie's end credits roll, Deadpool 2 has established a new (and far less accident - prone) X-Force lineup of Deadpool, Cable, Domino, Firefist, and Dopinder the cabbie.
When the credits start rolling and the screen eventually turns black, you find yourself still pondering about all these «dead poets» referenced in the movie, about these romantic notions that «words and ideas can change the world.»
As a pure piece of propulsive filmmaking, nothing tops Christopher Nolan's Dunkirk, a movie that starts at a gallop and never slows down until the credits roll.
As with all Paul Schrader movies, Dog Eat Dog is a down and dirty bit of nastiness that leaves viewers feeling like they need to scrape something off of the bottom of their shoes by the time the credits roll.
This movie was incredible, and I sat in awe once the credits rolled.
Marvel has conditioned us to expect more once the credits have rolled on their movies, and what we saw after the conclusion of Infinity War was extremely important to the MCU's future.
The issue is human trafficking, and as a way of apparently atoning for the movie's tendency to brush aside the consequences of that real - life horror, writer / director Deon Taylor provides us with some numbers just before the end credits roll.
I think this movie also evokes a lot of dialogue after the credits roll.
Directed by Ruben Östlund Wriiten by Ruben Östlund Starring: Johannes Kuhnke, Lisa Loven Kongsli Never before has a movie left me so profoundly confused as the end credits rolled.
a b c d e f g h i j k l m n o p q r s t u v w x y z