But when
the movie credits roll, we will either find ourselves in bed alone or with our less - than - perfect spouse sans the advantages of professional lighting, flattering camera angles or an original star - studded soundtrack playing in the background.
Not exact matches
I think we're
rolling the
credits on that
movie in terms of the Christian subculture.
In real life, unlike the
movies, the
credits don't start
rolling once you have found someone special and begun dating.
And of course there's a tie - in after all the
credits have
rolled, but this is a long
movie, multiplex sodas are huge, and you should go ahead and use the restroom and not think you're missing anything super important.)
Even though the questions raised by the
movie frustrated me as I left the theater, I have now accepted that there are no definite answers to them, and this makes War of the Worlds even better, setting it apart from other
movies in the genre in which there are no lingering questions when the
credits start to
roll.
Happily, I can say that this is a
movie made with care and the overall impact of the film is felt by the time the
credits roll.
The entire
movie is one - hundred and seventeen minutes, but for the first time in months, I can honestly say that I haven't look at my watch throughout the entire viewing and once the climax was reached and the
credits rolled, I thought to myself — «Wow, I can't wait for the sequel.»
Naturally, Michael Shannon's Strickland is an underdeveloped but terrific villain, especially when the script sets him loose on a warpath; I had the pleasure of meeting him before the
movie started coming away with the impression that he is an amazing person in real life, although badly wanted to punch him in the face by the time the
credits rolled.
I sat in the theater waiting for the
credits to
roll, and it was as far from an enjoyable
movie experience as can be.
The climax is admittedly mind bending and open for discussion (be my guest), but «The Lobster» is a one of a kind
movie that stays with you, long after the
credits stop
rolling.
It's the kind of
movie you have to sit back from and absorb even after the
credits have finished
rolling.
For a spell, it feels as if the film will transcend the unpromising irony of its title with a female protagonist painted as unflattering and tortured, but by the time the final
credits roll after an unforgivable third act, Murder by Numbers washes out as just another imminently forgettable
movie starring Sandra Bullock.
When I saw Jurassic World last night I went into the theater with very high expectations and when the
credits rolled at the end of the
movie I realized that not only did Jurassic World meet my massive expectations, it managed to vastly exceed them.
But the
movie's soulful reflections on collective faith and individual freedoms get under your skin, continuing to resonate after the end
credits have
rolled.
After the
movie, as the
credits began to
roll (to Alexandre Desplat's conventional but nonetheless transporting score), the girl on my left — perhaps 15 or 16 — whispered tearfully to her companion: «So good.
The
movie runs in place for nearly two hours before limping to a half - hearted conclusion, and when the
credits roll it's hard not to feel more than a little cheated.
And predictable — the
movie then consists of little more than scene - after - scene of characters running, stumbling and screaming until it's time for the
credits to
roll.
While it's great to experience
movies that are powerful and groundbreaking and devastating — we all love to weep at the theater or in our homes, wiping away tears as the
credits roll on
movies like Call Me By Your Name — but some of the best
movies can be both well - written and unapologetically fun.
By the time the
credits roll, you'll most likely have added many fond memories to add to your favorite
movie - watching experiences.
This could have been powerful, but it happens so late in the film — the
credits start
rolling almost immediately — that there's no time for the
movie to examine it further, or for the audience to have a chance to ponder it, which takes away some of its immediate impact.
Want to see a
movie that will put you in a good mood, even long after the
credits start
rolling?
But what stays with you long after the
credits roll is the
movie's heart and hope.
Highlight: The light - saber battle between Qui - Gon Jinn (Liam Neeson) and Darth Maul (Ray Park)- they're the two most interesting characters the
movie has to offer, so naturally both get killed off before the closing
credits roll.
This
movie is all about fun and adventure, and that is a palpable feeling right up until the
credits roll.
Similarly, the only real nod Black Panther has to the rest of the M.C.U. comes in the last minutes of the
movie, after the
credits roll, as Captain America's close pal Bucky Barnes — a.k.a. the Winter Soldier — shows himself rested and on the road to recovery in Wakanda.
Not many of the
movie's jokes linger after the
credits roll, but its inclusive warmth does.
Two
movies and change (there's a Captain America: The First Avenger flashback in story mode) worth of LEGO - fied game levels, a handful of side missions based on some of the other Marvel
movies (Iron Man 3, Thor: The Dark World, The Winter Soldier) and a bunch of free - roaming exploration to do after the
credits roll.
When the opening
credits begin to
roll, page this
movie's sense of self - aware sarcasm becomes readily apparent.
Possibly the Marmite
movie of Cannes 2017 — comparisons to Nicolas Winding Refn's The Neon Demon from last year could be drawn in terms of its reception here — as many boos were heard as cheers as the
credits rolled — but make no mistake, this
movie will affect you in some kind of way.
I want them to be entertained while also feeling like the
movie gave them something to think about and resonate on long after the
credits have
rolled.
I won't tell you what happens but the truth of the matter is that the end really doesn't matter because as the
credits begin to
roll you've already forgotten everything about the
movie and that's its biggest strength.
By the time the
credits roll, this Ride Along arrives at the conclusion you would expect from a buddy cop
movie starring a former musician controversially known for his violent lyrics.
The only think I could think of as the closing
credits rolled was that I'd just spent hours of my life watching a crappy
movie when I could have watched a crappy
movie I actually enjoyed.
Unfortunately, the most powerful images don't hit the screen until the final
credits roll to footage of the actual survivors who inspired the characters depicted in the
movie.
Boyhood is one of the few three - hour
movies that viewers wanted to keep going once the
credits rolled.
«It Follows is a
movie that will stay with you long after the
credits roll and play into your subconscience as you're walking home from the cinema.
The clunky moral at the end of the
movie doesn't bother me now as much as it did moments after the
credits rolled.
Otherwise, there's a lot to appreciate and the ending alone makes a viewing worthwhile, but the
movie won't keep its hold on you after the
credits roll.
To play this part, an actress has to hoist the
movie on her shoulders in the first frame, run at full speed and not let it down until the final
credits roll.
Even the opening
credits where they
roll over the montage of news clippings highlighting what happened after that fateful day when the girls kidnapped the infant scream B
movie.
It also has one of the most powerful endings I've seen in a long, long time, which had me thinking about the
movie long after the final
credits rolled.
By the time the
movie's end
credits roll, Deadpool 2 has established a new (and far less accident - prone) X-Force lineup of Deadpool, Cable, Domino, Firefist, and Dopinder the cabbie.
When the
credits start
rolling and the screen eventually turns black, you find yourself still pondering about all these «dead poets» referenced in the
movie, about these romantic notions that «words and ideas can change the world.»
As a pure piece of propulsive filmmaking, nothing tops Christopher Nolan's Dunkirk, a
movie that starts at a gallop and never slows down until the
credits roll.
As with all Paul Schrader
movies, Dog Eat Dog is a down and dirty bit of nastiness that leaves viewers feeling like they need to scrape something off of the bottom of their shoes by the time the
credits roll.
This
movie was incredible, and I sat in awe once the
credits rolled.
Marvel has conditioned us to expect more once the
credits have
rolled on their
movies, and what we saw after the conclusion of Infinity War was extremely important to the MCU's future.
The issue is human trafficking, and as a way of apparently atoning for the
movie's tendency to brush aside the consequences of that real - life horror, writer / director Deon Taylor provides us with some numbers just before the end
credits roll.
I think this
movie also evokes a lot of dialogue after the
credits roll.
Directed by Ruben Östlund Wriiten by Ruben Östlund Starring: Johannes Kuhnke, Lisa Loven Kongsli Never before has a
movie left me so profoundly confused as the end
credits rolled.