Sentences with phrase «movie cult status»

Aiming squarely at midnight - movie cult status, it seals the deal by bolstering its baked college humor with copious sex scenes between its aesthetically gifted cast members — in a liberal spectrum of gender combinations.
People see the movie for the very purpose of mocking it; a phenomenon that has won the movie its cult status

Not exact matches

He's continued working with Greg over the years, using the cult status of The Room to his benefit and pretending he meant for his movie to be a comedy all along.
The friendship arc continues to have a touch - and - go handling and the movie itself egregiously abridges the film's natural, long ascent into cult status with its ending, the strangest of its kind since Danny Boyle's «Steve Jobs.»
Eminently quotable and relentlessly funny, this movie is worthy of its cult status.
Chronicling the making of The Room, which earned a so - bad - it's - good status to become a midnight movie cult classic, The Disaster Artist was largely in the awards season conversation until sexual misconduct allegations against Franco broke.
This is a movie that's destined for cult status, where viewers can fully appreciate what Jody Hill was trying to do.
The original movie grossed a little over $ 60 million worldwide back in 2001 from a budget of just under half of that, though the film has a huge following and gained a progressive cult status in the years that have passed since then.
If Platoon doesn?t have the cult status of some other movies on the Vietnam war, it?s not because of the overall quality, because it?s a really great movie.
by the end when Tommy embraces his cult status, I felt provoked to make my own movie.
For five years the billboard stared down on baffled motorists, while the movie itself ascended to cult status.
Within six months, the film was premiering at Cannes, beginning a year - long whirlwind that culminated in the film's immediate cult status on its release back in the spring, and has put Saulnier (who also served as the movie's stellar DP) on just about everyone's one - to - watch lists.
The cult status it has, born from being embraced by the celebrity / alternative comedy scene in LA as a joke of a terrible movie, never really made sense to me.
Birth (2004) had Kubrickian ingenuity and chill, with some remarkable moments; it was a movie that deserves cult - classic status but has yet to achieve it.
Writer / director Michael Dougherty has given movie buffs everywhere a gift, not just in terms of crafting an excellent film (one that's assuredly destined for cult classic status), but in granting us the opportunity to surprise the hell out of all of our friends on Halloween night with a trippy little horror flick that they know nothing about.
Despite it feeling like an amateur production, «Kaboom» is a weird, crazy, Skittles - colored midnight movie with the stylemarks of spawning a cult status.
It's a terrible movie that has endured the test of time and has been elevated to a cult status very few movies could dream of.
The 2003 movie, which was directed by and starred the eccentric filmmaker, attained cult status in the years after its release and has been dubbed «the greatest bad movie ever made».
The movie achieved instant cult status and spawned several sequels / prequels.
Her comedic delivery, heart and spirit spill over the frames; she is far and beyond the best thing about this movie, and if it manages cult - classic status, she's the one to thank.
The original movie was, in my eyes, a comedic masterpiece, taking the teen comedy and elevating it to a cult status.
James Franco directed and starred in this movie about the making of The Room, which has gained cult status as one of the worst movies ever made.
A savage and cynical satire that's full of colorful off - color status quo commentary, this joyfully fucked up little film also doubles as a paeon to slasher movies and teen exploitation fare (fans of Michael Lehmann's 1988 cult classic, Heathers take particular note, please).
«Cult classic status is usually a moniker reserved for movies,» our article noted.
But the trailer is also curiously devoid of mentions of The Room and the gigantic cult status it attained, instead aiming perhaps a little too broadly to depict this making - of film as the Rocky of bad movies.
The anticipation for the sci - fi comedy Paul has already given the movie a bit of a cult status, partially due to the cast, which includes Simon Pegg, Nick Frost and Seth Rogen.
It's a movie worthy of serious consideration, not just the drive - in / cult status assigned to it over the years.
Even with its considerable flaws, like Napoleon Dynamite, it has the chance to gain cult movie status over time.
It's hard to say if the film would still have the same cult status if Anderson stopped working or if his other movies turned out to be duds.
, brooding music by Jerry Goldsmith (Oscar winner for The Omen) and it is not difficult to see why the movie has achieved both the cult status and box office success it did... a hit with both horror and sci - fi fans, it spawned three sequels: Aliens (in 1986), Alien 3 (1992) and Alien Resurrection (1997).
Unhinged, like a rabid dog running around that you still have the urge to pet, this anti-hero buddy cop movie has cult status written all over it, giving us a good hard look at the funny side of Alexander Skarsgard and reminding us that Michael Pena is a comedic national treasure.
It's known as the worst movie ever made, so bad in fact, it's reached cult level status and has virtually been on tour around the world since its release.
Filmed in gritty Black & White (color would have spoiled it), Night of the Living Dead plunges right in with the action and when its dismally bleak ending comes around, it becomes quite clear that this 1968 movie by a first time director is definitely deserving of its cult status.
«Cult classic status is usually a moniker reserved for movies,» our article noted.
Reducing narrative to a series of sexual encounters, the lushly hued movie quickly gained cult status.
So even though almost nobody saw the movie at a first - run theater, it's taken on a cult status as a dystopian premonition of where America might be headed.
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