Sentences with phrase «movie deals did»

But, these big movie deals did not come easy.

Not exact matches

And even when the dialogue grew more critical — as some writers questioned the movie's refusal to deal with issues like misogyny or anti-Semitism — it didn't hurt ticket sales.

«This is money they don't need to share with the movie chains and that's a big deal.

«If Time Warner doesn't have the distribution might behind it that AT&T offers,» Downes said,» (the studio will) be able to do less original programming, fewer deals with the sports leagues, and the movie studio, which is already under tremendous pressure, is going to be more conservative» in terms of doing deals.

The movie showed a good deal, but it did not show everything.

She didn't seem to care about losing her virginity to someone she barely knows (another way these movies typically frame young men), and there's a point when she asks her father (John Cena) why society makes such a big deal out of virginity in the first place.

Cmone!!!! I think we should check how much crystal palace has spent or even liverpool.we as fans are not unhappy we just wish what is the best for our club.we've seen this movie unfold so many times and i beleive its due to the fans presure that we are even getting anyone.i know its a exciting time (only jump when confirmed) but lets not forget we hve dropped 5 points which would hve been prevented had we done our deals early.now we hve a huge task ahead of us catching up is no easy feat its easier to just keep going down the table than it is easy to rise

Besides having to deal with a first «humans» movie, it was also a first with magic too (Disney does not count — though those princess movies have some scary evil characters).

In Hollywood movies and tv series they easily get the immunity or a deal just because they are ready do give someone big in return, is it really true?

«Steve Rattner was willing to do whatever it took to get his hands on pension fund money including paying kickbacks, orchestrating a movie deal, and funneling campaign contributions,» Cuomo said in a press release.

You know, I am wearing strapless dresses and things, because in any other show or movie, they would put me in a long - sleeve shift because they just don't want to deal with [my body].

Still, it was a very effective movie, and was successful at making me think, so I still would give it a «thumbs up», though I think the critics are wetting themselves over it mainly because it's «allegorical» (which is probably a pleasant change from all the mindless explosions we've had to deal with this summer) but I don't really like allegory.

What's the Deal: More character study than action movie, this adaptation of Martin Booth's 1990 novel «A Very Private Gentleman» is instead concerned with the inner workings of its amoral antihero, whom we witness do very bad things at film's start that haunt him until the very end.

I do recall this movie coming out and it was quite a big deal, very popular, quite an original idea and following on well from things like «Flight of the Navigator» and of course «E.T.» This was possibly one of the first movies to use this concept where a robot featured as the main character with humans mainly as secondary characters.

Phillips treads broadly similar ground with The Hangover (written by Lucas and Moore of Four Christmases «fame») but, ironically for a movie that celebrates the male of the species» innate ability to screw things up and act like a complete idiot, he exhibits a great deal more maturity than he did with its likable but hit - and - miss forebear.

The movie tells the story of how Ritchie Valens achieved the fame as a singer and of how he dealt with it while he was doing it.

It deals directly with things only hinted at or barely touched on by most TV shows or movies these days and does it through 3 - dimensional, believeable characters from all across the political / religious spectrum.

This movie deals with a side of sexual assault from a predator that most don't know about.

It's not that Po doesn't have issues with which to deal in the second movie.

I know the trailer didn't have to deal with the movie itself, but after walking out of the theater and thinking about the trailer I got a little frustrated.

The movie itself — which deals (not very interestingly) with the issue of journalistic integrity and (very predictably) with father - son relationships — doesn't pack much of a wallop.

The actor does a superb job of transforming Bush into a fully - realized, unexpectedly compelling figure that never slides into parody or caricature, to such an extent that one is hard - pressed to recall the real deal's features as the movie continues to unfold.

Then again, they did make a deal with Sony for future Spider - Man movie, with that studio retaining distribution rights.

How do some present day citizens of Austrians portrayed in this movie deal with the guilt of what happened in their country's past?

If the Disney deal does go through, there may never be another R - rated comic book movie like this, so take it in, enjoy it, laugh, and make sure you stay until the end of the credits, as there are post credits scenes and an amazing song that is played at the very end.

The interconnectedness of all things and the nature of destiny are tough pitches for comedy — philosophy and pratfalls often don't mix especially well — but as Jeff deals with his odyssey for wood glue and Sharon is confronted by a secret admirer and Pat discovers Linda has things she wants too, the movie becomes a philosophical comedy.

«This idea really that turns me on is that there's a family that's a force to be reckoned with in the world of international art and antiquities... [a family] that deals with heads of state and heads of museums and metes out justice, -LSB-...] We'll have the family dynamic, which we've done in a couple of movies now... And then you take that and put it on the bigger, more muscular stage of an international action picture, but also put all the character stuff in it.

The movie doesn't deal with the issues of the war, and it only touches on its history.

Fortunately, the movie doesn't feel like an overextended sketch though it does have its narrative detours that dawdle (a celebrity drug deal is padded out with far too few jokes), running jokes that hold on for a beat too long and then some (the George Michael fascination culminates in a drug sequence that does absolutely nothing), and there are missed opportunities that seem obvious (Key using his new gangster friends to intimidate a man making advances on his wife).

It's a nice change of pace for the genre, even if it does turn it into a predictable narrative, especially when we are dealing with a B Movie Wednesday article, lacking the budget to provide the shocks and thrills that Adam Wingard had access to with You're Next.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

Two parts Groundhog Day and one part Scream, Happy Death Day is a really entertaining horror mystery movie with a twist we've all seen before in similar movies, but done with a great deal of heart and affection.

For a fair portion of screen time, we don't quite know what the deal is with Tim and Natalie, and the awkward attempt by the other couple to figure them out provides the movie's only halfway reliable comic wellspring.

Frankly, I was a bit surprised as to how much people hated Grudge Match, although the aforementioned alternate beginning and alternate endings may explain a great deal; any movie that had to be so thoroughly tested and changed before release will feel more like a product than it does a genuine entertainment.

Buffett may not know much about how to make movies, but he does know his audience quite well, as Hoot is a great deal like his music — pleasant, easy - going, and worry - free entertainment, enjoyable precisely because it is free of turbulence, heavy drama, or provocative thought.

He is cheaper, younger and has done good work in the movies released so far, so he is perfect for a multi-movie deal as a lead actor.

Roughly the first half of the movie focuses on Doss's pre-fighting life, as he deals with his angry alcoholic father, Tom (Hugo Weaving), a World War I veteran who doesn't want to see his two sons join the fighting.

DEADLINE: One tricky part of video game movie deals has been rights - holder involvement in film, a medium they don't really know, where they press filmmakers to adhere closely to the game.

The movie doesn't open until May 15 and no, of course it won't challenge The Avengers... but it doesn't have to to be considered a big f-cking deal.

Many of these changes in the movie - watching experience are a result of the digital revolution, something the first century of cinephiles didn't have to deal with.

While the movie deals with the gory details of the underbelly of Mumbai, it does nt really leave you with a sick feeling.

The movie deals with dreams and reality, a topic handled much better in Waking Life, but this does manage to weave an intriguing tale into these themes.

Unlike that other 2010 movie that made such a big deal of explaining arbitrary rules for getting from one level of storytelling to another, «The Social Network» just does it.

The movie doesn't fare quite so well in its who's - behind - it - all plot, I must report, with Dempsey's character being amazingly intuitive to the smallest of things, and one and one frequently adding up to a great deal more than two.

Some of the movies we though might be big deals this year like Chile's Oscar nominee A Fantastic Woman opted for Oscar qualifying release only and Germany's Oscar finalist In the Fade starring Diane Kruger (pictured left) opted to sneak out at the last second to qualify for all Oscars though it did not receive nominations, buried in that post Christmas glut of tiny releases.

While I'm still hoping this film will do justice to the Biblical Mary Magdalene and not play into the same false, sexist narrative she's had to deal with since the Middle Ages, I also hope that we eventually get a Biblical movie that depicts the events of the Bible in a more racially accurate way.

If a previous movie has dealt with the challenge and stress of motherhood with this level of depth and realism, it doesn't come to mind.

In case you didn't notice from the mound of spooky movie reviews, Haunted House articles and Halloween - themed Sunday Sunrise topics, the spookiest day of the year is a big deal on MRFH.

I personally think she's the most interesting character of the entire franchise and I really liked how this movie delved into why she does what she does to help families dealing with supernatural terrorism.I also liked how the movie explained the origin of her assistants Specs and Tucker played by Leigh Whannell and Angus Sampson.

He makes no mistake about The Santa Clause 3 being a movie and in fact, nearly all his remarks deal with the «how we did it.»