Sentences with phrase «movie gives us a scene»

Not exact matches

She will give a sneak preview of some of its scenes and talks about the background and production process of the movie.

It's given us here at Shots an excuse to revisit the classic Baby Ruth in the pool scene from the 1980 movie «Caddyshack.»

However, I didn't realize that when I walked to the bathroom for the first time after giving birth, it would look like scenes from a slasher movie.

Differences in gene expression may have given us bigger brains, but in this movie scene, the chimp comes out on top.

«The CMB sky is a snapshot of the early Universe, it is a single frame in the movie of the Universe, and we have shown that Rayleigh signal gives us another fainter snapshot of the same scene at a slightly different time,» co-author Kris Sigurdson explained.

Dr. Mamta Swaroop, 39, a trauma surgeon at Northwestern Memorial Hospital, created the Chicago South Side Trauma First Responders Course and wants to give all trainees basic knowledge of what to do in a situation like the one Jacobs faced so that they don't have to rely on vaguely remembered movie scenes for medical guidance.

How is this new - on - the - scene actress from the top grossing movie of all time wearing a dress that gives her a muffin top??? Who is her stylist?

The tour will take you around authentic sets used in the movies and will give you a chance to see behind - the - scenes.

By the time Stiller's character engages in a slapping fight with a pair of monkeys, Night at the Museum: Battle of the Smithsonian has incontrovertibly established itself as an endeavor designed to appeal solely to small children - which is undoubtedly a shame, given the strength of the cast and the promise of the movie's early scenes.

No recent movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not in present day Belfast but in the English town of Sheffield.

To get into this movie at all is to be given scenes of weight and depth, so that your character makes an impression.

This is a well done movie void of many of the, Hollywood added drama scenes which tend to give many true movies an unrealistic look into what actually occured in real life.

Pearce has also written a well - carpentered screenplay; there are some very big scenes and big moments here — sometimes too big — but he gives us a carefully crafted dramatic setup, an intriguingly curated selection of suspects for the crime and all of it building to a fascinating, finely balanced ambiguity in the movie's climactic stages.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

For the most part, «My Life Without Me» ably transcends TV - movie, disease - of - the - week waters (thanks to Sarah Polley's gritty performance), but even she can't save the scene in which a neighbor (whom we just met) gives an incredibly maudlin monologue that grinds the whole film to a halt.

If you're like me and think 1D makes ears bleed, then the obviously - scripted terrible humor movie this claims to be (heh, calling it a movie as if its good... trust me its not) will throw constant amateur footage of concerts at you instead of giving any scenes with the group in and if so, it will just be dumb little skits.

This was not a good movie... the fight scenes were hardly exciting and full of awkward scenes... i constantly squirmed watching the movie as so many scenes were just plain stupid... i really don't understand how ppl can give this movie such a high rating.

However if you are part of the Hollywood scene and / or don't give a rip about values, I could see how it wouldn't be a movie for you.

In the spoiler - sensitive environment of today's entertainment, there may be people who resent the opening scenes of Annihilation, which gives away most of the movie's direction.

I would give it a 7 if it didn't had the best erotic scene at the history of humanity (Porn movies included)!

Awesome fun.The moronic critics are giving this negative reviews because it's not deep and psychologically challenging and blah blah blah.It's a movie about human - sized turtles with a ninja arsenal; over the top silliness and ridiculous action scenes and plot were expected and delivered.

The Fox Movie Channel presents: Making of a Scene clip gives more specific detail on one scene in the film, and again should appeal to those with an interest iScene clip gives more specific detail on one scene in the film, and again should appeal to those with an interest iscene in the film, and again should appeal to those with an interest in FX.

(Or maybe it wasn't so skewed — as we see from some of their vintage home movies, their apartment gave a good view of the World Trade Center circa 2000, scene of the century's most cinematic catastrophe.)

And I can honestly say that this is one of the most hilarious movies I have ever seen, there isnt one scene that did nt make me laugh, and for that ill give it a 9!

If I had any pull in Hollywood, Goldblum would be given a dump truck full of Oscars for his work in this movie, acting so self - consciously odd and undeniably hilarious that any scene he's not in is irritating to watch.

In a handful of scenes he gives the movie the only real edge it has.

Special kudos must be given to film editor Michael Kahn, whose facility with these completely unhinged battle sequences should shame anybody who's ever worked on a Michael Bay movie; to cinematographer Janusz Kaminski, who has given these scenes a dull grey cast evocative of nightmares torn from America's sleeping subconscious brain; and to sound designer Gary Rydstrom, who has crafted a World War II soundscape that rattles and unnerves you even when your eyes are closed.

This gives way to some of the movie's most wrenching scenes, such as in a scene finding a mother hugging her child through prison - like bars (ringed in cheesy fake flowers, in at attempt to soften the harshness).

Those who criticized Portman in GARDEN STATE will likely have a field day with Hudson's similarly saintly character, although Hudson's able to give her a bit of an edge, and has easily the movie's best scene where she comforts and confronts Patinkin's miserly dad, who earlier puts her down for only being half - Jewish, and encouraging her husband's idiotic dreams.

Again, the commentary gives us more insight into the making of the movie and the actors, little behind - the - scenes tidbits, some explanations, and more.

Ben Stiller / Owen Wilson Shared Filmography: «The Cable Guy» (1996), «Permanent Midnight» (1998), «Meet The Parents» (2000), «Zoolander» (2001), «The Royal Tenenbaums» (2001), «Starsky & Hutch» (2004), «Meet The Fockers» (2004), «Night At The Museum» (2006), «Night At The Museum: Battle Of The Smithsonian» (2009), «Little Fockers» (2010), «Night At The Museum: Secret Of The Tomb» (2010) «Zoolander 2» (2016) Given the incestuous nature of the modern comedy scene, with everybody cropping up for cameos in each other's movies, it's easy to overlook that Ben Stiller and Owen Wilson have appeared in eleven movies together (with a twelfth on the way).

Directed by Anthony Wonke, the feature - length film gives fans an extensive and in - depth look behind the scenes of the latest entry in the Star Wars saga, and you can watch the first 12 minutes of the movie right now.

It's not just kind of latex and a costume; it would be a motion - capture performance of the monster — I can give away maybe not too much by saying there's more than one in our version — and then I would go to Europe, shoot the movie, do scenes with the real actors and I would be able to see the motion - captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»

He plays the most hateable character in the movie, but is also given some truly priceless scenes of pitch black comedy.

The mis - en - scene composition is done in the hip and thematically relevant format of many a Soderbergh movie, essentially giving what are static scenes of conversation a higher artistic cinematic polish.

It brought three big Marvel movies, gave us the first female - led superhero movie of the modern era, and saw Ridley Scott replace Kevin Spacey with Christopher Plummer a month from release, reshoot all the scenes, and still deliver it on time.

Scattered scenes produce laugh - out - loud moments, up to and including the ad - libbed outtakes during the closing credits (which frustratingly suggest an even better movie was possible if the actors had been given even more room to roam).

Director Corin Hardy and cinematographer Martijn Van Broekhuizen give the movie a dark, ominous look, particularly in the scenes set outdoors, where the woods seem to loom maliciously.

Some of the latter scenes give the movie a sour edge.

I don't typically cry at movies, but I really lost it during one scene where Alice has to give a speech at an Alzheimer's conference.

The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening about the whole filming process.

Although these new scenes kept the gritty tone and sass of Helgeland's original, they weren't Helgeland's scenes, and though still considered by many as a good film, given that most of the filming had been completed by Helgeland before his departure, the chance was there for Helgeland to make the movie that he wanted, in a similar way that Richard Donner had done with his Director's Cut of Superman II.

And the more I talked about that, the more I felt like I have this movie more or less in my head and I know how I would shoot these scenes and how the camera should move or if I were to direct it this is what I would do... Saying that enough times sort of gave me the confidence where I felt like maybe, just maybe, given the right chance, I could take a crack at it.»

Given real struggles to convey, Quaid delivers some of his finest acting in the movie's closing scenes, his furrowed brow pointing to a pair of focused eyes that say a lot more than the script's rampant issue - based dialogue.

The smart casting of Patton Oswalt, in a featured role as an international menace, gives a charge to one of the movie's climactic scenes.

It's surprising to find a movie as major as this with neither audio commentary nor deleted scenes, especially given Sonnenfeld's tracks on the first two movies and the undoubtedly well - supplied cutting room floor that must have resulted from the film's reshoots.

Melanie Lynskey and Christine Lahti are also already on board the film, which has just hired the talents of cinematic sports co-ordinator Mark Ellis, the man who gave movies such as We Are Marshall and Invincible convincing footie scenes.

In this clip from the special features of the film's home release, seen first on SPINOFF, the curtain's peeled back a bit on a few scenes to give viewers an idea of how things look before and after the movie magic happens.

A lot rides on the performances given by actors in Aaron Sorkin - written movies, as they must be able to act out large monologues and fast - paced dialogue scenes.

By then the movie is already lost, but Oswalt gives his scene a lift.