But maybe that's where
this movie is closest to the truth.
Not exact matches
Wes Anderson
movies are possibly the
closest thing
to an event
movie for the... I
was going
to say something like «indie nerd cinephile set,» but the
truth is Anderson's films
are beloved by all kinds of audiences — those who love tentpoles, cineastes, sci - fi aficionados, etc..
The media soon follows suit, and no one gets
closer to the action than spunky reporter Lexie Littleton (Zellweger, Bee
Movie), whose tenacity for the
truth gets tested when she develops feelings for the men she follows, including Rutherford, who, through not much fault of his own, has
been pumped up
to be something he isn't in terms of his heroism.
As long as there
are action
movies, animated fantasies, comedies and wish fulfillment onscreen, audiences will also yearn for the
truth — or something
close to it.
The famed Asta from «The Thin Man»
movies (and «The Awful
Truth» among others)
is the
closest correlation
to Abbie in terms of adorable expressiveness, and her ability
to do numerous tricks.
Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears
to carry a faint «X,» as if the printing plate had
been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems
to have ripped it from either the actual heavens above or a
movie - studio set; and a photographic
close - up of shifting desert sand, over which actual sand and colored pigment has
been applied by David Benjamin Sherry, as if reality
were a veil obscuring camera - created
truth in our mediated universe.