Sentences with phrase «movie of people in a room»

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

Not exact matches

I am real easy person to talk to and a good listener love to play golf and I enjoy chilling «with my friend / family, I like going to the movies, or watching movies in my room, Ilike swimming fishing, listening to music and dance to any kind of music, traveling, going bowling and also a good cook.I am a f...

Following the movie's New York Film Festival premiere, there were reports of people throwing up in the men's room after suffering virtual vertigo while watching Petit (played by Joseph Gordon - Levitt) stroll, turn and even lie down upon a cable stretched between the towers.

By the time the final award is handed out, it either feels like a catharsis or the affirmation of a movie that a great many people in the room like and maybe very few of them love.

SANTA MONICA, CA — DECEMBER 11: (L - R) Writer Larry Karaszewski, actor Courtney B. Vance, producer Nina Jacobson, writer / producer Ryan Murphy, actors Cuba Gooding Jr., Sarah Paulson, Sterling K. Brown, writer Scott Alexander and actor John Travolta, winners of Best Movie / Miniseries for «The People v. O. J. Simpson: American Crime Story», pose in the press room during The 22nd Annual Critics» Choice Awards at Barker Hangar on December 11, 2016 in Santa Monica, California.

While many «movie people» come into the TV world, work on a pilot, then remain unattached to the series throughout its run, Lord and Miller previously told us they worked in the writers room on the first few scripts and directed the first couple of episodes.

I truly can not think of a movie that I've seen that was so blatantly torn to shreds in post-production in the editing room, to a point where it feels like no single scene belongs in the same movie as any other one, and that no one working on the film even realized they were working on the same one as all of these other people involved.

The reaction to the trailer seen by the thousands of people collected in Comic Con's biggest room reconfirmed that Black Panther is one of the most anticipated movies to be released by Marvel in a very long time.

«78/52»: In a way that seems similar to how Sundance movie «Room 237» dissected every inch of «The Shining,» this documentary about the shower scene in «Psycho» has the intrigue of using real people for its unsettling naturIn a way that seems similar to how Sundance movie «Room 237» dissected every inch of «The Shining,» this documentary about the shower scene in «Psycho» has the intrigue of using real people for its unsettling naturin «Psycho» has the intrigue of using real people for its unsettling nature.

Kong: Skull Island is set to be released next year, but before the people at Legendary Pictures can release a single frame of the movie, they have to address the 800 - pound gorilla in the room.

Arriving in full Ali G gear Cohen described the film «Room» as «a movie about a room full of white people.&raRoom» as «a movie about a room full of white people.&raroom full of white people.»

In both «types» of movies, Assayas displays the same gaze: the camera always glides over people, never letting you believe that you can get «inside» them, what they think, what they feel; and, whether big (the kidnapping of the OPEC delegates in Carlos) or small (the decision of which heirloom to give to a deceased mother's old retainer in Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic spacIn both «types» of movies, Assayas displays the same gaze: the camera always glides over people, never letting you believe that you can get «inside» them, what they think, what they feel; and, whether big (the kidnapping of the OPEC delegates in Carlos) or small (the decision of which heirloom to give to a deceased mother's old retainer in Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic spacin Carlos) or small (the decision of which heirloom to give to a deceased mother's old retainer in Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic spacin Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic spacin the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic spacin a claustrophobic space.

«And in a thriller, one of the things I wanted to do was, knowing we'd be sending the adrenalin off the charts at various points in the movie because of the story, we'd happily enjoy the number of points in the movie where people are just in rooms talking and that in itself could be exciting or dangerous.»

Letts» work contains frequent verbal bouts, and showdowns between various characters, but the staginess of the movie — particular in scenes that get stuck in one room for minutes upon minutes on end with different people shouting at each other — can be tiring, and certainly visually lifeless.

As Netflix and Amazon draw more filmmakers on a forced march to other platforms, Franco and a host of Hollywood filmmakers use The Disaster Artist to celebrate the way even a movie like The Room can bring people together, in the warm glow of the big screen.

He says: «The best horror movies need to be watched in total darkness with surround sound and silence, but with other people around you so that there is an atmosphere of fear in the room.»

Droll, resolute and deeply calm through it all, Molly is the smartest person in the room and soul of the show, which is adapted from the 1996 Coen brothers movie.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

Darkest Hour: Behind The Scenes / / Gary Oldman, director Joe Wright and in the background Lily James on the War Rooms set at Ealing Studios - «Since a good portion of the movie takes place down there, we wanted this claustrophobic atmosphere, the pressure on the people, but also the sense of perseverance» - Joe Wright / / #DarkestHour #GaryOldman #WinstonChurchill #JoeWright #LilyJames #behindthescenes #WT

Still seems to be one of those movies people seem to really like or dislike, there doesn't seem to be much room in between.

Joe Wright talks about the challenge of making this movie when it's a lot of people talking in rooms.

Sure, there are 15 minutes of epic planet collisions, beautiful shots of two people riding horses under low - lying fog, and people looking moody with a planet imposed in the sky, but most of the movie's running time is terrible shaky - cam that can't even keep itself stable on its characters, often shaking off to the walls of a room and refocusing abruptly.

Alex McCown - Levy: Good horror movies are like surgery: They're terrifying, gruesome, and best experienced with a bunch of other people sitting in the same room with you.

He'd envisioned the picture as a relentlessly intense psychodrama — a kind of first - person war movie — but then, dismayed by how lifeless the first cut felt, had spent desperate hours in the editing room, praying he could make the thing watchable.

Green Room is a rare gift from the genre gods: a nasty, punk - as - fuck midnight movie made by a genuine artist, a filmmaker with a great eye and a true understanding of the people and places he's splattering in viscera.

These include his disgusting son Taquito (John C. Reilly) who takes up residence in the boiler room and keeps hinting that he will inevitably die soon, stores like a used toilet paper shop (Tim decides to raise the owner's son (Noah Spencer) as a further way to insult him) and a spa that cleanses people in young boys» diarrhea (euphemistically called «shrim,» which, of course, gives us a useful euphemism to describe the movie itself), and a random wolf.

When they aren't telling whatever sob story gets people to fork over cash, the ragtag group travels cross-country in an old van, belting along to whatever song shuffles into the mix (the movie's title comes from the Lady Antebellum tune of the same name), experimenting recklessly with sex, drugs and alcohol and crashing in cheap motel rooms.

Most people associate investing with movies like «The Wolf of Wall Street» or «Boiler Room,» in which a bunch of young guys hit home runs with other people's money and enjoy life to its fullest.

The package includes a room for up to four people, full breakfast, a pay - per - view movie in your room, a couple of Happy Hour drink tickets, and a barbecue on the weekends.

Without A Path travel podcast Talking Tico: (Mis) adventures of a gringo traveling Costa Rica and Central America El Salvador Could Be Like That by Joseph B. Frazier Salvador Movie by Oliver Stone New Paris: The People, Places & Ideas Fueling a Movement Love in Translation: Letters to My Costa Rican Daughter by Katherine Stanley Obando The Green Seasonby Robert Isenberg Trivago's Room 5 Rheinsteig Trail

You'll love the convenience of the kitchenette and laundry facilities and there is everything else to make your stay a breeze with corner spa bath / shower, FOXTEL and in - house movies, in - room safes and the option of a sofa bed for an extra guest Features one queen bed with the option of a sofa bed for a third person.

This private estate is picture - perfect for destination weddings in Costa Rica and is complete with oversized bridal and groom suites, an in - home spa, movie theater, hotel - sized Infinity pool, gym, game room, and accommodations for private groups of 22 people.

Despite Rockstar's sometimes secretive aura, Houser is very direct and has strong views on GTAV's relationship with the movies («We don't need to hark back to film when technology allows us to produce our own response to real places»), on the lack of playable female characters («The concept of being masculine was so key to this story») and on game conferences like E3 and Gamescom, which he no longer attends («You don't play a videogame in a room with 20,000 people doing the same thing unless you're a lunatic»).

Projecting the uncanny quality of fairy tales and horror movies, van Meene peoples her images with somnabulent girls, headless bodies, faceless figures and solitary young women encapsulated in empty, luminous rooms.

Maybe we should watch those videos again, and again, and then thank God that it wasn't our children in those rooms — the rooms of Sandy Hook, the rooms of Marjory Stoneman Douglas, the rooms of Columbine, the Pulse nightclub, the church in Sutherland Springs, the people enjoying an evening in Las Vegas, the movie theater in Aurora, Colo., or the well - intentioned employee birthday party in San Bernardino.