Sentences with phrase «movie style of the film»

While the home movie style of the film's footage and assembly draws upon the DIY aesthetic that one might associate with P - Orridge's work as artist and musician, I found myself wishing that Losier had something more to offer.

Not exact matches

The buddy - cop film, with elements of «Lord of the Rings» - style fantasy, only got positive reviews from 12 % of top movie critics on Rotten Tomatoes.

Because high - density CDs store up to 10 times more digital data, they can carry a whole feature film with widescreen movie - style pictures and six tracks of stereo or multilingual sound.

These «animatics,» or rough animations for the film, tell the movie's story, but they do not have any clearly defined style of movement.

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And although the pervasive atmosphere of quirkiness often threatens to become overwhelming, it does become increasingly clear that Satrapi intends for the film's style to represent the central character's less - than - sane mindset - with the heightened reality of the movie's environment going a long way towards fleshing out the protagonist and his deranged psyche.

The film, which is based on a television series (which was itself a spinoff from the Wallace & Gromit franchise), boasts a tremendously appealing stop - motion animation style that's heightened by an assortment of affable characters, and it's worth noting, too, that the movie's total absence of dialogue in no way hinders one's ability to get caught up in the briskly - paced narrative.

The look of the film is easily the most impressive part of the movie, as it managed to take the flat line - art of Seuss» work and give it depth and texture, without losing any of the charm or style.

A typical example of the mid -»80s «Rat Pack» film, Oxford Blues featured a soundtrack with several forgettable rock songs written expressly for the movie, interjected at intervals into the narrative through music video - style sequences.

Quite typical of the mob style films of it?s time, but for me not enough storyline to separate this from any other mob movie of it?s day.

Nichols has yet to make a bad movie, and Midnight Special is not only within his usual style of excellence - despite that semi-wonky ending - it's also his most accessible film to date.

He also hired an actor to play Francis in staged scenes filmed in the style of a black - and - white silent movie from the 1920s.

Brian De Palma demonstrates the drawbacks of a film - school education by overexploiting every cornball trick of style in the book: slow motion, split screen long takes, and soft focus abound, all to no real point... He's an overachiever — which might not make for good movies, but at least he's seldom dull.

Just about any film that explores the question that all of us ponder about what happens to us after we die already starts with built - in intrigue, and while Flatliners eventually becomes a relatively standard «Twilight Zone» - esque story about dealing with the guilt and remorse of one's past to resolve one's future, it's certainly a movie that stands out as quite different in style and, to some extent, subject matter than most anything that Hollywood had churned out before.

Per The Hollywood Reporter, this Jennifer Juniper Stratford film is a «science fiction tale told in the style of classic B - movies and outfitted with practical special effects, laser beams and lunatic ideas which are guaranteed to make it the next big midnight movie hit.»

For some, it will be very bad news that Ritchie (who co-wrote King Arthur: The Legend of the Sword with Joby Harold and Lionel Wigram) stays in his lane with this film; if you didn't enjoy the look and pace and overall vibe of other Ritchie movies, such as Snatch or Sherlock Holmes, then you might feel that his often jarring and visually exhausting style could overpower the strong performances from a great cast.

With her observational style favouring the minimalist movie movement, her four films to date have garnered a slew of acclaim, including the SIGNIS prize at the 2010 Venice Film Festival for the revisionist western Meek's Cutoff.

The director, known for the distinctive style he developed in films including Shaun of the Dead, Hot Fuzz and The World's End, had co-written the movie's script with Joe Cornish.

It's strange: Japanese acting styles never bother me in all Japanese movies (especially not when they're modulated, as in the contemporary films of Kurosawa).

With Haywire — his 23rd full length feature — he takes another stylistic left turn this being an independently financed, relatively low budget B - movie style action film of which a large portion was filmed in Dublin back in 2010.

Upon man meeting the man who was The Shape in Halloween IIat an intimate screening of the film in Williamsburg, Virginia (you can read about it here), I was simply in awe, not only of his entertaining storytelling style but also candid humor and unbelievably impressive wealth of tales from some of the most iconic movies sets in history.

«I love American indie movies and I was very eager to transfer that sort of style to Irish film.

The action — filmed in the Western style that favours quick cuts and too - close camerawork over the clarity of an Eastern approach — is perhaps the film's weakest element, but then it's just the bridge to the movie's greater concerns, anyway.

Claimed to be «one of the scariest movies of all time», the film captivates audiences through its style of «found footage», on a camera the couple sets up by their bed to determine what is haunting them.

In chronicling the journey of Anwar Congo and his cohorts to re-construct mass killings in the style of their favorite films, The Act of Killing acts as both a scathing indictment of American popular movies and a celebration of the power of the camera to move and enlighten.

Filmed in aquatic hues and bathed in nostalgic mid-century style, The Shape of Water is both a love story and a love letter to monster movies, musicals, and classic cinema.

Among the extras is a making - of documentary filmed in the distracted observational style of the movie itself.

The actors engage in the exaggerated performance style of silent movie melodramas and comedies and Maddin digitally «ages» his films with scuffs and scratches and cracks and even distorted frames as if they were from decaying nitrate prints from the 1920s.

Working from a script by Anthony McCarten (The Theory of Everything), he films this politics - as - war movie in a slam - bang yet also rhythmic and expansive style that reflects Churchill's own temperament.

An unholy hybrid between a teen gang film and a «torture porn» horror movie, this film by Mitchell Altieri and Phil Flores (who work under the name «The Butcher Brothers») throws in plenty of Grand Guignol - style bloodletting to very little effect.

The latest offering from Blum and co. is the movie Jessabelle, which - judging from the trailer above - looks like a composite of so many horror films that have come before, presented in a darkly lavish cinematic style.

The grittiness of the crime drama and action, along with the overriding sense of slick style, feels very much like the John Singleton movie, Four Brothers, which also features a menacing villain and retribution storyline lifted right out of 1970s blaxploitation films.

However, this film offers us a great opportunity to check out a cornucopia of Japanese movies that echo Anderson's stop - motion style, canine subject matter and his favorite themes: family tension, daddy issues, and dry comedy.

Despite cinematographer Shelly Johnson's admirable attempts to ape Janusz Kaminski's lighting style — covered up by the color grading, which A.V. Club contributor Adam Nayman likened to camouflage meant to hide the fact that anyone had put any effort into this movie — this basically looks and moves like an over-heated fan film, and Montiel's tin - eared use of country music doesn't make it seem any less amateurish.

The rest of the aspects to the film — most notably the charismatic acting style — succeed on so many levels that these moments of confusion remain brief and are hardly a threat to disrupting the film's balance, one's ability to enjoy themselves while watching one of the silliest violent movies ever, or even make much of a threat to derailing the storyline much.

The movie was made in documentary style, not dissimilar to Paranormal Activity, which I was not looking forward to initially because I'm not a fan of the documentary - styled film, but in the end it worked in the film's favour.

This collection of production - diary - style footage finds Brian De Palma on the set of his 2002 film Femme Fatale directing the shoot, a process that — as seen in these specific clips — includes rehearsals with actors Rebecca Romijn and Antonio Banderas, working through movement / blocking and fight choreography, and the management of the movie's bravura opening setpiece that takes place at the 2001 Cannes Film Festival.

The film's overplayed central track (a throwback to self - titled movie singles that explain the plot of the film) is created before our eyes in a montage of melded styles, the characters all bringing something to the table to make the film's proudest (if aural quantity is to be considered) achievement.

Like so many movies profiled in this series, «Joe» is a deeply personal work, with a risky, even heedless style that baffled and alienated many viewers at the time, including critics who declared it one of the worst films of its year.

The movie does a terrific job of mimicking the sound and styles of the folk music era, attesting to the talent of the art directors, makeup artists, and songwriters / cast - members who created all of the original tunes featured in the film.

Though «The Hateful Eight» is filled with the same self - indulgent tendencies that fans have come to expect from the director's movies, this Agatha Christie - styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding camerawork that benefits from the 65 mm film format, and riotous performances from the ensemble cast.

I Wake Up Screaming (Kino Lorber, Blu - ray)(1941), with a swaggering Victor Mature and a demure Betty Grable, is not just one of the great movie titles of classic cinema, it is one of the films that established the distinctive style and attitude of film noir.

Adonis» romantic subplot with the self - styled FKA twigs - lite chanteuse downstairs (Tessa Thompson), such a frequent stumbling block with sports movies, unfolds believably without eating up too much of the film's somewhat unwieldy two - plus hours.

The «Lord of the Rings» films turned Peter Jackson from midnight movie auteur to Oscar - winning superstar, but Tolkien wasn't the only influence on his style.

If you're still watching these films at this point in the series, you clearly don't care that they're nothing more than schlocky B - movies with plenty of style but little in the way of actual substance.

It felt a bit like one of those «Love Actually» style films where there are a bunch of characters who's names you wont remember but the underlying thread that connects them all is the movie lot.

EV: Now that we've made the genre film with the more flashy style, it's easy to say that the movies before were kind of naturalist and realist, and this is completely different.

Though «The Hateful Eight» is filled with the same self - indulgent tendencies that fans have come to expect from the director's movies, this Agatha Christie - styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding camerawork that benefits from the 65 mm film format, and riotous performances from the cast.

«Certain Women» Hearing a Kelly Reichardt movie described as «divisive» is a little like hearing water described as «wet»: she's a filmmaker whose slow, studied style and dispassionate, cool - to - the - touch approach gains her advocates and detractors in roughly equal measure: our Sundance reviewer found the film «utterly enthralling» and a display of «Reichardt in full command of the material.»

While it still sells the film as more of an action movie (Clooney spends more time building a gun than actually using it), I like the retro - style they went for.