The director sees it more of a kidnapping
movie than a horror film, but this genre - bender is a worthy horror entry nonetheless.
Not exact matches
But all varieties of
horror flick are easily identifiable at this point, whether they're spooky, low - budget
films (numerous); viscera - stained slasher
movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous
than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper);
films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological
horror variety (the works of Dario Argento, of course; Alexandre Aja's
films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).
While it may seem counterintuitive, there probably isn't a
film genre (excluding
movies produced by Kirk Cameron, anyway) that more consistently or explicitly references Christian ideas and iconography
than the
horror genre.
I didn't expect much from this
movie, in fact I expected to hate it, but Spiders is a much better
movie than many other
horror films that has been released this year.
«World War Z» isn't your typical zombie
movie, but rather a globe - trotting socio - political thriller that treats the zombies more like a viral disease
than something out of a
horror film.
I went in this
movie expecting a cheap slasher horror film, but I was having high expectations, because it has been announced in development since 2009, what I got was way too more in depth than I was barging for, this movie can't be reviewed without spoiling it, what I have to say is... SEE THE CABIN IN THE WOODS, it is different dark comedy with mystery and great visuals (hint) SEE THIS M
movie expecting a cheap slasher
horror film, but I was having high expectations, because it has been announced in development since 2009, what I got was way too more in depth
than I was barging for, this
movie can't be reviewed without spoiling it, what I have to say is... SEE THE CABIN IN THE WOODS, it is different dark comedy with mystery and great visuals (hint) SEE THIS M
movie can't be reviewed without spoiling it, what I have to say is... SEE THE CABIN IN THE WOODS, it is different dark comedy with mystery and great visuals (hint) SEE THIS
MOVIEMOVIE.
I've never been a fan, as a rule of
horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in
horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in
horrors) was brilliant, loved the
film, Chris Hemsworth, although with less to do in this
than he does in Thor, was great in it too.
You can admire a
movie like Steven Soderbergh's «Contagion» (2011), a realistic rendering of civil breakdown caused by a spreading pathogen, but the
horror -
film version of disaster in «World War Z» stretches the senses to take in more
than you may expect.
If you like your
movies slow, boring, and dumb
than this «
horror»
film is for you.
Horror films need to be more
than jump scares to be good, and this one is accompanied by a good moral of growth, facing your fears, and has a good amount of humor to make for a really good
movie.
The original sci - fi,
horror, macho action bonanza PREDATOR is one of my top
films of all time, its gory as f*ck sequel PREDATOR 2 has grown on me with age (maybe because today's
movies are more often
than none sub par and castrated hence it glows in comparison).
The
film went on to make more
than $ 319 million worldwide and still remains the second highest grossing original
horror movie of all time, second only to «The Exorcist.»
That's the central conceit behind Creep, a no - budget
horror movie that delivers more scares
than films with 10 times more money.
While It Comes At Night is without question a
horror film, its
horrors are more cerebral and internalized
than your standard jump - scare laden scary
movie.
Joe Dante's a great filmmaker, but I wish he had made his return to features with a
movie better
than Burying The Ex, a glib, EC Comics - influenced
horror comedy that would probably work better as a short chapter in an anthology
film.
Growing up in New York, Peele would spend his nights obsessively poring over the
films of Spielberg, Stanley Kubrick and David Cronenberg, favoring
horror titles among his collection of more
than 300 VHS
movies.
New Mutants is directed by Josh Boone and written by Boone and Knate Lee, and is positioned as more of a
horror movie than a superhero
movie, as evidenced by the
film's initial trailer.
Crimson Peak reveals the first fright before the opening title, yet 15 minutes into the
film this original screenplay feels more like a Jane Austin adaptation
than a
horror movie, and that isn't a complaint.
The
film's subtle brand of cerebral terror cuts sharper and deeper
than anything found in a more conventional
horror movie.
Until suddenly he does, and the
film shifts gears from a study of trauma into a more conventional (but still eerily effective)
horror movie, with Josh (who looks more
than a little like Glover in River's Edge) enthusiastically casting himself in the role of psycho killer, as if trying to live up to what he worries his best friend thinks he's become anyway.
For a thriller about cannibals, this Mexican
film is more of an unsettlingly violent drama
than an all - out
horror movie.
«I sat down and would smoke a little weed and try to write a mind - bending
horror film, my favourite genre and at some point I followed the truth and I realized there are people locked up for smoking less weed
than I smoked writing the
movie.»
Although, the version of this
movie where the staff have realistic eyes embedded in metal bodies would tip the
film even further into David - Cronenberg - body -
horror than it already is.
Favorite
horror film is The Terminator... I actually hated Terminator 2, because it was too much of a kids»
movie... Rather
than a
horror, like the original.
Remaking hit Japanese
horror movies (a la «The Ring») is Hollywood's latest plan to rake in big bucks without actually having to be creative or original — and while «The Grudge» is nothing more
than a cultural twist on the standard - issue haunted house
movie, I will give credit to director Takashi Shimizu (remaking his own
film «Ju - On») for giving me goosebumps.
Wildly over-praised by audiences desperate for a scary
horror movie, this
film has little more
than the germ of a solid idea followed by a series of predictable cliches.
Alien is revered as one of the greatest
horror films of all time, as well as one of the greatest
films set in space, so what happens when the director of the
film that originated the franchise returns to it to provide us back - story about one of the biggest monster
movie icons more
than three decades after the fact?
While the
film works as a weird, trippy, tongue in cheek
horror film set at Disneyland, it's nothing more
than a
film school - made B -
movie.
Taking inspiration from
films like The Innocents and The Haunting, Del Toro has been pretty vocal about defining his latest project as a gothic romance, rather
than a traditional
horror movie.
Although it works better as a romantic comedy
than as a
horror movie, this
film is cute and breezy with a likable cast that might help zombie fans overlook the glaring lack of gore.
-- Halloween: The Curse of Michael Myers What better way to celebrate this year's 20th anniversary of the sixth
film in the Halloween
movie series
than re-watching this often misunderstood and quite controversial entry into
horror's most hallowed
film franchise.
When you think of Happy Death Day as more of a coming - of - age teen
film than an outright
horror movie, the merits are more clear.
Mostly because Villeneuve and screenwriter Taylor Sheridan aren't selling more
than a tautological action
movie with the dread and body count of a
horror film.
Old - style filmmaking makes this
movie scarier
than other recent
horror films, simply because director Wan...
He directed the teen - witch
movie «The Craft» back in the»90s, a better -
than - it - needed to be
horror film.
Old - style filmmaking makes this
movie scarier
than other recent
horror films, simply because director Wan (Saw / Insidious) takes the time to actually develop suspense.
This makes the
film feel less like a superhero
movie than like the fantastical cinema of Guillermo Del Toro or Bong Joon - Ho, romantic
horror extremists who fill their
films with grotesque comedy beats and heartfelt sociopolitics.
From the get, director Johannes Roberts (47 Meters Down) abandons all pretense of heightening his
horror film with dramatic subtexts and characters with more
than one dimension — this is midnight
movie fare through and through.
Call it the Curse of the Super Bowl — and to
movie - industry types, it's scarier
than the sole wide theatrical release risking the time slot, the
horror film Winchester, starring Helen Mirren and Jason Clarke.
I sat down and would smoke a little weed and try to write a mind - bending
horror film, my favorite genre and at some point I followed the truth and I realized there are people locked up for smoking less weed
than I smoked writing the
movie.»
On that level, perhaps some may think Ginger Snaps to be a deeper
movie than it really is, but on the surface narrative form, it still remains a rather standard
horror film.
At times, she made the
movie feel more like a
film school lecture
than a
horror movie.
Perhaps it's because, bucking the trend for
horror movies, Primeval comes to DVD in its theatrical cut rather
than a unrated extended presentation or perhaps it's because I reviewed Apocalypto last week, but this
film didn't seem overly gory the way many of its modern kin do.
Saw is one of those evolutionary
horror films, rather
than revolutionary, but it's the kind of
movie that genre lovers will eat up with relish and proclaim as one of the best
films of the year.
There are a lot of fun
horror films, but what Kaluuya does here is more
than just your standard scary
movie fare.
And yet, with its layers of allusions and deep meaning, this apparent
horror movie is no less intelligent or cerebral
than the earlier
film.
Get Out turns out to be more fun, and more provocative,
than it is scary, at least in the traditional midnight -
movie sense: The
film works so well as a gauntlet of social
horror that Peele almost didn't need the more traditional thriller elements he introduces in the third act, when a carefully calibrated build in just - because - you're - paranoid dread gives way to some disappointingly conventional survival games.
In retrospect, the
film's chilly reception in North America might not be much of a mystery, as Hooper appeared to be telling his fans that there's more to life
than guy's stuff, and that eventually a man must put away evasive self - absorptions — an assertion that beats as the heart underneath Lifeforce's amusing
horror -
movie antics.
BE: I know that some people have tried calling the
movie a
horror film, but it's really more comedy
than anything.