Sentences with phrase «movie works in a way»

But I think the movie works in a way that anyone can connect to.

Not exact matches

BKEG was acquired in 2003 by New Wave Entertainment, a producer of marketing solutions and trailers for the movie industry that's owned by Paul Apel, who started as an editor at the company and worked his way up to owner and CEO, a spot he's had for 23 years.

The law was enacted in 1998 to protect artists» copyright laws — making it illegal to download copyrighted music, movies and any computer software and placing restrictions on the way companies can use an artist's work.

Just like the live concerts, the movie was sold out way in advance and there were scalpers working the door.

But several critics have worked their way in to some of the screenings, most notably Roger Moore of The Orlando Sentinel, who recently trashed the movie in his blog.

That movie has a creepy edge to it, so yes let's leave that stuff out and just keep the chocolate river We were definitely meant to be double chocolate friends, our minds both work in the same sweet logic kinda way.

Both this hot cocoa and these shortbread cookies look and sound amazing and are the perfect treats to indulge in while working your way through your Christmas movie list!

He worked his way up, eventually becoming the special assistant to the general manager, and was then hired by Billy Beane and the Oakland Athletics in 1999 (he was featured in the Michael Lewis book Moneyball and was portrayed by Jonah Hill in the movie).

«This work paves the way for movies from the nano - world with atomic resolution,» said Professor Marius Schmidt from UMW, corresponding author of the new paper, which appears in the Dec. 4 issue of the journal Science.

A. All Karma Yogi's get housing (trailer or tent accommodation) 3 meals per day, daily guided meditation or yoga class, use of yoga studio for personal practice, weekly entertainment (movie night), use of infra - red sauna, and the opportunity to live and work in a very unique way.

Developing long term alliances and being able to work cross-functionally with divisions of the movie studio probably connects all the way back to growing up in a large family.

I'm a person who likes going out to movies, eating healthy, working out enjoy living in class.im appreciative love learning new ways at life.

5ft 9 in» brown hair 49 years old and I work way to much love to see movies, fish, vacation, try anything once just for the sake of doing it love to scuba dive and boat game for anything different

Hey there well I'm sweet romantic guy thats not into the games well I have my own place I call home and I'm a hard worker my job is important to me because it pays my bills, I was raised in a good family environment and it taught me to work hard and get somewhere in life I'm looking for a down to earth person that I want to share my dreams with could that be you??? I'm not looking for any hookups or drama please I live a peaceful life and like to keep it that way anyways I love romantic dinners, walks on a beach especially at night with signaficant other, I love to do spontaneous things I'm a very easy going active guy but there are some nights just love to stay home and make a movie night.

There's evidence that background music in real life works the same way as it does in the movies.

The film lacks any kind of real «action», which makes it a departure from Mann's other work like Heat or Last of the Mohicans, but it still feels like an action movie because of the aggressive way in which Mann directs it.

But even other «minor» flaws in the editing, lighting and shaky camera - work are not in any way less responsible for this movie turning out to be the most campy thriller with a decent cast I've seen in quite some time.

The Movie: Working under the presumption that anyone of legal drinking age has had one of those nights of debauchery they can't remember the next day and that anyone who goes to Las Vegas expects that to be the norm, this comedic take on the missing person mystery takes a different look at the way Vegas has been depicted in movies by cutting to the very core of what the Vegas experience is for far too many visitors.

Much of what makes the movie work so well are the moving performances from Molly Shannon and Jesse Plemons in roles that allow them both to stretch in unprecedented dramatic ways.

There are a lot of actors who did great work and they're all represented in some way in the finished movie, but everybody lost something.

From there we go through work on the script, casting, shooting in England and Burton's style on the set, various pressures, aspects of different sequences and changes along the way, the music, the movie's marketing and promotion, and its reception and legacy.

They were fighting against the clock in that movie, and the way that movie built, it made that concept work.

Director Stanley Kubrick, working from a script cowritten with Calder Willingham and Jim Thompson, kicks Paths of Glory off with an admittedly less - than - engrossing stretch, as the movie boasts (or suffers from) a somewhat talky first act that doesn't contain much in the way of compelling elements - although, by that same token, it's clear that the film benefits substantially from Kubrick's stellar directorial choices and a host of above - average performances.

The movie keeps piling one outlandish development on top of another, but it stays rooted in their ability to work as a unit — which, it turns out, was what trouncing all those other teams along the way taught them how to do.

It doesn't work as a movie for kids or parents because then the parent would have to explain what the finger in the hole means on their way home.

In the woods, Francis Lawrence recovers his skills, at least for a while: some of the starts and frights — a bunch of snarling devil baboons, some enveloping poisonous smoke — work in a B - movie - ish waIn the woods, Francis Lawrence recovers his skills, at least for a while: some of the starts and frights — a bunch of snarling devil baboons, some enveloping poisonous smoke — work in a B - movie - ish wain a B - movie - ish way.

But in 1975 Nashville was quite daring, the work of a supremely confident, in some ways self - destructive filmmaker to whom ordinary movie - making rules did not apply.

Turns out that the entire time Lila and Eve have been playing kickass Tina - Terminators, there has been a second agenda unfolding behind the scenes — one that at least partially excuses the way Lopez's turn comes across so much phonier than the work she did in movies like «Selena» and «Out of Sight» nearly two decades ago.

Smart without being smart - mouthed, shrewd without being calculated, and quite obviously the work of a filmmaker with something important to say and a clear and impish way of saying it, Jerry Maguire is a triumph of nuanced social satire masquerading as a commercial romantic comedy, a movie that can both make fun of and wallow in its celebration of the crass spectacle American sport has become.

Kate Plays Christine from director Robert Greene is a brilliant spoil sport movie, a work whose sole interest is in the way that blissful disconnect from reality plays out.

I need to clarify this movie is absolutely ridiculous but it's fully aware of that so in most ways it worked well enough that I didn't hate everything about it.

What works about this movie is how self - aware it is, and how it states typical scenarios and rules you can follow, and then makes sure to do things in a different way.

Dead Man Down is that rare crime movie that would have worked much better had it featured no crime and focused instead on two individuals grieving and suffering in their own ways.

The movies that worked better than the others have been when the team coalesced in a better way.

Adding the rider to contracts is a way that actors, directors and other people in high demand working on movies can use that power to advocate for diversity throughout the production.

The screenplay by Seth Rogen and Evan Goldberg (from a story co-written with producer Judd Apatow) doesn't really take us anywhere we haven't been before, but it gets stoner culture in a way movies haven't really done before, and it offers an accidental buddy film that works.

Still, it seems as though being unable to use Hedrix's songs may have in some ways benefitted Ridley's movie, creatively - by forcing it to work outside the template for the standard musician biopic.

It's here that the movie spends most of its time and focus, charting the personal foibles and back stories of its young charges (the neurotic, the hottie working her way through med school by stripping, et al) by bouncing them off one another in randy and / or otherwise charged fashion, all while also still allowing for some showcase fun from Thomas» considerable roster of friends, including Dave Foley, Matt Frewer, Saul Rubinek and Maury Chaykin.

I couldn't believe that movies could work in that transcendent way, could take you there.

That's the only way reviews have ever worked for a mainstream audience, be it as part of the captive audience for weekly reviews as part of a newscast, as a column in a popular magazine or newspaper, on its own as in shows like Siskel & Ebert At The Movies, or even in print — Leonard Maltin, another beloved film critic and film historian, established his name writing a book of capsule reviews.

This remake of a 1993 tv movie sees a group of youngsters in a juvenile detention camp put together to form an American Football team, and of course along the way learn about the ways of the world and the importance of working together and regularly writing to your mother.

His notable exceptions, such as the outstanding «Topsy - Turvy» and this movie, require him to work in a somewhat different vein, and be more attentive to composition and atmosphere and period - accurate psychology; but it's just as compelling a mode, because Leigh's emotionally reserved nature comes through more strongly, and seems attuned to his buttoned - up, often repressed characters, who shove negative thoughts way down inside themselves, practically to the bottoms of their feet, and soldier on.

The once again proves her ability to impressively fight her way out of any harrowing situation through impeccable stunt work, which furthers the cause for implementing more female protagonists in action movies.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

With Coogler at the helm working with what's already been established, it shouldn't come as any surprise that this movie delivered in the kind of way that most would likely hope it would.

The movies were fun, no doubt, but they were also fantasies, with beautiful people in tuxedos and gowns making their way through impossibly glamorous locales; even the pickpockets and working grunts were attractive and dressed up in tuxes.

And just as the strongest specialty distributors are pushing for more multiplex screens — some chains designate arthouse theaters in certain cities — many smaller mom - and - pop theaters wonder why they have to wait so long to get the most - trumpeted movies as they work their way around the country, if they get them at all.

Over the past few years, the stellar British - born actress Sally Hawkins has been working steadily, but it's been quite a while since she's gotten a role that allowed her to steer a whole movie the way her critical - breakthrough lead in Mike Leigh's 2008 «Happy Go Lucky» did.

It goes without saying that something that is funny in 3 - minute installments probably can not survive the transition to a 90 minute feature, but when it comes to MacGruber, the sketch is barely funny on its own... there is NO WAY this will work as a movie.

But his movie Ramona never really chooses Scott in the same way Scott chooses her, and it leads to a few moments that don't quite work.