Sentences with phrase «movies at film festivals»

The majority of movies at film festivals don't release trailers beforehand, so we often choose which films to see based on the filmmakers involved, the cast, and a brief description.

Also, good friend of the show Christopher Jason Bell sits down for a snack - «n» - chat with Bernard to talk about what it's like to be an independent filmmaker presenting a movie at a film festival and conducting a Q&A with a (sometimes tiny) audience.

Defeated two attempts to obtain a temporary restraining order that would have caused client to be unable to show movie at film festivals.

Not exact matches

For years he held private screenings of the movie (it's also been shown at a few film festivals), and there was even a moment when he and Stern thought of remaking it with Hopper directing once more and a younger actor in the lead.

After Arin Crumley failed to find a distributor for his 2005 movie Four Eyed Monsters despite good reception at film festivals, he used his website to generate a national following.

The movie drew raves from critics following its January debut at the Sundance Film Festival, prompting Fox Searchlight to pay a festival - record $ 17.5 million to obtain the worldwide distribution rights to the film.

The movie is touring the country, mostly at Jewish congregations and film festivals, including in Atlanta, where it debuted on opening night.

The movie has premiered at a number of prestigious film festivals across the world and scheduled to premiere in the United States of America on October 16 on Netflix and in selected theaters.

This short movie has won awards at film festivals in Paris, Puerto Rico, Jena and more.

About Blog Behind the scenes look at Christian movies, actor interviews, movie reviews, film festival coverage, all aspects faith - based films and Christian movies.

That movie nudged him toward being considered a Serious Actor, a designation he nurtured with roles in three films shown at major festivals: Lee Daniels» The Paperboy and Todd Nichols» Mud (both at Cannes this year) and the popular indie comedy Bernie (London Film Festival).

Every year, at least one movie comes out of Austin's South by Southwest film festival on its way to megahit status.

Premiering at the Toronto International Film Festival in 2011, Gareth Evans» Indonesian martial arts action movie «The Raid» quickly became a festival favorite and a critical smash.Despite only garnering a mere $ 4 million worldwide, the film is widely considered...

It's not unusual for film - festival movies to have some overlap in theme and approach, but «City of Ghosts» and «Cries From Syria,» both of which premiered at the Sundance Film Festival, have an extra measure of synchronicity.

Speaking at the Tribeca film festival, in an on - stage appearance with Avengers star Mark Ruffalo, Whedon said he was proud of his 2015 movie.

Held April 26 - 29 at the historic TCL Chinese Theatre complex, Egyptian Theatre, Cinerama Dome and poolside at the Roosevelt Hotel, the classic movie marathon expanded this year to 120 films and events, «making it our biggest festival yet... creating four days of movie magic along Hollywood Boulevard,» said festival director Genevieve McGillicuddy.

If either of those films are a hit at Sundance, chances are they'll go on to even bigger things, because over the years the festival has become a formidable launching pad for actors, directors and their movies.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile GerimAt the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerimat loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

The movie has been making the rounds of film festivals around the world, gobbling up awards at every stop, about 40 in all thusfar.

I always go out of my way to talk about the other people I meet at the festival, and not just the films, because they are just as important as the movies.

Director Jeremy Saulnier's horror - thriller «Green Room» — which Broad Green financed but did not release, selling the movie to A24 — premiered at the 2015 Cannes Film Festival's Directors» Fortnight, but only after a lengthy dispute with Broad Green over sending the film to the festival at all.

It's become something of a film festival truism that certain movies play better at high altitudes.

At film festivals, buzz around certain films often emerges where you'd least expect it; at TIFF, for instance, one of the buzziest films has been I, Tonya, an unexpectedly great movie in which Margot Robbie stars as Tonya HardinAt film festivals, buzz around certain films often emerges where you'd least expect it; at TIFF, for instance, one of the buzziest films has been I, Tonya, an unexpectedly great movie in which Margot Robbie stars as Tonya Hardinat TIFF, for instance, one of the buzziest films has been I, Tonya, an unexpectedly great movie in which Margot Robbie stars as Tonya Harding.

Spend a few days at a film festival and the movies start talking to each other.

While it's entirely possible that «Demon» will appeal more to U.S. audiences after its June 24 release than it did to critics who saw the film at Cannes, at the festival, Refn said his intention was to make a «primal» movie that featured heightened reality in a way that could provoke drastically different reactions from viewers.

Lars von Trier) Cast: Charlotte Gainsbourg, Stellan Skarsgård, Shia LaBeouf, Uma Thurman, Jamie Bell Even aside from the whole persona non grata that resulted after his ill - advised comments while promoting «Melancholia» at the festival two years ago (and there have been some suggestions that Lars von Trier «s work is still welcome at the festival, just not so much the filmmaker himself), it's very unlikely that von Trier's latest will be on the Croisette this year, for the principal reason that it's not ready: the film's producer indicated that the two - part movie just wouldn't be prepared in time to screen for contention.

And while it's an art that has already yielded our first magnum opus of the year, the 100 Most Anticipated Movies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters untilMovies Of 2014, (and we should probably be awarded the rest of January off as a result) there's still a category of film we've left unmined: those movies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters untilmovies that we saw and reviewed in 2013 at festivals or sneak screenings or parts foreign tha t won't be in theaters until 2014.

The more OCD among us here at Playlist Towers find it a source of constant aggravation that release dates vary so much from territory to territory, and festivals often get premieres a full 18 - or - so months before a film gains a proper U.S. release — making a cut - and - dry list of any given year's movies less science than art.

The cable network premiered «Hemingway & Gellhorn» at the festival last year, and with Soderbergh long having said that the film was aiming for the festival, and the movie airing in the U.S. on May 26th on HBO, this looks to be a lock.

Scott Cooper) Cast: Christian Bale, Casey Affleck, Woody Harrelson, Zoe Saldana, Forest Whitaker Muscular American crime movies have always been popular at Cannes, and with films like «Drive,» «Lawless,» «Killing Them Softly,» «Mud» and «The Paperboy» all premiering at the festival in the last few years, it seems that they're particularly to selectors» tastes at the moment.

When speaking about her film adaptation of A Wrinkle in Time last fall at the Vulture festival, director Ava DuVernay told a crowd, «I'm trying to make a Lynn Shelton movie, just on a larger budget.»

It seems as if nothing with George Miller's «Mad Max: Fury Road» is as it should be: It's a relentless action movie that played at one of the world's most prestigious film festivals.

At the film festival's press conference, Martel revealed she was inspired by science fiction movies that wrongly imagined the future to change how audiences see history.

Yesterday, Chloë Sevigny attended the Sundance premiere and party of her new movie Lizzie and popped in to talk about the film at the festival's DirecTV Lounge.

The movies currently debuting at film festivals and gearing up for the fall awards season were largely filmed either before or during the 2016 election — but that doesn't mean they can't reflect modern politics.

Before the movie began, Film Society of Lincoln Center program director Richard Peña took the stage to introduce Spielberg and noted that the director showed his first film at the less prominent New Directors / New Films festival.

Fabianne Therese and Nichole Bloom are both fantastic in the fresh and exhilarating film, balancing romance, genre thrills, humor, and pathos with considerable skill, and I spoke with the stars about their new movie at the SXSW film festival.

Boots Riley made a movie that's guaranteed to keep you awake even at a film festival.

In fact, if an indie movie does become a breakout hit at the box office, chances are it most certainly debuted at Robert Redford's three decade old film festival.

I would have gone to see this movie at its premiere, but it conflicts with Baby Driver which is the World Premiere screening of the latest Edgar Wright film that will only be playing once at the festival.

The Whiplash director is tipped to net a second Oscar nomination as his third movie heads to Toronto film festival following ecstatic receptions at Venice and Telluride.

It went on to win the audience awards at the Edinburgh, Toronto and Chicago film festivals, and I note on the Internet Movie Database that it is currently voted the 54th best film of all time, and hasn't even opened in America yet.

The 38 - year - old actor and the 24 - year - old actor worked together in the upcoming movie Tarzan and according to People, romance rumors are heating up at the film festival!

The only movie that I saw at two different film festivals in 2013 and wanted to go back for more, Cheap Thrills isn't so much a horror film about people doing horrific things to one another so much as how far people are willing to go to bring horrific things upon themselves.

Having already played at a number of film festivals (most notably Cannes) and opening in other countries prior to its U.S. release, reactions to the movie have been extremely positive, although it's still hard to tell whether it will appeal to a mainstream audience.

From soundtrack mastering to on - site support at film festivals, Dolby Content Services knows what it takes to ensure top - quality sound for your movies.

One of two midnight movies playing at the festival, this film from the writing team behind Airplane!

«I look at the lists of which people from which festivals need to watch my movie,» said writer - director Greta Gerwig, whose new film, Lady Bird, will screen at Telluride this year.

Hero Complex first photos from the star - studded X-Men: First Class Movie Line, prepping for Sundance, reminds us of 13 films that broke out in a big way at the snowy festival.

BLUE RUIN is a must - see movie, yet, despite smashing it at every indie film festival hither known to planet Hollywood, this perfect picture has maintained a low profile right up until its UK release this week.