Sentences with phrase «movies by genre»

Once in the app, users can look at featured movies recommended by Disney, or sort through the 400 movies by genre, including Classics, Song & Dance, Disney Princesses, sports, Muppets - focused, those in Marvel's cinematic universe, Pixar pictures, and many others.

You can also add and remove categories, organize movies by genre, and much more.

You can filter movies by genre, release date and use of the site is completely free.

Not exact matches

Part of that likely has to do with the absence of many truly great movies this year, and the fact key contenders — like «The Shape of Water» (the pick by the directors and producers guilds) and «Get Out» (the WGA's original screenplay winner)-- come from genres that seldom receive top awards recognition.

While it may seem counterintuitive, there probably isn't a film genre (excluding movies produced by Kirk Cameron, anyway) that more consistently or explicitly references Christian ideas and iconography than the...

While it may seem counterintuitive, there probably isn't a film genre (excluding movies produced by Kirk Cameron, anyway) that more consistently or explicitly references Christian ideas and iconography than the horror genre.

At the conference, Pouya Ghaemmaghami presented a poster entitled «Movie Genre Classification by Exploiting MEG Brain Signals».

By 1965, she was working in Black Spurs, one of producer A.C. Lyles» B - Westerns, renowned for their use of aging genre stars, and Owens retired from movies after portraying Richard Egan's love interest in the low - budget espionage thriller The Destructors (1968).

Of course, Mirage culminates with a violent showdown - by which point the movie has lived up to its place as a creative, inventive genre exercise.

While the basic structure of the movie is pretty boilerplate — social wariness melting into unity, a meet cute with a boy, conflict / fight followed by glorious resolution — Pitch Perfect manages to find ways to tweak the genre, infusing its own chords and key changes (music!)

In Hollywood, crime movies are represented by two separate, yet equally important genres: the police movies which investigate crime, and law movies which prosecute the offenders.

Even though the questions raised by the movie frustrated me as I left the theater, I have now accepted that there are no definite answers to them, and this makes War of the Worlds even better, setting it apart from other movies in the genre in which there are no lingering questions when the credits start to roll.

His revelations verge on going too far but by the end you realise that you've witnessed a film that crosses all sorts of genres; it's an introspective drama, a restrained chase movie and an imaginative Sci - Fi and it tackles all the tropes with a deftness and skill.

In the end, like a lot of genre movies, this one pulls from different inspirations, and so weighs in, by turns, as overly predictable and satisfyingly recognizable (part of genre cinema's one - two punch).

This movie ruined the genre for me, by destroying my naive belief that the horror industry is getting better, and it will get better.

Unlike the self - contained world of Wallace And Gromit or the ingenious spin on the escape movie provided by Chicken Run, Early Man explores two genres which have both been cinematically strip - mined on numerous occasions in the past.

For all the generic and simplistic stuff served up in Rampage's script (by no less than four writers, including genre - TV veteran Carlton Cuse), the movie delivers where it counts.

The only thing left unsliced is the ham in BloodRayne, yet another video game adaptation by German genre specialist Uwe Boll and a movie with more fading - or faded - talent than an Italian basketball team.

Espionage, elaborate robberies, and sky diving, provide the excitement in this thrill - a-minute action movie that takes a gentle poke at the genres created by Hitchcock and Ian Fleming.

As I often write, black comedy is a difficult genre to pull off, but thanks to Todd Phillips comfort with outlandish material working from a clever script by Jon Lucas and Scott Moore, it all comes together to form a funny and satisfying movie that belongs next to Apatow's finest in the burgeoning «bromance» genre.

A Girl Walks Home Alone At Night is an impressive debut, made by someone with a clear vision and a wealth of genre movie knowledge.

As Oliverâ $ ™ s gloomy father, Noah Taylor (the star of 1991â $ ™ s â $ ˜Flirting, â $ ™ a far superior movie in this genre) has a face full of deep crags like Brighton cliffs slashed by a winter of rough seas; he is now in prime condition to be cast and gruesomely murdered in a Nick Cave / John Hillcoat collaboration.

It's a b - movie genre excursion made by people who know and love these kinds of movies, and if you're of this set, it's more treat than trick.

Then there was the unveiling of the restored 1971 exploitation movie Zodiac Killer (Grade: C +), the first in a series of 4K transfers of titles from the Something Weird catalog presented by the (also Alamo - adjacent) American Genre Film Archive.

TWC also encompasses Dimension Films, the genre label founded in 1993 by Bob Weinstein, which has released such popular franchises as SCREAM, SPY KIDS and SCARY MOVIE.

Genre geeks will be especially impressed by the main titles theme, which sounds like it could have been lifted from one of Jean Rollin's sex - vampire movies of the 1970s.

«Get Out» makes black lives matter far more than they traditionally have in movies, particularly in the horror genre, simply by depicting the reality of being a marginalized minority in white - dominated spaces.

His latest movie, Baby Driver, is the writer / director's love letter to the great car chase films from the likes of Walter Hill (The Driver), William Friedkin (The French Connection) and George Miller (Mad Max), all driven by a non-stop soundtrack that features both popular and obscure tracks of such diverse genres as rock»n' roll, punk, soul and hip hop.

Every year around this time it seems fitting to give thanks to horror - movie fans, whose willingness to support their genre of choice by actually laying cash on the line is substantially responsible for keeping a lot of studio library divisions and independent video companies in operation.

Taylor - Joy claims never to have even seen a scary movie before The Witch, but as I chat to her about my decreasing faith in Hollywood horror, she's surprisingly well aware of the formulaic approach to the genre that seems to have been adopted by so many.

Soderbergh inverts the typical action movie genre score by ratcheting up the score during the non-fight sequences, applying that retro - 1970s jazzy horn and percussion score by David Holmes (Code 46, Analyze That) during the dialogue and chases, while turning the music completely off when the film gets explosive for the highly brutal moments of close - quarter, melee combat.

From giving an anti-Superhero movie Best Picture to trying to tell the public they're sick of the genre, Hollywood believes that by crafting a fake «Superhero Fatigue» narrative people will stop going to see movies they like and will instead see boring Oscar - bait films.

At once genre movie and psychodrama, Nichols's film unfolds in a stretch of rural Ohio where a blue - collar husband and father (brilliantly played by Michael Shannon) finds himself suddenly plagued by visions of the rapture: strange clouds darkening the sky, acid rain sheeting down from the heavens, flocks of birds in panicked flight.

But if the quantity of the films has decreased, the quality of the included filmmakers has not: new movies by Darren Aronofsky (genre tale «Mother!»)

With the ouster from Focus Features of longtime indie studio chief James Schamus, Hollywood loses yet another arthouse - oriented studio, to be replaced — most likely — by a specialized division that will focus on genre movies more to the liking of Peter Schlessel, who is taking over.

A Borgesian palimpsest, a movie in search of a genre, a lament for film when it was film, a bittersweet critique of the deadening of moviegoers» sensibilities by their immersion in digital graphics — Leos Carax's barmy Holy Motors is all this and more.

Conceived by the briefly prolific, ultra-low-budget director Herschell Gordon Lewis (who will be forever known as the Godfather of Gore)-- along with producer David F. Friedman — as an alternative to the commercially competitive genre of cheap - and - easy nudie flicks, the splatter movie was at -LSB-...]

The movie is beset by the very uniformity that defines the genre, a problem that presents itself when its clutch of wisecracking egoists are assembled to butt swollen heads and crack wise over one another.

The film paints a strikingly hostile portrait of its Latin American characters and some of its mayhem is vicious, even by the debased standards of today's action - movie genre.

At only ninety minutes, it feels like director West, the helmer of genre classic CON AIR (and the pretty fun second EXPENDABLES movie) was shackled by the budget.

What separates «Black Panther» from the Batmans, Spidermans and Iron Mans of the creaky, big studio superhero genre is that it looks and, more important, feels nothing like the usual bloated franchise movie that takes no chances and plays by genre rules.

The film tries to freshen up the genre by introducing Indigenous characters and themes but it still feels like a movie we've already seen a few too many times.

For example, prior to digital distribution, horror films from filmmakers working in countries like Japan, Spain, and Italy were traded on VHS and DVDs by American fans of the genre, including movies that never saw an official theatrical release in the United States.

Far from the nonsensical, failed - blockbuster of its maudit reputation, the movie is a ravishing renewal of the genre hollowed out by Star Wars

While a landmark genre movie such as The Dark Knight is undoubtedly awesome, the subsequent desire by other franchises to duplicate that movie's tone is not.

Winstead has had a bit of an odd trajectory in her career, going from thin supporting parts in big dumb studio movies to a huge indie breakout with her magnificent performance in Smashed a few years ago that she unfortunately didn't really capitalize on afterwards, but here she gets the best of both worlds by developing a kickass character we can root for in a thrilling genre piece that also has some depth to her.

This American version of Park Chan - Wook's Korean thriller is Lee's most exciting movie since «Inside Man» — not a masterpiece by any stretch, but a lively commercial genre picture with a hypnotic, obsessive quality, and an utter indifference to being liked, much less approved of.

I love blood and gore in movies as much as the next horror fan, but I'm very tired of the so - called «torture porn» genre (which, somewhat ironically was kicked off by Saw).

The genre has a storied history in Hollywood, often inspired by writers such as Chandler, Hammett or Thompson, with movies like The Maltese Falcon or Casablanca exemplars of the tough, gritty and terse style of storytelling.

The multiplexes are filled with PG - 13 movies that should have been R - rated movies, released by studios that don't make adults - only genre films anymore.