Those movies make good money domestically, but it's outside our borders where they really clean up.
Not exact matches
Many of the headline speakers from the previous conference will be there, including Tim Draper and Lyn Ulbricht, as
well as dozens of other «smart
money» investors who couldn't
make it last time, including Randi Zuckerberg (Founder & CEO of Zuckerberg Media & Early Facebook executive), Mark Yusko (billionaire hedge fund manager and Wall Street
money man), Nick Spanos (founder of Blockchain Technologies Corp and featured in the Netflix Banking on Bitcoin
movie), David Hirsch (enforcement attorney from the SEC), and Gary Leland, from CryptoCousins.
I remember getting real cross with my little sister when she told me that she went out to see the
movie The Exorcism of Emily Rose, but when she started asking me questions about God and all that, I was kind of thinking, «You know Olga, maybe this is a
good thing that Hollywood is spending some
money on
making horror
movies.»
My favorite director has been
making good money at the box office with his new
movie: the trailer
made me insanely curious, the plot seems really interesting and the cast is full of
good actors — if I were an actress I'd work for Scorsese for free.
«The National Commission on Culture has got theatres across the 10 regions of Ghana but most of them are in bad shapes — so we shall, through this private - public partnership, craft them into state of the arts conditions, so that our filmmakers can premier or screen their
movies across the nation to
make some
good money even before they release the
movies unto the market» he added.
If you
make it through the week without lighting up, use the
money you may have saved on buying cigarettes to treat yourself to a
movie, go out to dinner, or whatever reward you think will keep you motivated to stay quit for
good.
This was a horrible game, yet another way for G unit to
make more
money by scamming the public with a crapy product, just like his
movie and music and on the game play leve, no
good, many other games do the same thing only
better.
That doesn't ensure a
movie will be
good; My Big Fat Greek Wedding was atrocious but
made a lot of
money through word of mouth.
Michael Shannon, probably the busiest
good actor in
movies today, plays Rick Carver, the master house - flipper and real estate exploiter whose
money is
made on bank foreclosure properties, of which there is a scary supply in the wake of the worst recession since the»30s.
And there but for the grace of God goes Dwayne Johnson, who has
made better movies than this but has quickly learned Hollywood's golden rule that sometimes, you just take the
money.
R.Scott was lucky to
make couple of
good movies, since then all he cares about is
money.
And that is that they exist not only to
make money, but to be a
good movie.
really writers need to stay away from that kind of approach really its really getting old and boring it
makes their
movies really predictable... other wise the
movie is
good it
money well spent
The Dark Knight has finally met its match... Now don't get me wrong the Dark Knight is by far the
best superhero
movie ever
made however, Iron Man 2 gives it a run for it's
money.
The
movie still went on to
make huge amounts of
money for the studio and you can bet the Blu - ray / DVD will do gangbuster business as
well.
That means GTA 5 has
made more
money than any
movie, book, music record, or past video game ever released, and there doesn't seem to be any reason for momentum to die down —
well, maybe when Red Dead Redemption 2 is released later this year.
The studio is 100 % behind this
movie and has given us all the time and
money we need to
make this the
best film possible.
I mean, sure, his
movies are in general pretty shitty, but didn't both «Norbit» and «The Haunted Mansion»
make a pretty
good amount of
money?
Well, Deadpool
made a ton of
money for the studio, as as a fan of that, I would much rather that Fox got it right with a Gambit
movie too.
Among the most
well reviewed of the X-Men
movies, Deadpool also
made the most
money of any of them, despite having had the smallest budget.
Assuming that the second
movie does as
well or
better than the first (which is a pretty
good assumption), Lawrence stands to
make even more
money through additional bonuses.
Yet writer director Paul King «s adaptation is so on the
money, so
well - done, so deceptively simple, heartfelt and flat - out entertaining, it
make movies with far more plausible plots seem silly by comparison.
Despite the first Avengers
making a ton of
money and (at the time) being the
best Marvel
movie, it still only managed one nod for its visual effects.
Sure Ryan Reynolds and Blake Lively are hot but it amazes me that people would pay
money to see two gorgeous people who can't act, over a genuinely
well -
made movie like Super 8.
The Avengers is the most overrated
movie of the year, people act like it was this big surprise, in reality the
movie was going to be a big success no matter what, it was always going to
make a lot
money, but people kept saying how grate it was, and how it was the
best movie of the year, when in reality the
movie was average, it was boring, there was zero tension, the villain was weak, the dialog was annoying and the characters were unlikable.The
movie have a lot of the same problems that everybody complaint in other
movies like Transformers and Avatar, like to much special effects and weak story.
Fargo is, for my
money, one of the most darkly funny
movies ever
made — and, with Grit, perhaps the
best of the Coen Brothers
movies.
Not to mention, Blumhouse Productions knows how to
make movies with a small budget which is exactly what's needed as less
money forces more creativity to
make a
better, quality film.
In addition to
making a lot of
money internationally, the
movie opens in China today and with it being such a 3D showcase it's likely to do very
well there.
Matt Smith's brief (with a capital BRIEF) role is
well - acted and an intriguing setup for what may be to come should this
movie make enough
money.
When nothing else
makes money (or when they have nothing else to release) studios turn to scares to bring people back into theaters but though it seems like horror fans are in a happy place, truth is that very few recent horror
movies are any
good.
Video game maestro Chris Roberts should beat a hasty retreat to the computer monitors of the world as
movie goers who unfortunately pay out
good money will undoubtedly amaze themselves that they
made it through this disaster, 1999's variation on Lost in Space.
Bonus: • Audio Commentary with Director Oliver Stone • Introduction by Oliver Stone • «Greed Is
Good» Documentary • Deleted Scenes with Optional Commentary • «
Money Never Sleeps — The
Making of Wall Street» Documentary • «Fox
Movie Channel Present Fox Legacy with Tom Rothman» Featurette
Although it seems like a big
movie nowadays, Braveheart wasn't a particularly big hit at the box office at the time of its release, only really
making its
money back after the Academy Award for
Best Picture fueled its interest in home video.
If you're an aspiring filmmaker, sitting around on your ass waiting for someone to hand you
money to
make your feature is no longer
good enough: Sean Baker took a hundred grand and a couple of iPhones and
made one of the
best movies of the year.
Foley, responsible for several TV episodes of «House of Cards» and of his
best movie «Glengarry Glen Ross,» is surely
making a lot more
money with this work but has gone several notches down in artistry.
Duvall (John Q., The 6th Day) spent a considerable amount of time and
money to
make The Apostle, a
good movie about a preacher.
Perhaps the elder members of the academy can relate to «The King's Speech»
better than they can to a
movie about a group of kids haggling in court over Internet
money, so they're choosing what
makes them comfortable.
They had the opportunity to do what surfing
movies have done so
well in
making it seem like a sport you'd actually want to spend a lifetime doing, but instead it looks like the boys want to do it for the
money more than anything else, and they aren't doing for the love as much as for the fact that they spent so much time doing it that they have no real marketable skills otherwise.
Her film work has slowed down somewhat — she's
making 2 - 3 films a year and working much more at home, so it's nice to see she's put her Pirates of the Caribbean
money to
good use (unlike Johnny who you think is so indie but keeps doing big studio
movie after big studio
movie).
And Michael bay hasn't
made a decent film since,
well... ever, that's not to say his
movies haven't
made money, but then again so did Spiderman 3.
And to get in before the «but their
movies just weren't as goooood» argument, we'll
make sure that each film has a Rotten Tomatoes score of 86 % or higher, which is what Steven Spielberg's the Post currently has, and which is the lowest Rotten Tomatoes score for a
Best Director nominee's
movie (Ridley Scott's All The
Money In The World doesn't have one yet).
Ratner and his company helped finance the first Wonder Woman (and the upcoming Justice League
movie), and he's already
made good money off of the series.
Good movies not to
make this list... The Professional, Brooklyn's Finest, Cop Land (mostly Jersey, but cops and couple scenes New York),
Money Train, Taking Pelham 123, Juice, Get Rich or Die Trying, Margin Call, WallStreet:
Money Never Sleeps, Smoke, Die Hard: With a Vengeance, New Jack City, Clockers, Searching for Bobby Fischer
Perhaps it's even harder to believe that a film this
good would only
make half of its
money back, especially in a year with a shortage of quality
movies.
I know, that sounds like one of the horribly lame raunch fests Troma produced in the early»80s, but at least the Weitz have more
money and
good sense than the dumbasses who
made duds like «Stuck on You» or «The First Turn - On», and their
movie at least tries to humanize its protagonists.
«I'll be the first person to say if I can't be any
good at it and run out of
money, I'll be back
making another Ocean's
movie.»
Meryl Streep has long advocated the hiring of more women in all aspects of filmmaking and noted that so - called «women's
movies» - when done
well —
makes a ton of
money.
There really is no other Godzilla or monster film that takes such a somber tone or executes its goal so
well with the exception of King Kong (most of the later
movies likely didn't have a goal, really, other than «let's
make some more
money»).
It's like the 1970s adult thriller: it's extinct simply because they no longer
make money even though everybody acknowledges they're the
best movies to watch.
No more marriage to a woman he doesn't love and who doesn't love him, no more vampire
movies that
make a lot of
money but, frankly,
well and truly suck.