Sentences with phrase «movies shot between»

Not exact matches

There is not a difference between a baby being born or a shooting in a Colorado movie theater.

So they took 21 monthly shots of the surrounding cloud and its masers between March 2001 and December 2002 and compiled a time - lapse movie.

Shot on an iPhone outfitted with an anamorphic clip - on adapter, the movie bobs, weaves, and glides down sidewalks, while the soundtrack blasts out semi-obnoxious dance beats in between snatches of Beethoven and Armenian - language holiday song.

David made me the star (or, as Robert Bresson would say, the «model») of some impressively elaborate, Coen Bros. - style demonstrations shots, taken in movie mode, inside the warm light of the Virginia Theater between movies.

A heap of bad history, the movie rewrites the one - sided feud between the early electric power moguls Thomas Edison (Benedict Cumberbatch) and George Westinghouse (Michael Shannon) into a clumsy public - domain mockbuster of The Prestige; you can almost hear director Alfonso Gomez - Rejon (Me And Earl And The Dying Girl) trying to slap himself awake as he inserts overhead shots, canted angles, zooms, and wide - angle Tom Hooper - isms into every scene.

Indeed, between Levy's tear - jerking tale of how, after screening Just Married, the powers that be pegged him as the perfect captain for this ship and his seemingly - genuine delight with filler shots (as well as every single member of his cast and crew), 98 minutes of hearing him talk makes for an even more gruelling experience than just watching the movie, I'm surprised to say.

The movie opens with a long, winding shot of a snake slinking in - between tall grass and tombstones and into a dark mansion to meet a shadowy figure assumed to be a still - weakened Voldemort.

Shooting the movie as if it were a mix between sincere drama and gothic horror, Jensen finds just the right deadpan tone to deliver his sicko lunacy and also grounds things enough to sneak in some moving drama towards the end.

with great sequences, including movies within the movie (these are more introductory sequences for our cast), a smart banter between different religious figures on how Jesus should be portrayed, and some beautiful imagery (the film is shot by Roger Deakins of «Skyfall» and «No Country for Old Men»).

Shot in full HD across London, Late Shift's cinematic experience blends the line between movies, games and interactive storytelling.

The entire movie is beautifully shot; even the quiet beach scenes between Reeves and his love interest Lori Petty sparkle.

So it was a long shoot and quite a big epic movie in one way, but very much a character drama, also some kind of reverse love story between my character and Tom's character: they've been married for eight years when the movie starts and it's like a cold war between them.

The Myth of the American Sleepover DVD Review by Kam Williams DVD Features Teens Acting Out in End of Summer Saga There's a thin line between making a Mumblecore and shooting a home movie, and in the case of The Myth of the American Sleepover it hard to discern exactly which you might be watching.

JMG: Yes, there's a movie I wrote called «The Mountain Between Us,» which will hopefully start shooting this summer.

Smith had played Marjorie in Los Angeles and was in rehearsals for the stage version in New York as shooting began, juggling her schedule between the movie locations in Long Island and New York City.

The shoot's brevity led to some of the movie's best stylistic flourishes, like a showdown between Joe and a bunch of criminals that unfolds via security - camera footage.

On the evening in October 2016 when the movie crew shot the innocent frolic between Lady Bird and Danny in the McKinley Park rose garden, the one where the lovebirds waltz through the rose bushes and name a star in the sky to commemorate their new romance, Gerwig's friends and family gathered to watch, including her brother and sister - in - law, who live in Land Park, Mickiewicz's sister and nieces, and Trafton, who said of the experience, «We were in the present, seeing a story inspired by the past, and witnessing something incredible about Greta's future.

All XMen movies should be treated as «one shots» because there is no continuity between any of the films.

Civil War was also partly filmed with IMAX cameras and the movie in general tends to feel big, visually - speaking, in - between its action sequences and many establishing shots of locations around the globe (as well as the massive title font that's used to identify each individual change in location)- making IMAX the preferable viewing format for Civil War.

But in the movie this leads to an odd dichotomy between the drily cerebral and the powerfully sexual: on the one hand, decorous scenes of intellectual jousting between the two esteemed gentlemen, and on the other, primal shots of Jung (Michael Fassbender) and Spielrein (Keira Knightley) getting it on, which culminate in a bound Spielrein shouting with pleasure as Jung spanks her with a leather belt.

What do you do when the studio demands you take a break between the shooting and the editing of a huge superhero franchise movie?

The action unfolds in the cramped quarters of a dingy, dark bedroom where they're shooting a steamy love scene between Juliette (Josephine Decker) and Eric (Kent Osborne), the attractive stars of a low - budget movie.

The movie begins with a meet - cute at Wrigley Field between Gary (Vaughn) and Brooke (Aniston), and after the happy - couple photo montage over the credits (it includes a lot of shots of Vaughn shirtless, which made me wonder who was shooting these seemingly intimate moments between Gary and Brooke), we see the domesticated Gary and Brooke, who share a condo.

She shot second unit on Arakpaw's new movie with Derek Cianfrance, «The Light Between Oceans.»

Between Pacino shooting it out in a gunfight with no bullets, owning the lamest disco - tech of all time, to him ballroom dancing, Sean Penn overacting and Miller not being Michelle Pfeiffer; this movie has zero re-watchable equity.

At the film's recent press day, Mirren revealed her approach to the role, what it was like having the opportunity to improvise on set, acting opposite the renowned Puri and what the two share in common, what she looks for in a project, why the director is an important consideration, why she likes to alternate between big movies and smaller low budget films, her lifelong attraction to French culture, her latest film that she's currently shooting with director Simon Curtis entitled «Woman in Gold,» and her upcoming biopic, «Trumbo,» with Bryan Cranston about blacklisted screenwriter Dalton Trumbo.

Here, once again, is the bald, barcoded, and entirely conspicuous video game protagonist who shoots his way through a nonsense plot, his near - invincibility inciting surprisingly chintzy special effects along the way, in between the ample time this movie spends on scenes of people staring at computer screens as face - recognition programs run.

Sure, Warrior has a few of the typical sports movie clichés, but between the shooting style and honest performances, it never once steps into idealistic territory like O'Connor's 2004 production Miracle.

Blu - ray Highlight: The 30 - minute documentary «Between Good and Evil» is an excellent retrospective on making the movie, featuring interviews with various cast and crew, as well as a few Kubrick experts, about everything from the casting process, to filming in East London, to the director's notoriously long shooting schedules and much more.

The movie bounces between crime thriller and romantic / love story, and offers a couple of big ol' shoot - em - ups.

The book alternates between recollections of the movie's shockingly long, foolishly expensive, painfully amateur shoot and a relationship with Wiseau that began in acting class.

The pair share a great deal of information about the location shooting and the parallels and differences between the novel and the movie.

The movie vacillates between shots that belong to comedy — conventional over-the-shoulder shots that let you feel like you're in on the conversational joke — and shots that belong to horror — empty patches of screen that make you feel like someone could jump out at any moment.

As a survival adventure, The Mountain Between Us is convincing, partly because it doesn't depend on predictable obstacles and partly because the location feels authentic (The movie was shot in the mountains of British Columbia).

Between shoot - outs, female characters getting offed (while the male characters discuss the sexism of female characters getting offed), and Tom Waits forever fondling a pet rabbit, McDonagh has a fine time deconstructing movie genres in the SoCal sunshine.

If it had made an attempt to characterize the people who were involved in such bold and reckless schemes, and didn't just fall back on the girls using «selfie» shots as transitions between scenes, then we might have had a real movie here.

Shooting in a 4:3 aspect ratio (apparently for practical reasons), Oram's direction is assured throughout, shifting seamlessly between genuinely shocking moments, gross - out comedy (there are certainly more prosthetic penises on display than in your average humans - behaving - like - apes movie) and surprising moments of tenderness.

The Five - Year Engagement, which runs longer than two hours and invites all kinds of bitter jokes about the title, is another collaboration between writer / director Nicholas Stoller and writer / star Jason Segel in which they seem to have written and shot a movie that is four hours long, then awkwardly stuffed it into a still - overlong two - hour frame

The most exciting shots in the movie are subtle glances between Broker and Maddy, communicating in a shorthand that only two people who've suffered and survived a colossal loss together could decode.

And that stark, black - and - white division between the two characters is how we, the audience, end up booing the bleeding - heart district attorney who lets Scorpio go on a technicality, setting up the movie's awesomely shot final showdown.

But while this might be Bird's first live - action movie, between his ensemble cast, the guiding hand of Abrams as producer, and the decision to shoot some of the film on IMAX, you would be crazy to expect anything less than non-stop entertainment.

Instead, the movie draws sly parallels between nature and machines, beginning with its opening shot where our cameraperson is admonished for shooting into the sun («you'll burn out the tube!»).

The gulf in sophistication between the majesty of how this movie is shot and what the characters are saying and doing in this film is uncrossable.

Film Review by Kam Williams Headline: Teen Anomie and Angst Aplenty in Anticlimactic End of Summer Saga There's a thin line between making a Mumblecore and shooting a home movie, and in the case of The Myth of the American Sleepover it hard to discern exactly which you might be watching.

I'm just about to start shooting a movie here in the UK, so maybe between that and STAR TREK we might get a chance to bang out a first draft if we're lucky.

«In my experience, there's not a direct correlation between the process and the product, meaning, I've been on some really hard movies, like Mr. & Mrs. Smith, where we shot a lot of reshoots that were very difficult days, as extensively reported — and in some places, accurately reported.

The movie opens with an overlong credit sequence and an embarrassingly guileless sex scene between Fassbender and Cruz that is shot like soft - core porn yet performed like a Disney film.

Other recipients include Jean - Paul Rappeneau for his project Belles familles; Louis Garrel, whose Les Deux amis will team the writer - director with Vincent Macaigne; and Christophe Honoré... Michael Caine will star in Paolo Sorrentino's In the Future, a drama about «friendship between two old people»... Abdellatif Kechiche is contemplating another helping of wrenching romantic anguish with a movie version of Héloïse et Abélard... Shari Springer Berman and Robert Pulcini are currently shooting an adaptation of Eleanor Henderson's novel Ten Thousand Saints, with Ethan Hawke and Hailee Steinfeld, about a young man (played by Hugo star Asa Butterfield) who moves in with his estranged father in Manhattan in 1987 at the height of the East Village punk scene...

For Snow Angels it took two solid years between when the movie was shot and when the movie was picked up and released.

WHY: Most directors would take a much deserved vacation after wrapping on a movie as massive as «The Avengers,» but not Joss Whedon, who used his short break between filming and post-production on the Marvel blockbuster to shoot this modern day version of «Much Ado About Nothing» with some friends at his house.