Sentences with phrase «movies shot here»

We don't just bring in hundreds of millions of pounds through the US movies shot here, we've shown we can export them, too.»

Not exact matches

After creating one of Marvel's few truly great villains in the first movie, the sequel squanders its shot with a dark elf named Malekith — a chilling presence in the comics, brought to vague and unimpressive life here by Christopher Eccleston.
It's given us here at Shots an excuse to revisit the classic Baby Ruth in the pool scene from the 1980 movie «Caddyshack.»
Here at Mia Tui we are starting to look at how we communicate our brand and bags to women, we are just looking at shooting new movies showing people «why» Mia Tui bags are different to any other bags you...
Here at Mia Tui we are starting to look at how we communicate our brand and bags to women, we are just looking at shooting new movies showing people «why» Mia Tui bags are different to any other bags you can buy.
I will be back to shoot more here for sure and Wednesday night movies will be on repeat.
My name is Chris... 26 yrs old... 5» 3, italian, nice build... funny, sarcastic, smart, caring, romantic, kinky, gentle, family oriented... i like to shoot pool, go bowling, watch movies, play video games, work out, play flag football, drink here and there... anything fun really... love my jets and...
it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.
There's a tonal dissonance here: The gangster - movie dialogue of these different groups, as well as a somewhat lame late movie shoot - out, feel far removed from the terse, beautifully choreographed pandemonium of the film's first act.
When Steven Spielberg is attached to your movie, here as an executive producer, certain mystico - awesome shots of Max must be included.
His credits here say he «chopped, shot and scored» the movie, as well as writing and directing it, and he personally operated the new Sony 24 - fps digital Hi - Def camera.
Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.
I saw close to 50 movies at this year's festival, many were inconsequential and non-starters, but that's always been the case here, as Sundance is a festival which aims to give first - time filmmakers a shot, despite the rookie mistakes that may arise from such a venture.
It's a terrifically elemental premise for a movie, one that Cuarón treats as an excuse to indulge in some truly spectacular eye candy; his famously epic tracking shots move here on all axes, making the film a pretty remarkable technical exercise — even as a few of the sequences, especially those that adopt a through - the - helmet POV, suggest the experience of watching someone else play an FPS.
Here's the list of the 128 new movies Inside Llewyn Davis Grudge Match Drew: The Man Behind the Poster Her Safety Not Guaranteed Anchorman 2: The Legend Continues Thanks for Sharing Cutie and the Boxer On the Waterfront That Awkward Moment Warm Bodies Lone Survivor Ride Along Eraserhead Dirty Wars Badlands Labor Day The Lego Movie 3 Women About Last Night Remember Me RoboCop (2014) The Square 20 Feet From Stardom Non-Stop Bottle Rocket The Monuments Men The Grand Budapest Hotel Mulligans Everything or Nothing Veronica Mars Bad Words Elaine Stritch Shoot Me Divergent Muppets Most Wanted Noah Sabotage Captain America: The Winter Soldier Draft Day The Railway Man Transcendence Heaven is for Real Suspicion The Other Woman Short Term 12 Eating Raoul The Amazing Spider - Man 2 Le Week - End Neighbors Million Dollar Arm Godzilla X-Men: Days of Future Past How to Survive a Plague The Normal Heart The Killing Chef A Million Ways to Die in the West Maleficent The Fault in Our Stars Edge of Tomorrow 22 Jump Street How to Train Your Dragon 2 Jersey Boys Transformers: Age of Extinction Tammy Life Itself A Hard Day's Night Begin Again Dawn of the Planet of the Apes Carrie (2013) Sex Tape Snowpiercer Boyhood I Origins You're Next A Most Wanted Man Guardians of the Galaxy The Hundred - Foot Journey Teenage Mutant Ninja Turtles Only Lovers Left Alive 42 The Giver If I Stay Sin City: A Dame to Kill For Let's Be Cops Sinister Get On Up The Trip to Italy The Drop This Is Where I Leave You The Maze Runner Hector and the Search for Happiness Breathless The Equalizer Gone Girl Annabelle The Sacrament The Judge Alexander and the Terrible, Horrible, No Good, Very Bad Day Fury In a World... Men, Women & Children The Last Time You Had Fun V / H / S: Viral Just Before I Go St. Vincent Birdman Kumiko The Treasure Hunter The Imitation Game Wild Whiplash Nightcrawler Foxcatcher The Orphange Interestellar Big Hero 6 Rosewater Dumb and Dumber To The Theory of Everything The Hunger Games: Mockingjay Part 1 Into the Woods Exodus: Gods and Kings Big Eyes The Hobbit: The Battle of the Five Armies Stranger By the Lake Top Five The Babadook Annie (2014) Unbroken The Interview
If you're browsing the Shudder catalog and stumble across this movie and were wondering whether or not to give it a shot, here is a review for you.
The 1080p 2.35 X 1 digital High Definition image transfer is not only dull as noted, the editing is lame and the all - HD shoot tries to use the scope frame to be big or go big, but this has all the excitement and intrigue of a bad TV movie visually and there are episodes of Columbo and McCloud that look like they were shot in IMAX as compared to what we get here.
The prank part has to do with the movie that's being offered up in such extravagant trappings — when you think of Tarantino shooting a Western in 70 mm, you picture sweeping shots of cowboys and cattle stampeding across big sky country, rather than the rather intimate chamber piece he's made here.
The movie is also a marvel of economical editing; not a single shot is superfluous here, nor does any scene drag even a moment too long.
That Sony's disc was serviceable entails that even the minor improvement made here results in The Muppet Movie looking rather strong for a movie approaching 30 that was not shot on the highest of budgets or film stMovie looking rather strong for a movie approaching 30 that was not shot on the highest of budgets or film stmovie approaching 30 that was not shot on the highest of budgets or film stocks.
There's something a bit opportunistic and obvious to me about making a movie concerning the impact of a school shooting on the shooter's parents, but nevertheless, Michael Sheen and Maria Bello appear to be bringing their «A» game here.
There's a shot in Wish I Was Here that more or less represents the entirety of the movie.
And while the largely black on white filmed material doesn't lend itself to extended viewing, you do want a larger, clear view than afforded here (especially since the movie favors medium and long shots).
A question of responsibility arises here — many people will likely watch this movie and believe that they now know everything they need to about the Oscar Grant shooting.
(The movie was shot in Atlanta, with some fake - looking snow - machine snow in tidy little piles here and there.)
And yet here you are making a movie with lengthy dance sequences, filmed in uninterrupted shots.
Smart movies like Zero Dark Thirty might think they the whole movie consciousness game on lock at the moment, but no, here comes bumbling in Gangster Squad, shooting its tommy gun in the air and then pooping its pants Al Roker style.
Here, once again, is the bald, barcoded, and entirely conspicuous video game protagonist who shoots his way through a nonsense plot, his near - invincibility inciting surprisingly chintzy special effects along the way, in between the ample time this movie spends on scenes of people staring at computer screens as face - recognition programs run.
His work here is one of two pieces of wit the movie has to offer; the other is courtesy of production designers Sebastian T. Krawinkel and Antonello Rubino, who place a replica of the sculpture in the Mosfilm logo title shot in the repository of Soviet kitsch that serves as Jones» character's panic room.
Here we have a shoot - out, doused with a healthy dose of realism, giving us the kind of movie that smartly pulls apart the cliches and expectations of how a firefight might go down.
If it had made an attempt to characterize the people who were involved in such bold and reckless schemes, and didn't just fall back on the girls using «selfie» shots as transitions between scenes, then we might have had a real movie here.
Here he is in New York yesterday shooting Another Bullsh-t Night in Suck City, the movie adaptation of Nick Flynn's awesome memoir.
Moments like O'Brien and his friends jumping from a skyscraper window feel like the kind of sequence that shouldn't go with something technically dubbed a young adult movie (a term I really despise, as it shoots franchises like this in the foot before they even begin), yet here we are, gripping the edge of our seats, mouth agape at the severity of the action.
Arrival once looked like it had a solid shot here, like its fellow «thinking person's sci - fi» movie — and best film of the year — Her three years ago.
The film is shot very well, is acted as well as films like this are meaning not that wonderfully but that they get the movie rolling and do nt get in its way but then the technical aspects arent the problem here, the story is.
It has come, it's here and we will now see the results of that over the upcoming years, because that's how long it takes to write, fund and shoot movies, so hopefully this is the beginning,» Natalie added.
In order to combat that feeling of repetitiveness, what they do here is add a few more fight scenes and a very interesting shoot out that's not exactly what we've come to expect from any action movie.
«Black Mass,» the movie all of Boston has been dying to see — shot right here in our own back yard, where these grizzly events unfolded — is a funereal event.
I'm just about to start shooting a movie here in the UK, so maybe between that and STAR TREK we might get a chance to bang out a first draft if we're lucky.
I know I'm jumping the gun here but the shots of the actuall robbery scenes just look beautiful and I can't wait to see this movie.
Miami Vice's Don Johnson patrolled these streets in a Ferrari, and the likes of Kevin Costner, Sharon Stone and Arnold Schwarzenegger have shot movie scenes here.
Here is a behind - the - scenes view of the shooting of 5 scenes from the movie, broken into: «Town Attack» (4:46), «Tortuga» (3:09), «Blacksmith Shop» (3:58), «The Cave» (3:41), and «Jack's Hanging» (4:07).
Here's a 3 - D movie that should have been shot in Zero - D.
Director Breck Eisner (son of Disney chief Michael Eisner) helms his first major film here (and honestly, given who he is, I wasn't expecting much) and fills the movie with some very nicely composed shots and gives the action scenes a very exciting edge.
It's really evident for me because we shot that here too, in Toronto, and this movie is about twice the size of RoboCop.
Cruise was pretty good in the MI movies, so maybe he's got a shot here.
Blue Moon's daughter «Shrinkabulls Blue Ivy» has been in Hollywood magazine shoots with Wizards of Waverly Place star actor GREGG SULKIN (see below), was featured with Pop Star KEANA in LIFE DOG MAGAZINE (at Barnes & Noble books now), also in celebrity magazine shoots with actor NAT WOLFF from movie THE FAULT IN OUR STARS, featured in celebrity magazine shoots with singer BRAISON CYRUS (MILEY CYRUS» BROTHER) and was also featured in Just Jared, MTV news & has also been on live TV:) Click here for Ivy's page.
Cycling, movie shoots, beach volleyball games, and the finest of people - watching all happen here, and it's no wonder.
Diving with the stars this week in south lombok we have the guys from Trans TV here shooting a movie «my trip my adventure».
Bethany Hamilton came here to shoot for her new movie, #surfslikeagirl.
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