Sentences with phrase «moving camera makes»

Not exact matches

And it announced a new spherical camera called Fusion, which can pull out any still or moving image from the spherical footage — a feature called OverCapture that essentially makes it possible to shoot in multiple directions at once and frame your photo or video after you shoot it.

Moyers's people had swarmed over the Indiana University campus in successive waves of producers, executive producers, directors and associate directors; of lighting people, camera people, sound people and questions - from - the - audience people; had added a participant (Nicholas von Hoffman) to be sure the affair would be telegenic; had phoned the panelists before the event with their own list of topics and ideas; had thrown together a wooden platform just for their cameras, which cameras prevented many in the actual audience from seeing the panelists; had shifted the meeting rooms to meet the exacting requirements for the paraphernalia of television; had fed questions to members of the audience, and instructions «from the truck» to the moderator («move on»); and then had fashioned from 12 hours of tape one hour that might have been made in a New York city hotel room.

But we were moving, and the camera was moving, so I had to be aware of the angle to the camera to make the punch look good.

Since I've gotten the hang of my fancy camera, I've decided to make the move to human models.

THE FOUR members of a Japanese camera crew chronicling Kazuo Matsui's every move made their customary bows to the Colorado Rockies» second baseman as he headed to batting practice at Coors Field last Saturday evening.

Moving around with a huge, professional camera with a huge lens can be uncomfortable and even make you a target for burglary.

The camera is only able to zoom in, not move side to side so we have to make sure the camera doesn't get bumped or moved otherwise we can't see Baby C.

This baby monitor also has sound and motion alerts, notifying you when the baby moves or makes a sound that is picked up by the camera.

De Blasio said the city is making changes to improve police and community relations, including moving toward police body cameras.

The shape - changing lens could potentially offer the same focusing capability as multiple moving lenses in a single stationary lens, which would make for smaller and lighter cameras and microscopes.

For example, turn on your digital camera to snap a picture of the setting sun and photons flying in through the lens make electrons move out from semiconductors located where the film would be in conventional cameras.

Using massive moving platforms and an array of sensors and cameras, the researchers are trying to find out how well a two - story building made of cold - formed steel can stand up to a lab - generated Southern California quake.

Alex Hay broadcasted his body's sounds, Robert Rauschenberg's Open Score showed audience members what images made via infrared cameras looked like, and Lucinda Child's piece Vehicle created the impression of dancers moving about while suspended on air.

I gave this game a 3 because it has brutal camera angles, i beat the game in a week, and the fighting moves are the same you just keep clicking B and Y nothing else in fights... and theres no co-op me and my friend were gonna rent this game but it wasnt co-op so mehh and my cousin got this game for easter so i borrowed it for a week and beat it... oh and crap gameplay and 4/10 graphics... cmon boys you can do better if ur making a second one and in new moves and more buttons.

Considering that Mr. Heineman landed in a few shootouts while making this documentary, both his camera moves and its pictorial quality are striking.

The handheld camera effect while making things more suspenseful does at times get a bit annoying with its constant moving.

However you play, the button - mashing combat proves crushingly simplistic and repetitive, and moving around the stages is awkward and disorienting, with a dizzying camera that makes Battle of Z a pretty ideal motion - sickness simulator.

Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.

Dear god, i was ready to pull my own teeth with the slow crawl through the gloomy landscape, desperately tapping the other buttons that made the camera zoom in, so that i could temporarily make it seem like i was moving faster.

2) create a Story - line of Memories in a Comic Book Style Creation App inside the AC: HHD game select one of the rooms you designed to create the story - line in, invite the animals you want with Amiibo cards (or a shuffle of random animals if you don't own cards), select your Comic Book page's format & Layout, position and pose yourself and the animals and make them hold one of the unlocked expressions, take picture with the unlocked moving camera and add it in a panel order to your comic book layout, add AC styled dialogue boxes, colorful text and graphic design sound effects, change panel border style, and even draw on top.

In fact, one can't help but feel that Harlin's quick cuts and constantly moving camera were purposefully intended to make up for a lack of energy in the script.

During any kind of close up, the camera is moving so much it's almost impossible to make out what exactly is going on.

It is most unfortunate, then, that these moving and insightful interviews are intercut with footage taken with a helmet camera on a bicycle ride along a rocky mountain path — these point - of - view shots are supposed to convey meaning for Kedar, and yet they make whole sections of the film almost unwatchable.

«I knew I wouldn't have enough time for camera movement or a whole lot of action... I had a whole bunch of people and made it like Nashville where you can always cut away to another little sub-plot, and it seems to be moving even though the shots are static.»

«De Palma has been learning how to make every move of the camera signify just what he wants it to, and now he has that knowledge at his fingertips.

Scenes often open with trick photography that make cars and buildings look like toys, while a trailing, floating camera not - so - subtlety mimics the moves of third - person video games during several action scenes.

(26) Schepisi was right in that Schindler's List could not have been made as Spielberg had made Empire of the Sun, with fluid camera moves and soaring score.

LEVEL 9: fixed an issue where the camera would not move for some players making the level unplayable

Now Lynch has moved behind the camera to make his directorial debut with the new film «Lucky» and based on the results, he has what it takes as a filmmaker to give up the day job and concentrate solely on directing if he chooses to do so.

When Jay (Maika Monroe) makes the mistake of sleeping with one of the aforementioned boys, she finds herself followed by a mysterious, slow - moving presence (the camera itself) that can assume any human form.

Considering that Heineman landed in a few shootouts while making this documentary, both his camera moves and its pictorial quality are striking.

One of the most memorable scenes from Season 1 of HTGAWM involved the talented beauty removing all of her make up and her wig on - camera, a move Davis felt was necessary if we were to get to the core of Annalise Keating.

The set up is Jake Gyllenhaal is a cop making a film with a camera watching his every move.

«I didn't think my end of things was to make things stand out, either with flat light or by moving the camera in some unique way.

Presented more as a costume drama than a film with any modern relevance, Milk «s power to move is largely dependent on the viewer's ability to watch Sean Penn make hammy faces at the camera.

Nichols's camera drinks in the wide open farmland of Virginia every chance it gets, while the scenes in D.C. are almost always confined to the Lovings» home, often to their kitchen, where Mildred makes the bold move of calling the ACLU lawyer Bernie Cohen (Nick Kroll) and having him pursue their case.

Anderson does a remarkable job of covering up the fact that his story lacks real substance, using tricks such as a constantly moving camera and an increasingly - intrusive score to make things feel a lot more tense than they actually are.

While Colin and his new border Tom (Donal Donally) push Colin's new brass bed home through the streets of London (which Lester shoots with a «candid camera» technique to elicit surprised reactions from unsuspecting onlookers) they «pick - up» Nancy, but Tolen moves in for the make while Colin chokes on small talk.

There's something incredibly moving about children's ability to play and make their own fun amid chaotic and tragic situations and this film nailed it, training the camera on 7 - year - old actor Brooklynn Prince and her on - screen friends as they explore and goof around while mother Halley (Bria Vinaite) does whatever she must to make rent.

Though technically just the bridge between the lower - budget original and the two - part finale still to come, in director Francis Lawrence's steady hands (gone are the previous film's needlessly spastic camera moves), «Catching Fire» makes for rousing entertainment in its own right, leaving fans riled and ready to storm the castle.

The booming stinger chords of Alan Silvestri's score retain their shameless oomph on the disc's DTS and Dolby Digital soundtracks, and the pristine video transfer makes Zemeckis» bravura third - act camera moves just as dazzling as they were on the big screen.

Kinski pulls off the admirable feat of never winking at the camera even as her character makes absurd, fantastical moves, something that her co-star Malcolm McDowell, who plays Irena's predatory brother, fails to accomplish.

They're certainly moving the camera a lot — frankly it feels like they're auditioning for a superhero gig and not for nothing, they're up for the Flash movie — and making some choices, like using models for transition scenes instead of typical cutaways or beauty shots.

They move the camera with unfettered glee as a means of evoking the wild abandon of the comic book page, which makes for a natural fit with Raimi's penchant for rapid shifts in perspective, sudden movements, and extreme close - ups.

The visual style on display is as distinct as anything you'll see out of Hollywood, no matter the budget, and the camera moves with a starkness that will make you wish more filmmakers would abandon the quick cut.

Coming into any sequel blindly can make that experience tough to sit through without getting too confused or losing interest; fortunately because this is a feel - good movie and the ensemble cast has strong chemistry — it wouldn't surprise me one bit if half the time Terrence Howard isn't even in character while cameras are rolling — the story actually moves along at a comfortable pace, enough to make certain loose ends easy to ignore (again, if you're coming in without seeing the original).

There are a number of special effects shots also, and the camera makes several impossible moves, à la Fincher's Panic Room.

When my camera responds to something or my camera decides to make a particular move or do something different with lighting, it's generally because I was inspired by what the actors are doing.»

That's why the attempt made by Candy (Maggie Gyllenhaal) to leave prostitution and move into pornography is the most compelling through line of the piece: From in front of and eventually behind the camera, Candy can use her awareness of the male gaze to make a product of herself and the other women on - screen.

He is bloodthirsty, cruel, and remorseless — only displaying an ounce of personality in the brief glimpses of his face as he is in the process of swinging his sword toward a foe (Nispel's visual aesthetic of rapid cuts and handheld camera moves makes for disjointed action scenes, and it's close to intolerable watching through those worthless 3 - D glasses).