Sentences with phrase «moving image collection»

Hong Kong's M + launches its inaugural moving image project exploring themes of contemporary migration, mobility and home through works from the museum's growing moving image collection.

View the moving image collection of more than 23,000 images in 9 different formats dating back.

She is currently the Curator of Moving Image Collections at Visual Studies Workshop.

Not exact matches

If you want moving images, here's a tidy collection.

LED effects, holograms, kaleidoscopic and moving - image inspired motifs all feature in this futuristic new collection.

Welcome to Dubai, where Housing the private collection of Mr. Akram Miknas, which he has accumulated over twenty - five years, the Dubai Moving Image Museum was born out of Mr

The collection abounds in not only samples of what peak athleticism was thought to look like over the course of a century, but in displays of various conceptions of bodies in motion and coming into being as compelling subjects for the moving image.

I easily and speedily moved through menus, through large collections of digital images, and through the redesigned Android Market.

Imperfect OCR is only the first challenge in the ultimate goal of moving from collections of page images to extracted text - based books.

And at Dia Beacon, «Circa 1971,» a collection of 20 moving - image pieces made in the»70s, is being presented through 2012.

Besides new abstract installation work, Holland's «Visual Orgasms» series, a collection of looped moving images that «reflect popular media's pressured attempt to make sex visually consumable,» according to a release, will also be included.

Amie Siegel, analysis, archaeology, art, artefact, cinematic, collection, cultural ownership, culture, desire, excavation, exhibition, fetish, film, history, installation, labour, luxury, material, meaning, Moving Image, narrative, object, objecthood, ownership, performance, photography, projection, property, representation, ritual, simulation, South London Gallery, speculative, value, value system, video

Her work was included in the 1985, 1989, and 1993 Whitney Biennials and is included in the permanent collections of the Australian Center for the Moving Image, the Museum of Modern Art (New York), the Centre Georges Pompidou, and elsewhere.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Works from the collection are always on view in the museum's Scaife galleries (My Best Thing was installed last week) and we continue to host exhibitions of new moving image work.

Just how much talent Kerte ¿ z showed at a relatively early age — and how extraordinary he would become after moving to Paris, then New York in the 1920s and»30s — can now be traced at the Virginia Museum of Fine Arts, which is celebrating his landmark career with a choice selection of 18 images drawn from its outstanding collection of the photographer's work.

SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]

In this collection of photographs and moving images an ocean laps a crimson island, black fireworks explode in a white night sky and a submarine surfaces in a graphite sea.

The 35 mm film From Source to Poem (2016), co-produced by Pirelli HangarBicocca and CAPC musée d'art contemporain de Bordeaux, France, with the participation of Tabakalera, Donostia, Spain, is shot in Culpeper, Virginia at the Packard Campus for Audio - Visual Conservation, part of the Library of Congress: more than 90 miles of shelves that hold a collection of over four million items, both moving - image (films, videos, television episodes) and audio recordings (music, spoken word, radio broadcasts) in obsolete formats as well as modern digital files.

Her commission will respond directly to the long and rich history of the Ashmolean's collection to produce a hugely significant new work — the first ever moving image work by a living artist to be acquired by the institution.

The contemporary collection holds significant works paricularly acquired through the Contemporary Art Society's Special Collections Scheme and includes contemproary photography and moving images works.

Lisa McCarty is a curator and photographer based in Durham, North Carolina.McCarty has held curatorial positions in archives, libraries, galleries, museums, and private collections including the Smithsonian American Art Museum Library, the Peace Corps Archive, George Mason University, The Nasher Museum of Art, Cassilhaus Gallery & Collection, The Center for Documentary Studies and Duke University's Rubenstein Rare Book and Manuscript Library, where she is currently curator of the Archive of Documentary Arts.McCarty received a MFA in Experimental and Documentary Arts from Duke University and exhibits her photographs and moving image work internationally.

Lampert is also Curator of Collections at Anthology Film Archives, where he is responsible for the daily management, photochemical preservation, and digitization of the moving image and audio collections, as well as co-programming the quarterly screeninCollections at Anthology Film Archives, where he is responsible for the daily management, photochemical preservation, and digitization of the moving image and audio collections, as well as co-programming the quarterly screenincollections, as well as co-programming the quarterly screening schedule.

I kept imagining what it would have been like, for example, had The Louisiana Project's «witness» images been spread throughout the museum and allowed to interact with and comment anew upon the permanent collection, just as the figure moves in and around the landscape.

Between 2005 - 2006 Sichel selected the works for the historical video collection of the Museum Reina Sofia, and in 2006 she curated for the Museum First Generation: Art and Moving Image: l963 - 86, exhibiting the new collection comprised of about 80 works.

Over one hundred galleries, spread over nine floors, are dedicated to a large cutting edge permanent collection; temporary exhibitions; and Centres for Art Education, Curatorial Excellence, Performative Practice, Photography, the Moving Image, and the Costume Institute.

The Moving Image Fund for Museums, which launches today, is a response to the challenges faced by UK museums in building their collections of moving - image Moving Image Fund for Museums, which launches today, is a response to the challenges faced by UK museums in building their collections of moving - image wImage Fund for Museums, which launches today, is a response to the challenges faced by UK museums in building their collections of moving - image moving - image wimage works.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

Before Sunday's incident, the fair had been marked mostly by mammoth parties like the one thrown at the Grand Hyatt by Sedition in conjunction with the K11 Art Foundation to celebrate their «Déjà Vu: Chinese Artists in Moving Images» digital collection.

Now Showing intends to materialise relationships between contemporary artistic moving image practice and the feminist and organising legacies present in the Cinenova collection.

Moving Image: Portraiture (July 29 — November 26, 2017) is the final exhibition in the series drawn from the collection of Borusan Contemporary.

Highlights of the project include a new exhibition series; a new black box gallery for light, sound, and moving image works; two new interactive galleries; and the museum's first smartphone tour of the collection.

The Moving Image Acquisition Award seeks to further the representation of video art in permanent public collections internationally.

SB: Yes, while a significant proportion of work in the Leeds collection is painting we have been actively acquiring moving image works over the last 20 years.

Although the dominant medium in the Leeds collection is painting, you've recently begun to acquire more moving image works.

A filmmaker / artist whose moving image, photography and performance pieces are regularly presented in venues big and small throughout North America and beyond, Andrew Lampert recently co-edited two books on the paper airplane and string figure collections of Harry Smith for J&L Books.

A rich creative relationship with Artangel has developed moving image commissioning and acquisition, with artists Anri Sala, Sejla Kameric and Ben Rivers, followed by further acquisitions supported by the Art Fund and other donors, bringing work by Willie Doherty, Isaac Julien, Steve McQueen, Elizabeth Price and others into the collection.

Surveying a range of approaches — from painting and sculpture to drawing, installation, moving image, performance, and photography — the exhibition sequences groupings of works by each artist that underscore the often provocative, historically charged, and risk - taking nature of the Walker's multidisciplinary collection.

Her work was included in the 1985, 1989, and 1993 Whitney Biennials and is in the permanent collections of the Australian Center for the Moving Image; Museum of Modern Art, New York; Centre Georges Pompidou, Paris; and elsewhere.

Taken over 15 years, this collection of images moves audiences into a contemplative space where time, place and scale are in constant flux.

The nonprofit provides free public online access to various collections of digitized materials, including software applications / games, websites, movies and videos, music, moving images, as well as public - domain books.