Sentences with phrase «moving image world»

Not exact matches

Image if any load of steel produced in China, tagged on the blockchain, was being moved around the world?

So we see the paradox of cyberspace, which enhances the illusion of images as reality because we can move and change the images and thus are deluded into thinking we are effective in the real world (Phelan 1984, 1988).

What Cartwright would have been reacting against, in image terms, was the picture of a fixed, settled, and shielded person not moving about the migrating world to bring the gospel of Jesus Christ to people who need it.

The trade - off is not the helpful image for moving us toward this new world.

I'm in the process of becoming more of a «morning person», we'll be moving from Paris to the countryside next year, and I have this image of myself getting up at 6 am and having all the time of the world.

In the world of Fast Moving Consumer Goods (FMCG), brand image is everything.

[Animation image shows the world globe morphing into a clock and then the image changes to show five different types of lightbulbs moving along a conveyer belt]

(Image) One of the hottest midfielders in the world currently drops massive hint of a move to Liverpool

The 5th annual Queens World Film Festival (QWFF) kicks off at the Museum of the Moving Image in Astoria, Queens, on Tuesday, March 17, with a special opening night tribute to director Leon Ichaso and a sampling of the many films in competition.

As we rotate our heads and as the world around us moves, two ocular reflexes kick in to offset this movement and stabilize images projected onto our retinas, the light - sensitive tissue at the back of our eyes.

But skeptics say the appointment may be little more than a strategic move by Moi to shore up his power or improve his government's tarnished image to the outside world.

This allows you to not only move digital images around with a swipe, but also to place real - world objects on the surface and also be recognized.

What is more, improved technology should also allow larger observatories such as Keck to move from the few giant planets already imaged — all of which orbit their host stars at relatively large distances — to closer - in worlds more like our own.

The move was at the government's order to green the image of the Beijing Olympics and Shanghai World Expo.

«I am moved, as I know everyone else is, looking at these exquisite images of Dione's surface and crescent, and knowing that they are the last we will see of this far - off world for a very long time to come,» Carolyn Porco, Cassini imaging team lead at the Space Science Institute at Boulder, Colorado, said in a statement.

Marvel's All - New Inhumans gets underway this coming Wednesday, and we've got a preview of the first issue for you here; click on any of the gallery images for hi - res versions... As the Terrigen Clouds move around the world they leave in their wake the wrecked lives of the Inhumanized.

The only branch of the world - renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film.

Talking of the emotional heft of objects, one of the things that I found immediately moving about the film is the sense it has of a world where images are scarce, and where something like a rosary bead can be invested with so much longing.

The world's first Around View ® Monitor now with Moving Object Detection gives you a virtual 360 ° view of your parking environment and provides visual and audible warnings for moving objects detected within the display Moving Object Detection gives you a virtual 360 ° view of your parking environment and provides visual and audible warnings for moving objects detected within the display moving objects detected within the display image.

Trendy music nurtured new dance moves such as the Charleston and the youth in general dived into the decade giddy after the end of World War I. Women had just won the right to vote in 1920 and the image of the «flapper,» a young lady with bobbed hair and short skirts who...

With the launch of Bolt, Instagram has moved beyond images of what everybody had for supper and enters the world of instant sharing of photos and videos with your friends.

Artist Benjamin Dewey talks about moving from the world of webcomics to Image Comics with his and Kurt Busiek's new anthropomorphic series.

In today's fast - paced world, moving images provide them with an instant representation of a veterinary hospital, its staff, and the cutting - edge medical treatments it offers.

From murky low resolution images through complicated and seemingly arcane processes to point and shoots, game photography has moved to a world where discrete «share» buttons exist on every controller.

Explaining that his clients crave a particular video game look, he blew away the audience with stunning examples of how video game aesthetics shape the world of moving images, from film to ad clips to television design.

The creative director of innovative Dutch agency PostPanic illustrates how video games influence the world of moving images, from film to ad clips to television design.

A Moment Lost in Time is a stylish perspective based puzzler in which you attempt to memorize an image then recreate it by moving around and taking a photo from the correct position within its minimalist game world.

His moving images, actually cinemagraphs, loop over and over giving us a snapshot into his faux - perfect online world.

His strives to create images that inspire and emotionally move the viewer into looking at the natural world around them.

The intricate work moves between writing, image, and pattern, and speaks to the fragmented way in which we acquire information and experience language in today's world.

Through her multimedia approach, she captures the natural world illustrating our motivations and emotions, looking for the precise moment when mastering a static or moving image becomes a great physical and intellectual joy.

Celebrating their 45th anniversary in 2016, Electronic Arts Intermix (EAI) is one of the world's leading nonprofit resources for moving image art.

Encompassing performance, crafted object and moving image, We Thrive is an opportune exhibition in which to rethink how society situates, codifies and relates to the world around us.

The myriad things that comprised and moved within Mitchell's world - water, sky, trees, flowers, weather, dogs - created images and memories from which she worked.

Starting with lost and «abandoned» footage created by Deren, McElheny has re-filmed, deconstructed and extensively processed these moving images to suggest a world of abstraction that sometimes coalesce into bodies or objects, or, in reverse, where mannerist bodies passing through the painting seem to dissolve themselves into granular abstraction.

«Dazzling winners» - London Evening Standard «Stunning and moving photography» - Londonist «World's best contemporary photographs» - Huffington Post «Incredible images» - Lonely Planet

Among his edited or co-edited books are Electronic Superhighway (2016), The Rumors of the World: Re-thinking Trust in the Age of the Internet (2015), and Moving Image (2015).

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

art fair, ArtInternational, Azra Tüzünoglu, Borusan Contemporary Istanbul, collectors, conversation, Curator's Office, curators, Dan Cameron, Edward Winkleman, experimental, installation, Istanbul, Jonathan Monaghan, Kathleen Forde, Kenichi Kondo, Mori Art Museum, Moving Image, Orange County Museum of Art, Paula Alzugaray, PILOT Gallery, Sabine Brunckhorst, screening, video, Winkleman Gallery, world premiere

By using a vector - based program to construct her scenes before they are transferred to canvas, Singer creates a world that is resolutely analog while containing the sense of limitless space and the illusion of depth that have defined the evolution of moving images across projection screens and digital platforms.

The nine - screen installation of Ten Thousand Waves continues its world tour and opens on Saturday March 3rd as part of the exhibition «Rebellion of Moving Image» at MOCA Taipei in Taiwan, curated by Huang Hsiang - Ning.

In recent years Will has exhibited in both formal art settings and in more DIY type locations around the world including: the original site of the Black Mountain College; a parking lot in St. Petersburg, Russia; ARoS Museum in Aarus, Denmark; SMK Friday event at the Statens Museet før Kunst in Copenhagen, Denmark; Flux Factory NYC; Philadelphia Water Works Museum; The Museum of Soviet Arcade Machines in St. Petersburg, Russia; The Dome of Visions in Copenhagen, Denmark; A parking garage in Baltimore for Artscape; Museum of the Moving Image in NYC, and Little Berlin in Philadelphia.

Her seminal book Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the 2004 Kraszna - Krausz Book Award in Culture and History — a prize awarded to «the world's best book on the moving image» — and has provided new directions for visual studies.

Curated by Maria Lind, Philippe Parreno at CCS Bard explores the artist's work with moving images, focusing on two later pieces, June 8, 1968 (2009) and Zidane: A XXIst Century Portrait (2006), and an early work, Anywhere Out of the World (2000).

Moving Image, the largest video and film - centric art fair in the world with editions in New York and London is expanding to Istanbul this fall.

This landmark fair will present the finest in video art and digital installations from around the world as part of the special project «Moving Image Experience,» curated by Paul Young.

The exhibition was conceived to allow visitors to reflect upon the material and political nature of images in the digital age and a globalised world, a concept largely influenced by the extremely different biographies and artistic experiences to move into the pavilion.

Hito Steyerl's video installation Factory of the Sun shows a world in turmoil and a world of images on the move.

De Kooning moved to a more lyrical form of painting, (such as Villa Borghese, 1961), that lacks the urgent, anxious connection to the world of his earlier Women paintings (no bad thing, depending on your view of these violent images, often described as misogynist).

I must say also that 90 % of learning comes from the moving image, or more recently from the virtual world.